Full text of "Jambalaya [yearbook] 1975"

Digitized by the Internet Archive

in 2010 with funding from

Lyrasis IVIembers and Sloan Foundation

http://www.archive.org/details/jambalayayearboo80edit

You need the best ingredients to
make a great /ambaJaya.

1975

)AmA[AWA

Richard Scott Padclor
Editor-in-Chief

Robert Eliot Paddor
Associate Editor

Alan E. Krinzman
Associate Editor

Ernest M. Back
Administrative Assistant

Debra Luskey
Art Director

Joanie Cleary

Kathleen Edwards

Sally Sue Victor

Administrative Secretaries

Patrick Carney
Design

Professor Andy Antippas
Faculty Advisor

Stacey Berger
Assistant Editor

Robert Warren Swasey
Art Editor

Mark Sindler, Francisco Alecha,

Andrew Boyd, Grant Bagan,

Burgess Chambers, Toby Darden,

John Kelly Charlton,

Dudley Sharp, Rob Sharpstein

Photographers

Barnett Brimberg,

Matt Anderson, Mike Smith,

Avery Crounse, Wade Hanks

Contributing Photographers

^iT

PROLOGUe

IN COMPILING THIS VOLUME OF THE JAMBALAYA, IT
HAS BEEN OUR AMBITION TO REFLECT TRUTHFULLY ALL
SIDES OF STUDENT LIFE AT TULANE TODAY. EVERY
DEPARTMENT OF THE UNIVERSITY HAS BEEN GIVEN EQUAL
REPRESENTATION. WE BELIEVE THAT A COLLEGE ANNUAL
SHOULD BE MORE THAN AN INANIMATE CATALOG OF THE
EVENTS OF THE PAST YEAR, AND IT HAS BEEN OUR PURPOSE
TO PRODUCE A BOOK WHOSE EVERY PAGE FAIRLY GLOWS
WITH THE SPIRIT OF OUR ALMA MATER, AND WHOSE EVERY
PICTURE RECALLS SOME FOND MEMORY. WE HAVE
DREAMED OF A JAMBALAYA SUPERLATIVE — OF A JAMBA-
LAYA AMONG JAMBALAYAS. TO SAY THAT WE HAVE ONLY
PARTIALLY SUCCEEDED IS BUT TO RECORD HUMAN
FRAILTY. LOOK KINDLY ON OUR FAULTS AND ATTRIBUTE
OUR FAILINGS TO LACK OF ABILITY RATHER THAN TO
INSINCERITY OF PURPOSE. OUR SUCCESS LIES IN YOUR
APPROVAL. LET THE JUDGEMENT BE FAIR. PROCEED.

JOHN H. STIBBS

1909 - 1975

DEDICATION

AS AN EXPRESSION

OF OUR HIGHEST ESTEEM,

AND IN APPRECIATION

OF HIS UNTIRING WORK

FOR THE

UNIVERSITY,

WE,

THE 1975 BOARD OF EDITORS,

DEDICATE THIS,

THE LXXX VOLUME

THE JAMBALAYA,

THE MEMORY OF

JOHN H. STIBBS,

DEAN OF STUDENTS, 1951-1975.

\m\W^\

.^^

(u ^

N^'

^> .^

n''

ii i'i :i^i^

9rr

9fr

^«'

Vi/

»fr

WMMMY/1

/^DMIMISTRAlTIOM & MCULTY 93

C/^MPUS LIFG 65

TOTKGMDieS 128

/^TKLaiCS 136

SGMIORS 168

TKG CITY Q08

ORG/^MIZ/ITIOMS 257

GRGGKS 280

UflDGRGMSSMGh 304

History Of Tulane

Gazing out upon the expansive vista of the Tulane Campus and the surrounding area af-
forded by a fourth floor window seat in the Howard Tilton Memorial Library, it is interesting
to recall the process by which Tulane University grew to its present proportions.

In September of 1834 the university made its "humble but honorable" beginnings as the
Medical College of Louisiana, with no definite income, eleven students, a faculty of eight,
and no home other than a few lecture rooms in the statehouse. The growth of the infant col-
lege, until the War was steady, but not phenomenal. The Civil War closed the University in
1860's and the war's aftermath brought grave financial difficulties. However, with the gene-
rous sponsorship of Paul Tulane, a wealthy New Orleans merchant, the University was once
again able to thrive.

Inl882, he set up the Tulane Educational Fund to be administered by a 17-man self-
perpetuating board. In 1884 the state legislature turned over the property and control of the
University of Louisiana to this Board with the addition of three ex-officio members. The Uni-
versity, now a private institution, was named The Tulane University of Louisiana in honor of
its benefactor.

Mrs. Josephine Louise Newcomb founded Newcomb College in 1888 as a memorial to her
daughter, Harriet Newcomb, who died of diptheria at age fifteen. Newcomb was the first
women's college in the country to be coordinated as a part of a university.

Today the University consists of 10 colleges, and is a campus of four locations: the main
uptown campus, the downtown medical complex, the Primate Center, and the Riverside
Research Laboratories.

The student body of today's Tulane may believe that their difficulties in dealing with the
university are only restricted to their era. This fallacy is quickly corrected when looking back
and finding that even problems in course selection existed for the alumni — only worse. In
1894 the catalogue of Tulane University said that the College of Arts and Sciences was "not
trusting in the ability of immature students or even of parents who have seldom duly con-
sidered the subject, the College of Arts and Sciences now offers four courses of study with
prescribed branches, each leading to a baccalaureate degree." The clash between the elective
system and the classical curriculum characterized the academic philosophy until the turn of
the century.

The male student of this period more often than not wore a moustache, his hair parted in
the middle and combed toward his ears. His suit was tight-fitting complete with vest, high
starched collars, derby hat and high laced shoes. Newcomb's coeds prided themselves on a
"Scarlett O'Hara" waist, and long flowing skirts that covered everything except her toes.
School spirit meant "shirt-tail" parades, bonfires, pep rallies, tears shed at the loss of a game
and dying for the dear old alma mater. Organized athletics came about in 1887 with track
being the major attraction as football did not enter New Orleans until the collegiates from the
East brought it down a few years later.

Students became a bit more emancipated in the era of the "flapper." Tulane professors had
to learn to accept the new coed image — rolled stockings and half exposed thighs — a far cry
from the protective long skirts of the earlier years. Inter-collegiate athletics occupied the
minds of students throughout the 1920's and 30's with football and tennis the most popular.
Sound familiar?

Tulane has seen troublesome times — struggles with poverty. Civil War and Reconstruction,
two World Wars and Depression. It has grown because of its founders, faculties and admini-
strators, its benefactors, alumni and students. In this year of 1975, Tulane stands as a com-
posite of its colorful traditions and its modern ideals.

11,

TULANE'S

ORIGINAL

SAINT CHARLES

CAMPUS

By William R. Cullison

Eittff^O jj'

Front Elevation, Gibson Hall.
Harrod and Andry, Architects. August 26, 1893.

By the late 1880's, the Common
Street campus of Tulane University,
as a result of increased enrollment
and growing curricula, became in-
adequate to the needs of the school.
Realizing that further expansion
within the already congested down-
town business district would be
difficult (even if it were desirable),
university officials began looking
for another solution to the problem.
Finally in 1891 property on St.
Charles was purchased with the
idea that the school should move as
soon as new buildings could be put
up.

In March of 1892, the University
invited architects to submit designs
in competition for a large "college
building" to be constructed on a
proposed new campus on St.
Charles Avenue across from Audu-
bon Park. According to the require-
ments of the competition, the pro-
jected building was to contain both
administrative facilities for the
school and classrooms. It was also
to cost "around $100,000" and to be
"constructed of brick or of stone, if
the difference can be made up."

Despite the fact that plans for
only one building were solicited for,
it was intended that the new Tulane
campus should from the start consist
of several other structures as well.
Depending upon the exact amount
of money raised, university officials
additionally planned to put up a
manual training hall, chemistry and
physics laboratories (these were to
be separate but were to match each
other in design), a library and a
number of others. While it is not so
stated in any of the sources pres-
ently available, it would appear that
the winner of the administration-
classroom building competition was
supposed to supply the designs for
these buildings also. (As it turned
out, this is exactly what happened).

For the proposed administration-
classroom structure (ultimately
Gibson Hall), the university re-
ceived a total of eighteen designs
from twelve different architects.
The majority of the designs were
submitted by New Orleans prac-
titioners, though there were also
entries from as far away as Birming-
ham and Cincinnati.

old Tulane Campus on Common Street,
(originally University of Louisiana). 1890.

At the judging of the competition,
held May 9, 1892, a committee of
university administrators and fac-
ulty selected as the winning entry
the design that was submitted by the
office of Harrod and Andry, a New
Orleans firm composed of architect-
engineer Benjamin Morgan Harrod
(1838-1912) and his young partner
Paul Andry (1868-1946). In choosing
the winning design, the committee
noted that it was "commodious,
adapted to the requirements of the
situation and a very handsome
structure."

Besides Gibson Hall, the final
building program for the new cam-
pus included four other structures.
These were: a physics laboratory;
a building comprising individual
sections for electrical and mechan-
ical engineering, a machine and
carpentry shop and a chemistry lab
(by this time, university officials
had decided to leave the separate
chemistry building to the future and
to include a smaller "temporary"
chemical lab with engineering);
another building housing a black-
smith and tin shop; and a power
house. According to the program,
the latter three structures were to
be grouped together, a situation
which soon caused them all to be
referred to simply as the "engineer-
ing buildings" or the "engineering
complex." (It was while drawing the
proposals for the additional campus
buildings that Andry reworked his
original scheme for Gibson Hall;
the new design was also presented

and approved on May 26, 1893.

In late August of 1893, the con-
struction drawings for Gibson and
the physics lab were completed, and
at the bidding held the following
month Thomas Nicholson of
Chicago was awarded contract for
both. Because Nicholson's bids
were somewhat under the amount
allotted for these structures, Tulane
officials immediately began to dis-
cuss the possibility of including in
the building program the since-
forgotten-about separate chemistry
laboratory. To find out if the ad-
ditional structure was economically
feasible, the university bid the final
drawings for the engineering com-
plex — these were completed a
short time later — both with and
without the temporary chemical
facility.

On December 12, 1893, New
Orleans, builder John McNally was
found to be the low bidder for each
of the two slightly different engi-
neering proposals, and two days
later the university's administrators
declared the cost differential
($12,000) large enough to allow for
the extra building without a budget
overrun. Accordingly, McNally was
authorized to build the engineering
complex without the temporary
chemical lab and Harrod and Andry
were commissioned to draw plans
for the new one. The contract for
the chemistry building, drawings,
for which were finished in January
of 1894 and bid the following month,
went to Thomas Nicholson.

,,H„„is central Railroad S.a.ion (Union S'a"on^ R^P^J. SJ-tj^Now O^Jean.

Work was begun on Gibson Hall
and the physics laboratory at the
end of 1893. By May 1, 1894, both of
these buildings were nearing com-
pletion as was the engineering com-
plex, begun in the early part of the
same year. The chemistry building,
begun a few months after the en-
gineering complex, was at this point
not so far along. All the buildings on
the new campus were finished by
the summer of 1894 at which time
the university moved from its old
quarters on Common Street.

With reference to the layout of
the new campus, Gibson Hall was
situated near and parallel to St.
Charles roughly equidistant from
the lateral boundaries of the uni-
versity property. Some distance -
behind Gibson were located the
physics and chemistry labs (these
are now history and the computer
center, respectively), one to either
side of the campus and quite close
to its edges. The latter two buildings
also faced toward the campus and
quite close to its edges. The latter
two buildings also faced toward the
Avenue but were placed at a slight
angle to the former, giving a feeling
of enclosure to the open space
created by the three structures and
suggesting a typical college quad-
rangle. As for the new engineering
complex, this was situated adjacent

to and behind the chemical lab run-
ning toward Freret Street.

While Gibson Hall was intended
all along to occupy a prominent
position at the front of the campus,
there appears to have been little
thought given initially to just where
the other buildings were to be
located. Indeed there is strong evi-
dence that the other structures were
actually designed before their par-
ticular locations were determined.
It would also appear that at no time
during the planning and execution
of the initial building program was
there serious thought given to any
sort of proposal for future univer-
sity development. While there are
today preserved in the Tulane
Library several site plans for the
original St. Charles campus, these
show only structures proposed at
various times during the planning of
the initial building program and
none projected for the future.

As can be seen in the present
building, the final design for Gibson
Hall was largely based upon Harrod
and Andry's prizewinning compe-
tition entry. While of rockf ace stone
as originally proposed, the building
has, however, no bell tower and its
central and end pavilions are less
pronounced than in the earlier
scheme.

Paul Andry at his drafting table.

1890.

Prizewinning competition

perspective for Gibson ^j^,^.. _ .

Hall, 1892. Harrod and ,^_ais,

Andry, Architects. - -,-~ ~

— i^^-^^j'

■m

PLAN O F JUGCC-J TED IWPn,OV£ME/Jrj' -

— TULANt GCOUNDJ —

' ■¥■ Bf ndEBWCEIj-

Suggested master plan for Tulane, 1910.
Andry and Bendernagel, Architects.

At the same time, what in the first design
was a random assortment of variously-sized
round and segmental arched windows is now
at the first floor a continuous row of large
identical round arched openings and at the
second a series of smaller double round
arched openings with triple arched openings
in the center of each of the main elevations.
As constructed, Gibson also has much less
decorations than the competition proposal,
the only ornament appearing on the building
around the main entrances, in the dormers
and in the gables of the central pavilions.

Andry's designs for the physics and chem-
istry labs are stylistically similar to Gibson,
i.e. basically in the style of Henry Hobson
Richardson, but a good deal simpler both in
form and detail. Built of pressed brick with
stone trim, these repeat the latter's rectan-
gular shape, central gabled pavilion feature
and neo-Romanesque detail. Their boxish
regularity, fenestration (arched windows be-
low, rectangular above) and low hipped
roofs were, however, undoubtedly in-
fluenced by the old Union Railroad Station
on Rampart Street.

The original Tulane engineering complex
has been largely added to or otherwise al-
tered through the years and while difficult
to pinpoint is nonetheless almost all still
standing. The most easily recognized part of
the design today is the mechanical labora-
tory, now the Civil Engineering Building.
Constructed, like the rest of the complex,
completely of brick, this is a heavy two-story
Richardsonian derivative with a high hipped
roof and recessed arched entrances, the
enormous patterned "voussiors" of which
are made entirely of headers. Less well pre-
served than the mechanical structure but
nonetheless substantially intact is the elec-
trical laboratory, now the William B. Greg-

ory Hydraulics Lab. This still retains its
original walls, but its high hipped roof and
cupola (the latter was patterned after that on
the Union station] is now replaced with a
second story of recent vintage. The remain-
ing portion of the lab, clearly Richardsonian
in spirit, is detailed in a manner similar to
the adjoining mechanical building.

Although Tulane's newly-completed St.
Charles plant was an improvement over its
Common Street predecessor, even it did not
meet all the needs of the school. While well
equipped with classrooms, it had, for
instance, no facilities for non-academic
activity — a gymnasium had been mentioned
for inclusion in the initial building program
but because of financial restrictions had
been eliminated — nor any dormitories.
(Students from out of town were forced to
board with families living near the school).
Also conspicuously absent was a separate
library. A separate library had, as was
noted, been considered early on in the plan-
ning of the new campus but as much for lack
of books as for lack of money had not been
built. (Until such time as a building could
be put up, the university's library was to be
housed in Gibson Hall). Tulane officials
were well aware of the need for these ad-
ditional facilities, however, and it was not
long before they began to plan for them.
By 1901, work had begun on the first
structure to be put up on the new campus
since the completion of the original building
program — the F. W. Tilton Memorial
Library. This was soon followed by a series
of other buildings including a dormitory,
refectory, more classrooms and several
additions. These however, constitute the
second phase of construction on the cam-
pus and as such lie outside the scope of this
essay.

William R. Cullison is curator of prints

and drawings at the Howard-Tilton

Memorial Library of Tulane University.

DINWIDDIE HALL

RICHARDSON MEMORIAL

JOSEPHINE LOUISE HALL

22'

Mrrumtpdtm

Herbert Longenecker

President of Tulane, 1961-1975

24 .

Jambalaya Message
1975

... as I approach a new phase in life . . .

In 1935, an instructorship in biochemistry at Penn State tipped the scales for me in favor of
an academic career and away from either industry or the professional musician's world.

Now, after forty years in university service — two as a post-doctoral research fellow abroad,
seventeen as a faculty member and dean at the University of Pittsburgh, five as vice president
of the University of Illinois at the Medical Center, and fifteen as president of Tulane — a
major change is about to occur and with it, an invitation to contribute a few lines for a student
yearbook.

Many thoughts crowd into one's mind in an attempt to respond. Only a few can appro-
priately be shared here.

Pleasant thoughts stem from:

— the truly outstanding Tulane student body only a few hundred of whom it has been
possible to know as individuals each year;

— the dedicated faculty and staff members, and their husbands and wives, whose interest
in the student's growth and maturation is unflagging despite handicaps under which they
have often had to work.

— successful alumni, contributing to the quality of life in their communities in all parts of
the world.

— thousands of loyal friends of the university whose connection is maintained by deep
interest in the university's people and programs;

— courageous and dedicated board members whose timeless energies have formulated,
guided, and defended, when necessary, the policies of Tulane;

— the respect in which Tulane is held wherever one goes in the world — as one of just 23
private universities in the United States among 59 total major research universities;

— the enormous increases in financial support from both private and public sources for
Tulane and the translation of that support into a steady stream of improvements in the
university's facilities and programs.

There are a few regrets, too:

— that there was never enough time to know well every one of the splendid and delightful
students and faculty and staff members;

— that fiscal resources fully commensurate with the needs and the potential for Tulane's
leadership role were unavailable;

— that the increasing financial dependence on public funds will almost certainly diminish
Tulane's independence in its future decision making.

Summing up, one thinks of the basic purposes for which Tulane University exists. In Paul
Tulane's words, his gifts that brought about the university as we have known it were ". . . for
the promotion and encouragement of intellectual, moral and industrial education . . . for the
advancement of learning and letters, (including) the arts and sciences . . ." His objective in
giving, joined by countless thousands of others, has indeed been achieved.

On a personal note as I approach a new phase of life, I am reminded of the words of an
anonymous writer who said:

"Youth is not a time of life; it is a state of mind. It is a temper of the will, a quality of the
imagination, a vigor of the emotions .... Nobody grows old living a number of years. People
grow old only by deserting their ideals .... Whether seventy or sixteen there is in every
being's heart the love of wonder, the sweet amazement at the stars and star-like things and
thoughts .... You are as young as your faith, as young as your self-confidence, as old as your
despair ....

(Receiving) messages of beauty, hope, cheer, courage, grandeur, and power from the earth,
from men, and from the Infinite, so long are you young."

John H. Stibbs

Dean of Students, 1951-1975

For Jambalaya

The Jambalaya has honored me greatly in this 1975 edition. This marks the 25th anniversary
of my serving Tulane University as its first Dean of Students. I accept your recognition with
deep appreciation.

You have requested some comments from me at this time, and were kind enough not to limit
my remarks. I should like to remind you that I have simply filled a necessary position. After
all, we need florists, dentists, zoo keepers, and deans of students. I want you to know that in
spite of continual crises, such as the big student demonstrations of the late '60's and other
campus problems, I have, in my way, enjoyed every minute of it.

A strange analogy comes to my mind. It is expressed in a line from Kipling, in one of his sea
verses. Except for this one line, the poem is hardly worth notice. The ship is at sea, and a
cockney Londoner, who is a common seaman with a background of indifferent hard work,
falls sick and dies. At the simple burial ceremonies, the Captain orders the canvas shroud
with the lead weights to be slipped over the side. He directs the man's friend, another
cockney, to say a few words. The friend paused briefly, and then with blunt certainty spoke
up, '"E LIKED IT ALL!"

I want to thank the students of several generations who have become, through a variety of
contacts, my close personal friends. I have written and deposited in the library a short volume
of memoirs of the twenty-five years of my student deaning. In this volume, I have acknowl-
edged in detail my indebtedness to colleagues and students who have served with me faith-
fully during these years. I hope this cross-reference will meet to some small degree a re-
sponsibility I feel in preparing this necessarily short statement.

During recent months I have learned something about myself — most particularly, that it is
not as easy as I thought to leave the post I have occupied for a quarter of a century. I find that
I have become involved not only in the "little" world of Dean of Students, but also in the
greater problems of the whole University. Without displaying my ignorance, let me say that I
have some sense of the awesome problems that stand before us in the immediate years to
come. In this University we have a multiplicity of schools, colleges, divisions and service. But
what is needed at Tulane is a multiplicity within unity. The alternative is separatism. If we
fail to work together, we will retreat into a divided multiplicity — pre-law, pre-medicine, a
separate women's college, and football dorm at the Dome. This is not what the students want.
This is not what the members of the faculty want. Both students and faculty want to be a part
of a united Tulane University.

A collegiate institution, like a civilization or a work of art, is something put together. The
ingredients, of course, must be there. If you would be first rate, the ingredients must have
quality. At the college or university, the quality student is essential — certainly not the sorry
fellow who won't work and wishes himself in the Virgin Islands, or some other faraway place.
But with all the ingredients, and with quality in each, there has to be a fusion. Arnold Toynbee
has written about the "Second Challenge" that causes a civilization to draw together in
strength and grow in stature. The mystery of the Taj Mahal, Michelangelo's David, and the
Mona Lisa, in each case, a wonderful fusion of ingredients into a unity. This feeling of unity,
this University spirit, is a great and wonderful thing. It can be promoted; it should be worked
on at all levels. AND WE OUGHT TO BE ABOUT IT!

Let me turn again to the field of letters, this time to John Milton. His deep interest in edu-
cation and the driving force of goodness in man should be an inspiration to us all. His power-
ful ringing words of faith should challenge our thinking, as we plunge forward in the work
that lies ahead at Tulane. Milton's mighty statement should guide us and inspire us with con-
fidence as it did those who had to meet the searing problems of the Cromwellian Era, "There
is no power human or from Heaven that can war against the good in man!!"

Robert A. Scruton

Director of Security, 1960-1975

Foreword: The editors of the Jambalaya asked me to write a story about my job at Tulane
because I am retiring January 1, 1975. Here it is

Auf Wiedersehen

by Robert A. Scruton

I'm turning in the badge at 62. It is flattering that many students and professors have asked
me to stay on. But 26 years in the infantry, 3 shooting wars, and 16 years as Tulane's Security
Director are enough. I don't rebound from long hours and lost sleep like I used to. It's time to
change the guard.

The increasing demands of the job can be measured by the increasing number of Ma Bell's
instruments I have in the office and my home. I started out with one in the office and one
bedside. Now I have nine in the office and three in the house. They all ring more or less
constantly. Most of the problems are human ones; mine is a "people job." I do almost as much
business over my home communication center as I do in the office — that's a lot of humanity.
But after all, Tulane is a city inside a city.

My first human problem came on a sleeting winter morning in 1959. The bedside phone rang
at 3 a.m. and Fred, a freshman, said he was in jail. He confessed to a few of Pat O'Brien's
"Hurricanes" and to sassing the cops. He needed $100 cash to get sprung. Could I help?

"Do we have a hundred in the sock?" I asked my wife.

"You can use the house money," she said.

So I took the house cash, went to the jail, sprung Fred and brought him back to his dorm. He
paid me back in a couple of days and I got a call of thanks from his father. Somehow it made
me feel good and worthwhile. Fred, a Tulane Law School Grad, is an attorney in the city now
and tells me he'll return the favor anytime.

Word of the new "service" spread fast. Soon I was a fixture at the lockup, getting the kids
sprung. Most charges were minor, what you'd expect from youngsters in a swinging town.
Hell, I'd done the same thing for my GI's when I was a company commander. I've seen a lot
of jails and they're no place to stay any longer than you have to. I guess I've sprung 3,000
frightened people in my time at Tulane, including professors and staff. It was hard on the
sleep but good for the people. As I said, mine is a people job.

Not all the calls for help were so uncomplicated. One midnight in February 1960 the bedside
phone rang and the desperate voice of a girl said: "Colonel Scruton, I'm going to kill myself in
a minute. I'm just calling to give you my name and where you can find my body." She gave me
the address of a motel on Chef Menteur.

"Will you talk to my wife just a little, honey?" I said.

She talked to Leila for 30 minutes — long enough for me to get to the motel. She hung up
just as the manager and I rushed into her room. She had a chance to swallow only a few pills.
I put her into the car and raced her to Health Service, where Dr. Trickett waited to pump her
out. Just as we were leaving the manager said: "Hey, she owes eight bucks rent! And keep it
out of the papers, will you bud? Ain't good for business."

So I threw him the rent and kept it out of the papers, and Paul Trickett pumped her out. But
the real life-saver was Leila. That girl would have died without a woman's voice to allay her.
When you're very young and a love affair goes sour, it often seems that suicide is the only way
out. Leila often helped in similar emergencies and wild rides to motels on the outskirts of the
city. When she died in 1965 I lost not only a wife but a member of the team. Yet I am a lucky
man; my present wife, Leona, is a lady of endless patience and understanding, often remind-
ing me that, though I have no kids of my own, I have a big family at Tulane. Amen!

Although I did not know it then, doing all this for others was to be a big help to me in the
years of student turbulence ('69 and '70). By that time I had an image of going out of my way to
help others. The kids respected me, even liked me, though I always did my damndest to get
them a stiff lick of Dean's discipline when they got too far out of line. We understand each
other very well. In 1963 they promoted me to General and were later to give me their top
prize — the John H. Stibbs Award, named in honor of Tulane's first Dean of Students.

I had a lot of other things to do besides being helpful, in those early years at Tulane. I had
to learn my way around the thicket of committees and how to deal with the traffic chaos. I've
never really licked that one. I've found that everyone is in favor of traffic enforcement except
when it is applied to them. Then you get denounced. It is necessary to understand this "people
principle" in order to maintain serenity while you're being denounced. I have a good pro-
fessor friend who gets tickets. Then we play a game. He comes to my office and denounces me
for 10 minutes while I listen serenely. Then I say:

"That will be ten bucks. Make out your check payable to Tulane." We're good friends. He's
also a philosopher.

And there were other things to do. I had to get my cops — the Greenies — around to my way
of thinking, a philosophy of campus law enforcement, and I had to learn how to cope with the
numerous panty-raids of the era. One thing I learned about those affairs was that unless you
can stop them before they get really going, you may as well relax and enjoy it. We haven't had
one for quite awhile — "streaking" may be "in" these days — and I very much hope the kids
don't stage one in honor of my retirement.

There was a really nasty problem in those days. A large con-fraternity of outsiders, who
today would be called "gays" but were then known by a less gentle term, had infested the
campus. Some would alight from trains and head straight for one of our facilities which shall
be nameless. They couldn't wait! It was a sticky wicket. But after all, Tulane is a city within a
city.

Getting more money out of the Administration was another tough problem, like staging a
successful raid on Fort Knox. But I managed to wheedle better pay for the Greenies, radio
equipment, and a patrol-car ambulance — the celebrated Car 6. When we got our first car we
stencilled it up all policey looking and then the question came up what number we'd call it.

"Why don't you call it car 6," a Greenie Sergeant said. "Then everyone will think we've got
lots of cars and the campus is well-policed."

So Car 6 it became. We've had seven Car 6's in my time, but only one at a time. The seven
sixes have transported about 11,000 ill and injured to medical help all over the city.

I had enough to do in those early years to keep me on 80-hour weeks, but the truly ugly
problem didn't hit me until 1967. As the national and city crime rate soared, our unfenced
campus got its share. Drugs. Muggings. Attempted rapes. Robberies. The campus actually
became dangerous. Along with the pros of football in the Stadium came pros of another kind.
More and more often the Greenies were in Criminal and Municipal Courts, testifying against
those they had arrested. I reorganized my department to cope in 1968, and we're still coping.
It's a tough situation.

Yes, tougher than '69 and '70, our years of student unrest.

I'm not going to say much about those years. Perhaps in the 1980s some historian, armed
with the perspective of time, should write that story for the archives.

I'll say only this — for me it was another kind of combat. Those marching, hollering, dem-
onstrating kids — the "enemy" as some called them — were my friends. You don't tear-gas
your friends. You don't bring in the riot squads. In fact, you disarm your Greenies to make
sure that no tragic accident occurs. You overlook a lot of things and you don't make petty
arrests. You have to know that the kids were frenzied by the articulate persuasion of a very
few. You keep the cool and you have to find the right words — exactly the right words — to
tell the kids. There was an incident, one of many, that makes the point.

A Greenie was accused of rapping the knuckles of a freshman at one of the flagpole dem-
onstrations. Right away a cry went up. Police brutality! Police brutality! Rapidly a great
caucus assembled in the then "occupied" University Center. The alleged victim got up and
shouted that a Greenie had knocked the sh out of him.

"I don't see how you say that," I said. "You still seem to have a lot left in you."

It brought down the occupied house. I don't know how I found just the right words. They
may have made up for all my mistakes.

Still, there was a lot of tension, including 408 bomb threats. In one stress period I never left
the campus for 30 days. It was the one time my Leona complained.

"When are you coming home?" she'd demand over the phone. "I'm tired of being alone!"

So we compromised. She'd come to me in the office with one of her gourmet meals. She is
unquestionably the finest cook in New Orleans, as those who have tasted her food, including
students, can vouch. (The Underground Gourmet would give her five stars, a Generalissimo of
cuisine!) And along with the food she'd bring me a stiff bourbon, my pills, fresh clothes, and
lots of wifely advice — a real member of the team.

We're near the end now. I've saluted the big generals in my time — MacArthur, Eisenhower,
Bradley, Patton — and won a collection of the better combat awards. But I do not think I
saluted the generals with the same sincerity that I now salute the students of Tulane. And
that award they gave me — it's right up there with the best I got for another kind of combat.

Well, that's it. Some say I should write a novel about this, but I do better with the shorter
stuff. So — briefly — Auf Wiedersehen — to the students, the staff, the faculty, the Admini-
stration — and the Greenies who loyally serve the University.

ADMINISTRATORS OF THE TULANE EDUCATIONAL FUND

Edmund Mcllhenny
Chairman of the Board

Edmund Mcllhenny,

Chairman
Gerald Louis Andrus,

Vice-Chairman
Sam Israel, Jr.,

Vice-Chairman
John Winston Deming,

Vice-Chairman
George Shelby Friedrichs
Ford Mulford Graham
Frederic Bigelow Kelleher
Alden James Laborde
Floyd Wallace Lewis
William Blanc Monroe, Jr.
Lanier Allingham Simmons
Charles Gabriel Smither
Edgar Bloom Stern, Jr.
Arthur Joseph Waechter, Jr.
Ex Officio

The Governor of Louisiana
The Mayor of New Orleans
The State Superintendent

of Education
Board of Administrators

(Advisory)

Charles Leverich Eshleman

George Shepard Farnsworth

Clifford Freret Favrot

Darwin Shriever Fenner

Richard West Freeman

Leon Irwin, Jr.

Jacob Segura Landry

Lester Joseph Lautenschlaeger

Joseph McCloskey

Joseph West Montgomery

Clayton Ludlow Nairne

Isidore Newman

Ashton Phelps

Marie L. Wilcox Snellings

George Angus Wilson

Anthony Percy Generes,

Secretary-Treasurer

Invited by the Board

Frank Thomas Birtel

Jean Marie Danielson

Wayne Shaffer Woody

Students Elected

Peter Kohlman

George Ann Hayne

Scott Wagman

David R. Deener
Provost/Dean of Graduate School

Albert Wetzel
Director of Development

Jessie Morgfin
Business Manager

Samuel Hulbert
Dean, School of Engineering

William Turner
Dean, School of Architecture

Joseph Sweeney
Dean, Law School

[ames T. Hamlin

Dean, School of Medicine

Wayne Woody

Associate Dean, Law School

Fred Sutherland
Dean, School of Social Work

]nsf;[ih Gordon

Dean, School of Arts and Science

ohn McDowell
Assistant Dean, School of Arts and Science

Robert Wauchope

Director of Middle American Research Institute

Dorothy Dale

Director of Admissions, Newcomb

Anna Many
Emeritus Dean, Newcomb

Buddy DeMonsebert
Business Manager, Athletics

Rix Yiird
Director of Athletics

Bea Fields

Director, Alumni

Activities

Dr. Patrick Hanley
President, Alumni Association

Joseph Hammill

Director of University Food Services

John Gribbin
Director of Libraries

Robert Mclnerney

Director of Housing

and Food Services

Don Moore

Acting Dean of Students

Claude Mason

Assistant Dean of Students

Einar Pedersen
Director of University Center

Thomas Loved

Director of Financial Aid

Mason Webster
Director of Placement

George Molliere

Personnel

Manager

Elton Endicott
Bookstore

Waller vf)n Klein
Director of Student Records

Samuel Cresap
Purchasing Agent

Elbert

Crozet

Hoffman

Duplantier

Director of

Planning

University

Relations

Stanley Have
Bursar

THG

new

PRCSIDGMT-

FR/lhCIS SKGLDOM H/1CKh€Y

We sit in the dark green, mahogany-lined con-
ference room adjacent to the President's office in
Gibson Hall. Myself, the editor, and a photographer
— wondering if there will be enough light for photo-
graphs, wondering if the tape recorder will work,
wondering "what he'll be like." He's late. The con-
ference room is somehow imposing — with its long
antique table, its huge antique bookcase filled with
antique books. One wonders what important deci-
sions have been made here, what crises have been
met. Probably none.

There is a shuffle of feet outside the door, some
last minute instructions as to what time tomorrow's
meeting is scheduled can be overheard. Clarence
Scheps, executive vice president, opens the door,
closely followed by someone who grabs my hand
saying, "Hi, I'm Sheldon Hackney." He is a tall man,
perhaps six feet four inches; he moves with the grace
of a natural athlete. He is dressed in a sports coat and
slacks, and is wearing a tie that could have been
designed by the technicolor department of Walt
Disney Studios. We sit down.

Francis Sheldon Hackney was born on December 5,
1933 in Birmingham, Alabama. His voice still bears

traces of his southern heritage. At forty-two, he is a
man who looks thirty. He received his B.A. in 1955
from Vanderbilt, his M.A. from Yale in 1963, and in
1966 was awarded his doctorate from Yale University.
Since 1965 he has been at Princeton University, first
as an instructor, then working his way up the tenure
ladder to full professor in 1972. That same year
Sheldon Hackney was named Provost of Princeton,
attaining that high office in the short space of seven
years. At the ripe age of thirty-nine, he was among the
finalists in Princeton's search for a President.

He has published extensively; in 1969 he authored
his first book. Populism to Progressivism in Alabama.
For that effort he was awarded the Albert Beveridge
Prize by the American Historical Association for the
best book in American History published in the year
1969. Numerous articles and an edition on contem-
porary problems followed. He counts among his
friends and advisors C. Van Woodward of Yale and
Arthur Link of Princeton — two of America's most
important historians. Barely forty, he'stood (stands)
on the edge of a highly rewarding, successful, aca-
demic career. He could have easily succeeded Link
at Princeton in a prestigious chair. He is an academic

success and, by all standards, still several years away
from his "academic prime." This past spring, Sheldon
Hackney accepted the post of President of Tulane
University, effective July 1, 1975. Not only has he
shifted his focus from teaching and writing to ad-
ministration, but he has done so at a University that
finds itself in grave financial crisis. From the comfort
of academia and the financial comfort of Princeton
to the trials of administration and the money squeeze
at Tulane, Hackney has altered the course of his
professional life.

places in the South, not many private institutions of
higher education that have a chance to really become
great universities. The South needs a great university,
I think. Tulane is one of the places that has a chance
to make it, I think primarily because of its tradition
as a very strong university, one with very high stan-
dards, able to attract good students and good faculty.
All those things are under pressure because of the
financial situation at the moment, but, because the
tradition is there, and because New Orleans is such
an attractive place, and because I think that potential

I wondered, "Why administration, why Tulane?"
I questioned Hackney on this point. "Well, first, the
Princeton situation is not all that comfortable. They
run a much richer operation than Tulane has and
they're faced with the decision of running a less
rich, that is a less sumptuous, educational program,
or finding new revenue. The Tulane situation is, I
think, very similar." Hackney continued, explaining
his reasons for switching to administration and for
coming to Tulane.

"What attracts me, well, one can start with the fact
that Tulane is in the South. This is a less tangible
reason. I'm from the South, I've been interested in
Southern history professionally. I have thought for
some time that it would be fun for me to come back
to the South and to try to do something, to make some
contribution in the field that I know best, which is
education and/or history. There are very few places
in the South, I think, where a significant difference
can be made to the region's future. Private univer-
sities happen to be the thing that I know best, I guess,
because I went to Vanderbilt and went to Yale and
then to teach at Princeton and they are all very
similar kinds of institutions. There are not many

sources of support are also there, Tulane has the
chance to be truly great."

Somehow all this talk about greatness is almost
believable — coming from Hackney, that is. The
reason that it is perhaps believable is because
Sheldon Hackney recognized the major problems of
private higher education in this country. This recog-
nition does not, however, presuppose that he has the
answers to such problems.

In a speech to the Tulane Board of Visitors on
April 3, 1975, Hackney outlined these problems and
defined them as ". . . the unfortunate confluence of
demography, inflation, recession, and history." He is
correct when he asserts that, "Throughout our history
Americans have ascribed an almost magic quality to
education. We have looked to school to provide access
to the word of God, the rules of law, and the duties of
a citizen in a democracy." In addition to these tra-
ditional expectancies, Americans have correlated
higher education with higher income and a better
standard of living. Hackney continued, saying that
fewer people are going to college now, partially
because of the costs involved and partially because
of a reversal in the growth trend. College-age popu-

lation will actually decrease in the next fifteen years.
Rising costs due to inflation, and parents' inability to
afford a private university for their children have
taken their toll on the university's ability to be
financially solvent.

Should we, I asked, because of these different
crises, change the basic notion of the liberal arts
education to something more "job oriented"? What,
in essence, should our goal be? Hackney finds Robert
Goldwin's viewpoint very congenial. Goldwin,
special assistant to the President with responsibilities
as liaison to the academic community, argues that in
this rapidly changing world of future shock, the only
kind of education that makes sense is education for an
indefinite future. Learning how to learn, he said, is a
skill derived from a liberal education, and it is the
most important skill one can acquire. Quoting Hack-
ney, again from his speech to the Board of Visitors:
"Undergraduate education should focus on develop-
ing the capacity for critical thought, the capacity for
defining and evaluating options and for making de-
cisions .... Between the formal and informal cur-
riculum, students should almost by accident be
stimulated and challenged by exposure to the broader
culture, different systems of thought, and the highest
standards of excellence."

Finding myself satisfied with Hackney's overall
view of higher education, its problems and goals, I
am still wondering, "What kind of President will he
be?" Much can be determined from the kinds of
personal relations Sheldon Hackney keeps. Lest I
make the same mistake Dr. Hackney made, I choose
to talk about his wife, Lucy, first. In the acknowledg-
ment in his book on progressivism in Alabama,
Hackney writes about Lucy, "To my wife, who will
see the humor of being mentioned last, I owe much
that can not be noted here. Nevertheless, my apprec-
iation of her fund of understanding, her vitality, and
her painfully proper sense of priorities should not
go unrecorded." Lucy Judkins Durr married Sheldon
Hackney on June 15, 1957. Beyond being a June bride,
there is little about her that is traditional. Lucy left
Radcliff to marry Sheldon before she was graduated.
Ten months later she bore their first child. This
spring, well into her thirties, she will graduate with
a B.A. from Princeton. Her main interest is public
affairs. She was manager of George McGovern's
presidential campaign in the Princeton area. She
maintains, as does her husband, an active role in the
American Civil Liberties Union. There is the distinct
possibility that she will enter Law School once the
family is settled in New Orleans — Fall, 1976, per-
haps. She will not be the traditional wife, solely
supportive of her husband. In describing her. Dr.
Hackney said, "Lucy is very interested in public
affairs in general and politics. I suspect that she will
pursue those with a lot of her time. Lucy has her own
activities and her own life and will lead those."

What is emerging in this portrait of a President-
elect is a man who is entirely contemporary. Much
unlike his predecessor, Sheldon Hackney is a student
of the 1960's, and all that that turbulent decade repre-
sents. For Tulane he is a radical departure from the
leadership of the past, unlike it in age, education,
personal belief and personality. This difference is
high-lighted in a comment Hackney made to me in
response to a question about what caused student
activism in the 1960's. "The student 'revolt' must be
looked at through social history. The unrest is un-
explainable unless you connect it to the real issues
that students were mostly organized around — civil
rights and the war. But that's not all it was; I think
basically what was also happening then was a real
effort to reorient institutions to reflect more the
current realities of the status of young people. Young
people were achieving more and more freedom —
economic, political, social freedom — except in col-
leges where they were still in a dependent status on
the institution, vis-a-vis the faculty, in loco parentis,
etc. There was bound to be some shakeup, some
readjustment of that relationship, and what is
emerging is really a different ethos, a different
atmosphere in which the student lives which governs
the relationships of students and faculty. The inclu-
sion of students on policy-making and decision-
making boards is an example of this change. I think
that's good; you get better decisions that way. Basi-
cally, it is a sociological readjustment that has taken
place and I don't think that basic values that young
people were trying to express have changed."

Hackney's formative years as a teacher were in the
middle of that period of conflict in American univer-
sities. He brings to Tulane a sensitivity — recently
acquired — to people, to students, and to issues.
Issues which are current — contemporary, if you
will — and are at the heart of this ever-emerging
concept of what a university is. This sensitivity will
surely find its way into policy. Out of this sensitivity
grows Hackney's view of a university as he expressed
it to me: "I think very much about a University as a
community of trust in which people can live and work
together with the sort of human relationships, com-
mon purpose and common identification that I think
is ideal in society. One of the functions of a university
is to demonstrate to people who come through it, the
students who pass through it, transiently in a way,
that that sort of existence is possible and is worth
striving for."

In the midst of Hackney's enthusiasm, his sensi-
tivity and commitment, the question still remains —
can he do it? Tulane has many problems. The Uni-
versity's endowment is small — and its reserves funds
are dwindling. The University can meet only so many
more years of deficit spending. Because of the money
squeeze, good junior faculty are looking for jobs
elsewhere, academic programs are suffering and

tuition has just gone up $400.00 for 1975-76. With all
these problems, can Sheldon Hackney make Tulane
the "great" University of which he speaks? And can
he do it in an economically and politically pessi-
mistic time?

I think he can. Hackney will bear the heaviest of
burdens and walk the thinest of lines — but it can be
done. He must create a positive attitude in the
faculty — something which has been non-existent in
the demoralizing atmosphere of the past five years.
He is looked to by students as a young president, one
not so far removed from them in either age or phil-
osophy. Student demands for a greater voice in the
decision making processes are likely to continue.

To be sure there will be many circumstances that
Hackney can not control. The University is already
committed to the new Medical Complex and its
enormous costs. It was originally planned to have this
teaching hospital make money to offset the annual
deficit of the Medical School. Many in the local
medical community question this.

Hackney will have very little or no control over
Federal and State aid policy to higher education.
Though he is for state aid to Tulane, one can hardly
be sanguine about the prospects for substantial state
governmental aid. Tulane's relationship to the State
of Louisiana is a very delicate one, characterized
by tax-exempt status, legislative scholarships and
who knows what else.

There are, however, many areas where Hackney
can exercise substantial control. This is where the
difference will be made. Hackney must exercise
strong, positive academic leadership. He has ex-
pressed the sincere desire to be a part of a revitaliz-
ing process — the internal revitalization of Tulane.
Perhaps Hackney's strongest attribute is his openness
and candor. He impresses me as being the kind of
man who will tell things as they are, even if they will
be unpleasant to the listener. His enthusiasm, his
youth, and a proven capacity for work, will aid him
in his task.

A very important sidelight to this story of Sheldon
Hackney is the story of how and why he was offered
the job in the first place. In offering Hackney the job
of President, the Tulane Board of Administrators has
made the move for change. Largely, this new attitude
can be attributed to two men, Edmund Mcllhenny,
Board chairman, and Gerald Andrus, chairman of the
Selection Committee. There is a new force emerging
on the Board, different from the leadership of the
past. Mcllhenny, Andrus, Lanier Simmons (the
Board's only female member) and Bill Monroe are
members of this new force. What makes Hackney's
chances for success good are these people who,
hopefully, will support the new President when the
tough decisions need to be made. One would suspect
that the Board is ready for change and a progressive
administration, or they would not have gone to

Hackney in the first place. It can be said that a new
president with fresh ideas and a progressive outlook,
and a Board willing to act positively and progres-
sively, will combine to make Tulane as strong as it
once was. This spirit of cooperation between Presi-
dent and Board will be directly related to Tulane's
ability to "come back." We are in for an exciting
time at Tulane.

In closing his speech to the Tulane Board of Visi-
tors, Hackney compared the University to the elegant
bridges of an architect named Maillart.

"Maillart bridges are simple elegance functioning
at the most practical level to facilitate traffic across
a chasm. They are a fitting metaphor for a University
whose vitality depends so much upon the bridging of
internal gaps and whose social function is to connect
people to ideas and ideas to reality.

"If I am right, Tulane can be that sort of an elegant
educational sculpture. It is certainly not immune
from the problems of private higher education, but it
has great strengths as well. In the first place, it is a
University, with the advantages that can accrue to
diversity. It has a heritage of high standards that
distinguish it from other universities in its region.
There is about it a marvelously beguiling regional
ambience and tradition, aided by all of the attractions
of one of the continent's foremost cities. Yet, it is an
institution which draws and sends students nationally
and has a national reputation. In the coming shakeout
of higher education, Tulane may shake, but it will be
mainly from the reverberations of people crossing
bridges."

This kind of language makes one enthusiastic about
the University's future. Yet we would be foolish to
make the mistakes of the past — the mistakes of in-
action. Tulane must not only shake from people
crossing bridges but must shake to its heels internally
if we are to merit support from the outside com-
munity. Do-nothing deans and department chairmen,
lethargic and disinterested faculty, arrogant and
short-sighted alumni must shake in this revitalization
process. Apathetic students must, perhaps more so
than any other group, shake themselves to an aware-
ness of the University's plight. A great university can
stand these tests. It will not happen by itself and it
will not happen over night. Socrates said, "Time in
its ageing course teaches all things." But for Tulane,
time is short.
About the author —

Jim Cobb is a 1974 graduate of the College of Arts
and Sciences, Tulane University. While at Tulane,
he was student representative to the Tulane Board
of Administrators for the years 1972-73, 1973-74.
Additionally, he was student representative to the
Board of Visitors from 1971-74, addressing that group
in 1971 on Tulane and the Community — Some
Responsibilities." He will enter the Tulane Law
School in the Fall of 1975.

— The Editor

BIOLOGY

E. Peter V'oipe
Sluarl S. Bamforlh
JohnT. Barber
Joan Bennett
D. Eugene Copeland
Harold A. Dundee
ErikG. Ellgaard
Joseph Ewan
Milton Fingerman
Gerald Gunning

Richard Lumsden

Merle Mizelt

Claylon R.Page HI

Mary Pelias

Kenneth Roux

Alfred Smalley

Royal Suttkus

Leonard Thien

Arthur VVelden

Steven Ackerman

ANTHROPOLOGY

Arden R. King

J. L. Fischer

Cesley S. Lancaster

Harvey M. Bricker

Francesca C. Merlan

VicloriaR, Bricker

Elizabeth S.Walts

R. Eerie Clay

Robert Wauchope

Munro S. Edmonson

ARCHITECTURE
Bryan Bell
Georgia Bizios
Richard Caldwell
W. F. Calongne Jr.
Eugene Cizek
ohn Clemmer
Robert P. Dean
Brand Griffin
Roberl Helmer
Stephen P. Jacobs
James R. Lamantia Jr.
Bernard Leraann
William J. Mouton Jr.
Neil M. Nehrbass
Leo M. Oppenheimer
Gu8 Pelias Jr.
Richard Powell
John Rock
Robert L. Schenker
Milton G. Scheuermann

K...

.^.

ART

Norman B. Boolhby
Donald Robertson
James L. Steg

Jules Struppeck
Pat Trivigno
Franklin Adams
Harold E. Carney

Ceedilia Davis
Arthur Kern
Jessie Poesch
J. Russell Sale

Greer Farris
Robert Rothchild

BUSINESS

Evan E. Anderson
Larry R. Arnold
Jeffrey A. Barach
Richard E.Beckwith
Frank W.Bennett, Jr.
Kenneth I. Boudreaux
Walter M- Burnett
Bernard l-Capella
Elizaheth Casellas
Seymour S. Goodman
David W.Harvey
Richard D. Hays
Daniel B.Killeen
Irving H.LaValle
Gerald C. Leader
James J. Linn
Hugh W. Long
James T. Murphy
F.KellederRiess
Howard Streiffer
Edward C. Strong
Eric W. Vetter
Stephen A. Zeft
Joan S. Horwitz
Dennis Seereiter

CHEMISTRY
William Alworth
D. Darensbourg
M. Darensbourg
T. F. Fagley
C. F. Fritchie

]. Hamer

H. B. Jonassen

J.T. Mague

G. L. McPherson

M. J. Nugent

E. J. Panek

O. E. Weigang
T. L. Gibson
R. L. Kieft
S. Ann Johnson
D. A. Drew
S. O. Nelson

J. G. Aiken
A. F. Wycpalek
J. W. Yu

ENGLISH
R. P. Adams
]. P. Roppolo
Andy Aniippas
T. J. Assad
P. E. Boyette
D. H. Edmonds

E. N. Herbert
I. D. Husband
J. L. Simmons
A. L. Stephens
A. McK. Taylor
H. E. Ussery

1^. .

ELECTRICAL

ENGINEERING

'WW 1

I. Cronvich

R. Drake

„

D. Vliet

C. Sperry

^iC

•I'^r^'fl^

G.Webb

P. Duvoisin

C. Beck

Y. Selo

E. Williamson

^■Kv^'

CHEMICAL ENGINEERING

Duane F. Bruley

Robert P. Chambers

Gordon H. Harris

Victor J. Law
Samuel L. Sullivan Ir.
Dale von Rosenberg
Robert E. C. Weaver

MECHANICAL

James C. O'Hara

ENGINEERING

Louis P. Orth. Jr.

David W.Wieling

Chester A. Peyronnin, Jr.

Kenneth H. Adams

Harold H. Sogin

Stephen C. Cowin

Hugh A. Thompson

DeWill C. Hamilton

William C. Van Buskirk

Edward H. Harris

Robert G. Watts

Henry F. Hrubecky

FRENCH AND ITALIAN
Catharine Brosman
Paul Brosman

Weber Donaldson
Simonne Fischer
Ann Hallock

Francis Lawrence
Jeanne Monty
Harry Redman, Jr.

Antoinette Roubichou
Victor Santi
William Woods

GERMANIC AND
SLAVIC LANGUAGE
Ann Royal Arthur
Bodo K. Golzkowsky
Karlheinz Hasselbach
Michael H. Porter
Thomas C. Starnes
George M. Cummins III
Susan }. Laylon
John F. Daugherty
Robert B. Dewell
Aubrey Jerome Ford
YvetteR.Lioyd
Marianne Whitmore

GEOLOGY
Harold E. Vokes
Hubert C. Skinner
Hamilton M. Johnson

Joachim D. Meyer
John fendrzejewski
John P. McDowell
Ronald L. Parsley

Emily H. Vokes

William Wiggins

Taylor Blood

Eileen Hollander

James Edson

William Furlong

MATH

. Thomas Beale
Charles B. Be
Mark Bernard
Frank T.Birlel
A.H.Clifford
E. D. Conway
John Dauns
Maurice Dupre
Laszlo Fuchs
Jerome Goldstein
Pierre Grillel
Lawrence Gruman
Karl H. Hoffman
Ronald Kn
Hon Fei Lai
Terry Lawson
Arnold Levine
John Liukkonen
Michael Mislove
Jennie B. Muilin
William Nico
Frank Quigley
James Rogers
Steven Rosencrans
Janvier Thayer
Albert Vitter

HISTORY

Peter T.Cominos

Radomir V. Luza

G. M. Capers

NelsBailkey

0. Edward Cunningham

BillMalone

R. A. Esthus

Richard Bait

Charles T. Davis

Trudy Matyoka

Sylvia Frey

W. Burlie Brown

Richard E. Greenleaf

Hugh F.Rankin

Sam'Kipp

Gerald Carpenter

James N. Hood

Bennett H. Wall

Sam Ramer

Charles H. Carter

Henry A. Kraen

Ralph Lee Woodward

Francis G. James

PHILOSOPHY
Edward C. Ballard
James K. Feibleman
John D. Glenn, Jr.
O. Harvey Green
Carl H. Hamburg
Margaret B. Hartman
Donald S, Lee
Larry W. Miller
Andrew J. Rock
Louise N. Roberts
Robert G. Whiltemore
George E. Barton
Harold N. Lee

MUSIC Robert E. Preston
Peter Sijer Hansen Castro E. Silva
Francis L. Monachino Sylvia Anne Zaremba

John H. Baron John J. Joyce
Jane Smisor Bastien John Kuypers
John W. Baur

NEWCOMB P.E.
Linda Parchman
Winifred Melcalf
Janice Michiels

Minnette Starts
Alicia Crew
Dooley Womack

PHYSICS
S. G. Buccino
R. J. Deck

F. E. Durham
A. M, Hermann
]. J. Kyame

R. H. Morriss
C, I. Peacock
R. D. Purringlon

Karlem Riess
R.M. Wilenzick

POLITICAL SCIENCE
James D. Cochrane
JeanM. Danielson
David R. Deener
Roland H.Ebel
George C. Edwards, III
Paul Freedenberg
John S. Gillespie
William B. Gwyn
Paul H. Lewis
Henry L. Mason
Glenn A. Nichols
Warren Roberts
Robert S. Robins
Douglas Rose
William W. Shaw
Michael P. Smith
Don England
Richard Collings
Georgianne Farley
Edward D. Grant

SOCIOLOGY
Thomas Kisanes
Howard London
oseph Fichter
Alan Wells
Paul Roman
Edward Morse
Frederick Koenig
Sally Hartling
Michael Micklin
BethWillinger

PSYCHOLOGY
Mary Ann Bendler
Ina McD. Bilodeau
Davis J. Chambliss
Lawrence Dachowski

William P. Dunlap
Jerry L. Fryrear
Gordon G. Gallup, Jr.
Arnold A. Gerall
Wesley J. Hansche

Chizvko Izawa
Joseph F. Kersey
Jack O. Maser
Halsey H. Matterson
Douglas MacPherson

Barbara Moely
Edgar C. O'Neal
F. Michael Rabinowilz
Jefferson L. Sulzer

mi;

SOCIAL WORK
Rosalir; Balchf:ldf:r
Marjjarel Campbell
Helen Cassidy
Cynthia Christy
Alice Clark
Rita Comarda
Edwin I- Cryer
Christine Derbe*
Helen Fife
Nell Lipscomb
Esther McBride
Luis F. Marloreli
Frank Pinion
Louise Rachal
Dorothy Randolph
Elizabeth Rayne
Eugenie Schwartz
Fred M. Soulherland
Raymond A. Swan
Elizabeth Torre
Ethel van Dyck
Gunde M. Williams

SPANISH AND PORTUGESE

Olto Olivera

Almir Brunei!

GilberloPaolini

James C. Maloney

William J. Smilher

Norman C. Miller

Alberto M. Vazquez

D. W. McPheeters

George Wilkins

Thomas Montgomery

Daniel Wogan

TEACHING

Melvin Gruwell

James Quick

Eldrige Gendron

Jacyra Abreu

Shuell Jones

Harold Shuler

Louis Barrilleaux

Thomas Patrick

James Sirles

Marguerite Bougere

Douglas MacPherson

RitaZerr

TULANE SCHOOL OF LAW

Robert Force

Thomas J. Andre, Jr.

Hoffman F. Fuller

RodolfoBaliza

Leon D. Hubert. Jr.

Harvey C. Couch III

Alain A. Levasseur

Winslon Day

William A. Lovett

Luther L. McDougal III

John L. Peschel

Leonard Oppenheim

Clinton W. Shinn

Christopher Osakwe

Ferdinand F. Stone

Vernon V. Palmer

Joseph M. Sweeney

BillupsP. Percy

Wayne S. Woody

Ip^

MEDICAL SCHOOL FACULTY

1. Robert G. Yaeger. Ph.D.

2. John ]. Walsh, M.D.

3. )amesT. Hamlin, M.D.

4. Clifford Newman, Ph.D.

5. Jerome R. Ryan, M.D.

6. RulhS. Hoffman, M.D.

7. Georgiana Von Langermann, M.D.

8. Edward G.Peebles, Ph.D.

9. George A. Adroney, Ph.D.

10. James E.Muldrey, Ph.D.

11. Wallace K.Tomlinson, M.D.

12. Fannie Mae Lemann, M.S. W.

13. Leon B. Walker, Ph.D.

14. Dr. Nina Dhurandhar

15. George B.Mitchell, M.D.

16. Arthur W. Epstein, M.D.

17. Judith Domer, Ph.D.

18. Paul Guth, Ph.D.

19. Rune Sljernholm, Ph.D.

20. William Cohen, Ph.D.

21. FernandoP. Chirino, M.D.

22. Martins. Litwin, M.D.

23. David Jarrott, M.D.

24. WallerJ. Sluckey, M.D.

25. James W.Fisher, Ph.D.

26. GunlherSchoellman, M.D.

27. Laurence D. Fairbanks, Ph.D.

28. Eugene Hamori, Ph.D.

29. Michael L. Michel, M.D.

30. Claudia B.Odom.M.S.W.

31. Maurice Dale Little, Ph.D.

32. ManieK.Stanfield,Ph.D.

33. Jeanette Laguaite, Ph.D.

34. Charles E. Linke, Ph.D.

35. Frederick Lee, M.D.

36. H.W.K. Batson,M.D.

37. James Dowling, M.D.

38. Charles Dunlao, M.D.

39. Jeffrey Peter Ellison, M.D., Ch.B.

40. Hannahs. Woody, M.D.

41. Norman C. Woody, M.D.

42. Khrishnan B. Chandran, D.Sc.

43. Mary Frances Argus, Ph.D.

44. Norman R. Kreisman, Ph.D.

45. JorgenU. Schlegel,M.D.

46. Melanie Ehrlich, Ph.D.

47. Dr. Larry P. Feigen

48. Paul Joiner, Ph.D.

49. Joseph Pisano, Ph.D.

50. William D.Postell, Jr., M.S.

6air){9U8

UMNGRSITY
CGMTCR

UMNGRSITY
CGMTGR

^mf COMMOMS

Pll

li:i Illllllls:iliriP r 'rrr;^
IMI ii;-llIIII»i»"-V!*"'"

rrr

rrrr:

'^^m

TKG Q[}AD

CriT€RT/1iriM€hT

DOD
WOODWARD

SCPTCMDGR 20

ROD SGRLIMG

MOVieMBGR 7

', i§

iHHP'

ROY/^L

LICKTGMSTCIM

CIRCUS

OCTODCR 30

■^i^V^ij.'^* •• **-v .■>. r"''*v.rf~

J/^CKSOM
DROWMG

'"''^'^

%■ ^

■pi4K

4' ■

^^^ M^r^- ^^^1

L'' ' ' M^^^^l

FVife

Lwl

^' /l^

1^19

^HHE^' ''i

i '^

■!

WILLWM WIMDOM

f€DRU/1RY 26

new ORLG/^ns

SYMPKOMY ORCKCSTM

€

C/1MPUS me PRCSGNTS:

COMP/iriY

D p

A «

Y .

€

MOVieMDGR 1

R
G
S

G F
G O
R R

L
D

D
G

/1PRIL Q3

DUSriM

^PRIL 19

LGOMRD hIMOY

DGFORRGST KCLLY

/1PRIL Q5

MIKKI GIOVI/iriMI

A
P
R
I
L

A. C. T.

GOSPCL

conccRT

)AWAW 28

TUWMWMS

Apm. ^o, 11, 12

D^LLa

MUSIC

-87

TUMMG UMNGRSITY TKG1TRG

by Michael Katz

»•

^H.^..

, The drama, so long as it continues
to express poetry is as a prismatic
and many-sided mirror whicii collects
y;htest rays of human nature

I reproduces them from
f simplicity l>t|iiese elementary forms,
^and touches themSj^th majesty and heauty,
[■multiplies all tlvat it reflects,
endows it with t^e power of propogating
its likewRETievfttit may fall.

A Defense of Poetry
Percy Bysshe Shelley
The cycle of steady growth, sudden collapse
and promised rejuvenation of theatre at Tu-
lane is a refraction of the social and academic
evolution of the entire university over the
past century. Shifts in taste, attitude, prior-
ity, affluence, and policy within the develop-
ment of Tulane University are reflected in the
chronicle of the school's changing dramatic
activity. 1975 brings the theatre at Tulane to
the threshold of a poj^lflially Saturnian
epoch. May this bg^||lre for the rest of the
liversity. TW|^'^3^fiia at Tulane is ready to
"l^gaiii^^^f^r^^rff^'Ssa leader within the aca-
^fr^^&trical community. Its faculty is de-
^^jajJpiJHiSpfrration within the close fratern-
Tt^it academic theatres. Its graduates are
JQHfljng increased success in both scholastic
jj^ie^ional theatre. For the past two
j,?ar^the Tulane Theatre Department has
hosjj^d the regional auditions for a league of
^jjy^igjoas institutions offering post graduate
work in professional dramatic training. Last
year it helped coordinate the Tulane Drama
Fest.

Since the grand exodus of 1967, the theatre
at Tulane has fought to regain a semblance of
its former pride and position. It is now be-
ginning to win the struggle. But, is the univer-
sity now capable of allowing the dramatic
arts to step across the threshold of new prom-
inence? Is the new administration doomed to
Jhe same mistakes as did the old? Will
ermitted to again fall on its face
at tHB^BftinnH^scendancv? The future of Tu-
lane Univfei^it^n^te is merely one shadow
from the blurt^ed proj^S||fljjiof the entire uni-
versity. Can either surviv^Knancially? Per-
haps a look backwards can offer Tulane and
its theatre a clue towards achieving a great-
ness which it deserved ten years ago.

A Brief ChronicJe
The first record of any organized dramatic
activity on campus is a roster of the "Tulane
Dramatic Club" of 1895-1896 published in the
first issue of the Jambalaya in 1896. Thus, un-
til 1937, all amateur theatrics at Tulane were
the products of student organizations. And the
students most consistently interested in the
stage were, of course, the lovely young belles
of the college of Sophie Newcomb. From 1899
until the middle of the 1920's, the "Newcomb
Dramatic Club" was the only permanent
theatrical organization on the Tulane campus.

The first lasting male dramatic organization was the
"Tulane Dramatic Society" of 1922. With implications
more than prophetic, the club split in 1925 over parli-
amentary procedures into the "Tulane Dramatic
Guild" and the "Tulane Dramatic Society". The first
recurring motif: politics disrupts a healthy interest in
the dramatic arts at Tulane.

In 1935 not only did the students squash the civil
war, but the men of Tulane finally managed to fuse
with the women of Newcomb, giving birth to the "Tu-
lane University Players." This, in turn, set the stage
for the first quantum leap in organized dramatics at
Tulane.

From its inception, Tulane theatre found little dif-
ficulty in recruiting both faculty and students in its
expanding dramatic curriculum. The splinters in the
feet of those anxious to tread to boards, however,
was that there were hardly any boards convenient for
treading. The second recurring theme in the rise and
fall of Tulane dramatics is the lack of adequate facili-
ties. Until 1953, productions were rehearsed in lo-
cations with such exotic names as "the crypt" in the
basement of Newcomb Hall, the St. Charles Hotel,
the Carrollton Avenue Baptist Church, and the "Y-
hut." And, when the music department wasn't using
it, the theatre staged productions at Dixon Hall. Pos-
sibly from frustration over no place to call home, Dr.
Lippman, a faculty member of the Theatre and En-
glish departments, decided to affiliate Tulane theatre

with LePetit Theatre du Vieux Carre during the 1947-
1948 season. The inconvenience of distance and the
reduced chances of students securing important roles
soon put an end to this long-distance romance.

After a new faculty director named Paul Hosteller
produced a few plays in the dingy workshop located
under the stands of the defunct football stadium, the
university decided to convert the space into a perma-
nent proscenium playhouse in 1953. This facility is
still used today under the auspicious title of the Phoe-
nix Playhouse, a name optimistically bestowed upon
it after 1967. Only seven years raced by before Tulane
decided to offer the drama department another of-
fice. The next building provided the department with
its first permanent classrooms, workshop, costume
shop, and offices. In 1960, the old Bruff Commons
Cafeteria was converted into an arena theatre. Ap-
propriately enough, the first play performed at the
new modest theatre was Waiting for Godot. It was not
a smash hit in 1960. Thus, the two overused facilities
for theatrical productions available to Tulane stu-
dents of the dramatic arts are presently a converted
football locker room and a renovated cafeteria. Im-
pressive, isn't it?

The culmination of academic prominence for the
theatre at Tulane began in 1958. Dr. Robert Corrigan
was hired as a new faculty member by Tulane. He
brought with him the concept of preceding each ma-
jor theatrical production with a lecture by an eminent

dramatic scholar. Corrigan also brought the Carleton
Drama Review to Tulane. Those monographs deliver-
ed by invited scholars were compiled in a new publi-
cation called the TuJane Drama Review. During the
next ten years, it became one of the most respected
and innovative theatre journals in the United States.
Also within this decade, the Tulane Theatre Depart-
ment educated and employed some of the men that
directly influenced the completion of American Ed-
ucational theatre today. Thirty years after Dr. Mon-
roe Lippman instituted two courses in theatre within
Tulane's department of English, Tulane's Theatre
Department was world renowned.

What happened? What had been accomplished in
print the faculty wished to put on the stage. The motif
of second rate facilities returned. Also that old demon
politics came back to haunt the halls of the old cafe-
teria. The university was not rolling in cash in 1967.
A few years prior to this time, a good portion of im-
pressive English faculty had departed the Gothic
halls of St. Charles Avenue because of inadequate
monetary support. A similar situation saw the archi-
tecture department transplanted. Still, Tulane made
plans for building improvements. Learning this, the
theatre faculty, with laurels in hand demanded con-
sideration for a home to augment the two overused
converts. The administration had priorities. Theatre
was not one of them. Richard Scheckner, the new ed-

itor of the flourishing "T.D.R.," Dr. Lippman, and the
rest of the faculty left for more receptive and sup-
portive educational institutions. In the fall of 1967,
the Tulane Drama Review changed its name to The
Drama Review.

A Biased Conclusion
History doesn't repeat itself; the people who talk
about it do. The years from 1967 to 1974 were ones of
interrupted rejuvenation. Political power plays with-
in the Theatre Department's administration often
hampered its renewed vigor. Student polarization
based upon personality and philosophical clashes
also stunted its progress. And yet all these destruc-
tive tendencies, usually attributed to the revolution-
ary impatience of the late 1960's and early 1970's, could
not stop Tulane's dramatic establishment from prog-
ressing.

The university now has the opportunity to correct
the blunders of 1967. If it throws its support in the
direction of one or two academic disciplines that
possess the potential to bring prestige and a returned
prosperity to this institution, Tulane can survive. One
perfect investment would be its Theatre Department.
The Dramatic Arts of Tulane University are the most
visibly promising priority the new administration can
support. And with its precarious financial future,
Tulane must make even its lowest priorities count.

by Henrik Ibsen unh»™>, Th.^,,.

8:00 pm Ticket Information : 8656204 Arena Ttieatre

pteeentod by Tularte ^^/"^f" 7—1'^

iiHJUL

^ii-

'■'vA

I^' RICI 1/NRDSF£R1DAN ■ MV 14-17

A CONTEMPORARY PLAY BY SAM SHEPARD

HAUJDQQ BLUES 4

febmary 27 thpj march 9 tulane arena theatre 8Dm
presentea by tulane university theatre ta 8656204

tulanearena-apr2l:i?-8pm

S^iff'jtoy-irfr'i'v^'

Madelaine Adams
Dale Allen
Mark Alexander
Steve Benzell
Pam Burton
Michael Britt
Diane Castleneuva
Stephanie Cochran
Sharon Conyer
Barry Corum
Susan Csillagi
Stella Curtis
Bill Dorris
Georgia Dupre
Amy Dyer
Randy Falk
Dixie Fields
Pat Galloway
Jim Goodwin
Clark Hancock
Adee Heehe

Lucinda Huffman
Heidi Junius
Michael Katz
Andi Kislan
Will Leckie
Patrick Lee
Abbe Levin
Gary Leviton
Ken Lowstetter
Julie Martin
Fred Mayer
Mary Anne Meadows
Trish Meginniss
Bernie Messar
Frank Moon
Peggy Moss
SabinaNegrea
Bob Newman
Rosemary Ozanne
Richard Paddor
Robert Paddor

Kathy Paul

Henrietta Perkinson

Pam Poole

Greg Ptacek

Claire Richardson

Mark Robinson

Eric Sarver

Mike Siegler

Mike Sullivan

Linda Lee Stump

Bob Swasey

Marcia Tietgen

Gemi Todd

Mary Beth VanOehsen

Claudia Vasilovik

Peter Webb

Wynne West

Frank Wilson

Julie Yuspeh

Tulane University Theatre

Calvin Hill
Dallas Cowboys

William Manchester
Historian

Jim McKay
ABC Sportscaster

Henry Duncombe
V.P., General Motors

Jacob Javits
Senator, New York

A. J. Meigs
Prof, of Economics,
Claremont College

DIRECTION 75

by Gerald Snare
It is somehow amazing that twenty different panelists in five programs on five
separate subjects should in a variety of ways address themselves to the same
problem: the myth of the American Dream. A New American Dream, as the dis-
cussions gave it shape, seems largely the Old one tattered and patched with new-
er attitudes which are, oddly, mythic in their own way. The DIRECTION staff
had a dream, equally tenuous though slightly different. They dreamt that such a
variety of views should somehow cohere. The dream came true. Whether it was
Calvin Hill debunking the myth of the sports hero, or Lawrence Altman remind-
ing us that "the old family doc" does not really give the best health care, we all
discovered that the old comfortable assumptions were not so comfortable any-
more.

SPORTS IM AmklCA

Jim McKay began prophetically. He had an in-
formal ease about nim and a quiet enthusiasm
for sports' peculiar kind of heroism. His manner
itself accentuated a dilemma everyone spoke of
in the course of the evening: he had, after all,
reported the balletic excitement of Olga Korbutt
and the tragedy at Munich during the same week
of the Olympics. Which was this greatest of all
sports gatherings, a triumph of brotherly com-
petition or a high-priced chauvinistic extrava-
ganza? The answer didn't come easily. McKay
wondered which sports experience we would
really prefer, the calm and terribly British
sportsmanship of the London to Brighton antique
auto race, witnessed by more than a million
people, or the "dim and sordid view" of 21st Cen-
tury sport depicted in a new ABC special, "Roller
Ball," where the object of the game is the de-
struction of its participants. Calvin Hill, with a
manner which belied nis muscular frame, took
up another dilemma. "Whan we see sports per-
sonalities," he said, "it bothers us to find they're
human." In what amounted to a plea, he compar-
ed the"pampered, amoral" super-stud image of
the football player to the flowed reality of his hu-
manness, something of the same distinction
Bruce Ogilvie noted in describing the sport-hero
as an essentially isolated man, trapped by the
myth of his own success. The comfortable myths
took a beating with Ogilvie's disquieting analy-
sis: Does sport help you with your manhood?
No. Does sport competition produce more re-
sponsible citizens? No. Does sport cultivate
honesty? No. Does sport release in an accepta-
ble way our innate aggression? No, it exacer-
bates it. We began to wonder about the value of
the whole enterprise. But Patsy Neal, in her

100

countryish sincerity, redeemed competition
as an "individual happening," a deeply personal
experience. Even so, tnat valuable part of sport
was seen to suffer with a change in attitude —
the demand to win. She descrioed the effects of
the new emphasis on women's sports as both
boon and bane. The element of play soon disap-
pears when teams must win, and winning costs —
money for recruiting, money for athletic scholar-
ships, money for travel, money for television.
The old vision of sport as a part of the college
educational experience will soon have to accom-
modate itself to the harder realities of hits cost
and to the suspicion that college athletes are not
drawn into academic life but alienated from it.
Roone Arledge readily admitted that he had a
hand in the dilemma as President of ABC Sports:
"We have made a huge mountain out of sports."
Citing a hundred-fold increase in his own tele-
vision budget for sports over the past fifteen
years, he gave his own assessment of a disquiet-
ing problem. It is true, he said, that sponsors
want the best teams — one could smell money in
the air. But, he enthused, the television money
keeps many sports alive and encourages inter-
national rapport. There were anecdotes about
Olga Korbutt, about Averill Harriman and Ni-
kita Kruschev hugging each other as Valery
Brumel broke the world high jump record in
Moscow, about the American ping-pong team in
China. But we had the sense througn the discus-
sion that the dreamy myths had given way to an
amiable, though tough-minded, apprehension of
the realities. Perhaps that's what Ogilvie meant
to cultivate when he said, breathing health and
witty confidence, that sport is essentially a re-
flection of the value system of our society.

AW SOQAUZeO
MeDICINC

When Lawrence Altman began with a series of ques-
tions, one could sense that any answers might be
problematic. They were. John Veneman said as
much: "It is a mistake to think there is A Solution to
health care problems." The problems are essentially
political, he opined, and political problems are set-
tled, not solved. The evening's discussion seemed to
bear out the vexing rationality of Veneman's point of
view; indeed, the settlements proposed depended
wholly on the politics and social view of the proposer.
Malcolm Todd, President of the AMA, opted, perhaps
predictably, for the statusquo. Veneman was skepti-
cal of government meddling with private enterprise.
And even Ernest Saward, a champion of Health
Maintenance Organizations, thought that competition
would produce a more organized health care system
than government could. Only Jesse Steinfeld, who
was clearly outnumbered, would opt for the Ken-
nedy-Korman Bill and suggest that government might
help more than it hindered our present medical prog-
ress. Yet even with his quietly angry statement that
the "mechanism for payment has organized our
heahh system," his real bogey-man turned out to be
the American lifestyle. Todd chimed in: Society has
failed to provide much of what is necessary in health

102

VS"^

care. Saward agreed in observing that health
services change only when there is social change.
One could sense the panelists diplomatically
searching for a kind of settlement in vast ab-
straction. While everyone seemed to agree that
costs were high, the argument turned to who
should do something about it. The government
clearly took the worst of it, as we heard the vir-
tues of private competition generally extolled.
But if the panel preferred to let the profession
heal itself, one was left to wonder if that opin-
ion, like so many others offered during the week,
was also based upon a myth. Altman knew the
"old family doc" was not a Marcus Welby, M.D.
And Steinfeld knew that "the emergency room
is the place for the family physician" for one of
every five American families. Our assumptions
about who gives health care, who deserves it,
and who pays for it became somehow less as-
sured. And while there were specific proposals,
especially by Steinfeld, the discussion led back
to the questions Altman had first put. There was
one clear answer, however, and it was the same
as Ogilvie had given the previous night: health
care systems reflect the different values of the
country and so do the political medicines offer-
ed to cure their ills. Perhaps the over-concilia-
tory tone of the discussion was, after all, precise-
ly the attitude necessary for settlement. The con-
fident demand for positive answers had itself
become disquieting by the end of the evening.

103

THC eCOMOMY

Where there may have been tacit agreement
among the discussants on health care, there
was mostly disagreement among the panel-
ists on the economy. And the disagreements
went deeper than disparate opinions. One
had only to look at the demeanor of the
panel: Henry Reuss, perpetually smiling
or grimacing (one could scarcely tell which),
confident, ever quarrelous in debate, ever
adopting that sense of political moderation
that quiets a disagreement without really
settling it; Henry Duncombe, aloof and re-
served, assuming the unassailable position
of a quiet and reasoned response to the noise
of tax reform; Leonard Woodcock, with the
reserved agitation of one used to several
generations of labor wars; and Herbert
Stein, a professorial politician, urbanely
witty, able to quash an argument with a deft
turn of the hand. Over such demonstrable
disparities in outlook and deportment, the
animated and chatty A. J. Meigs had to pre-
side. The discussion began quietly enough

(

104

through some brief opening remarks before
the sparks flew: Reuss presented a panoply
of Congressional possibilities; Duncombe
preferred the virtues of self-reliance to gov-
ernmental problem solving; Woodcock re-
minded Duncombe the government had fed,
not eaten, private profits; and Stein ob-
served the flat economic ignorance of
Congress. Meigs leaned back. The sides had
been drawn.

After Duncombe had conjured up the
avaricious spectre of federal controls. Wood-
cock remonstrated with "Why are you al-
ways trying to scare us?" Stein's deft hand
came up and turned Woodcock's agitation
with a witty remark. To the complaints of
Reuss and Woodcock of the increased tax
burden on the lower 80% of Americans and
less to the upper 20%, Duncombe went back
to blame Washington with a "runaway ex-

pansion" of government demands and of its
appetite for a greater portion of tax money.

After the fire came the conciliation. Stein
supported the free-market system and want-
ed Congress to support it. Reuss, less than
willing to slaughter the sacred cow, agreed.
Even Stein and Woodcock approached har-
mony when they agreed on the dangers of
short-sighted and quickly conceived solu-
tions to the long-term problems of inflation
and recession. There was, then, something of
a settlement, as inspecific as it was, but no
solution.

One could not help but be annoyed at the
vagaries of the subject itself and of the un-
pleasant necessity of a slow-moving com-
promise. After what was said, only the most
hardy and optimistic could believe the old
American myth, that if there's a problem,
we can solve it.

105

PORGIGM /1FMIRS

John Stoessinger's opening remarks made
the perfect transition from Economy to For-
eign Affairs. The problems were here: Kiss-
inger, Indochina, the Middle East, detente,
NATO. But in the place of settled answer,
Stoessinger gave us a kind of warning: in
foreign policy decisions, the questions never
deal witn right and wrong, but with right and
right and wrong and wrong. In what could be
scarcely more unsettling, we were cautioned
to empathize with the problems rather than
to expect clear and workable solutions. The
practical man of strong opinions was in for

a time of it this night.
The note was thus sounded. And Stoessing-
er, with a flare for drama, heralded the new
Four Horsemen of the Apocalypse: Oil, In-
flation, Famine, and Population. Perhaps
only Jacob Javits, with the practical hand of
the politician, would be able to deal with
such a colossal vision in less than apocalyp-
tic terms. He spoke about Congress assert-
ing its powers in foreign policy decisions —
the scope was comfortably limited. But Ar-
naud de Bourchgrave and Hans Morganthau
saw farther. For de Bourchgrave, one cannot
afford to deal with an apocalypse without a
fundamental change in attitude. And Mor-
ganthau, a little more pointedly, decried the
Metternichian attitude of America's constant
support of the world status-quo. To him, the

106

U.S. is always on the wrong side of history.
So the direction was established and the
specifics of world policy were to be discuss-
ed in this context.

Yet within the semi-accord about the
scope of the discussion, there was fiery dis-
cord about the particulars, especially Cam-
bodia and Israel. De Bourchgrave contended
that as all foreign policy is interlinked, the
abandonment of Cambodia would surely
result in a loss of confidence in U.S. policy
elsewhere. Stoessinger and Javits saw the
same. But Morganthau damned the enter-
prise. The fire soon got hotter. De Bourch-
grave began quietly enough, in his intense
and somewhat opinionated way, to report
that Arab leaders, principally Sadat and
Assad, admitted to him in private that they
didn't really care to dismantle Israel. The
quiet suggestion brought a warm reply. Mor-
ganthau, with the skepticism of his years,
pointedly suggested tne public and private
declarations of these men were at odds, won-
dering where they might be inclined to lie
more, in public or in private, or in both
places. Tne audience laughed. De Bourch-
grave didn't. He wondered if Morganthau
had traveled in the Arab world recently.
Morganthau allowed as how "some Jews
take more chances than other Jews." He was
convinced that the ancient animosity of the
two peoples was beyond repair. De Bourch-
grave demurred.

But while this interchange stirred the
audience and panelists the most, the final
statements, this time in agreement, should
have struck more ominously. When Javits
suggested that in this new world declarations
of war are passe, he had really touched on a
central issue which both Morganthau and
William Manchester, who concluded the
series the next night, saw as the most cru-
cial. National governments have not been
able to face, let alone solve, the problems
visualized in Stoessinger's Four Horsemen.
When Morganthau thus declared that the
nation state as a principal of political or-
ganization is obsolete, panelists and audi-
ence were silent. One could not escape the
feeling that we were all being drawn again
into that vast historical and apocalyptic con-
text which began the evening. The specific
proposals, and there were several offered,
seemed finally rather too confined to the
events of the past several weeks, almost too
mutable to be very effective. And one could
finally understand what Stoessinger meant
when he asked us to empathize with the
problems, to feel that curious anxiety over
choosing between right and right and wrong
and wrong.

107

At<\ai\CA IM PGRSPeaNG

William Manchester summed it up. It seemed as

if he had heard the dilemmas, the unanswered

and unanswerable questions, the myths, and the

anxieties of the previous evenings. He had

thought over a whole spectrum of opinion in a

comprehensive way. He had reflected. And in

his undramatic way, he tried to communicate the

inherent contradictions of our recent past with

his wordsmanship. One had to listen to the craft

of the man.
Perhaps his quotation from Henry Adams was
the point of his reflection: "The greatest chal-
lenge to the United States is the velocity of its
history." We are, Manchester noted, the only na-
tion to equate this high speed change with prog-
ress. And this satisfaction at progressiveness
has done a great deal to foster a curious kind of
delight in the rejection of nationalism and iso-
lationism: we were reminded of transnational
corporations, of our continuing support for the
United Nations, and of the nature of American
foreign policy in which, as de Bourchgrave re-
marked the previous evening, decisions about
any one country inevitably affect other countries.

108

And yet, Manchester went on, this progres-
sive attitude, this sense of "chronological
snobbery," ironically has likewise fostered a
chauvinistic nationalism in the nations of the
Third World, even in the "archaic national
tribalism" of the U.N. The ironies and con-
tradictions compounded as the evening went
on. We knew what Manchester meant about
the "bright star of technological promise
tracked by the dark star of global destruc-
tion."

He paused. The inherent contradictions in
our sense of progress are, perhaps, a good
index to what he called the American Vis-
ion: an open society, sanctifying the right of
the individual to be different, "suffering
dissent to the last limit of sufferability." But
the American Dream, like progress, has two
sides to it. While we can contemplate with
pleasure the legacy of openness — mobility,
a passion for egalitarianism, a system sus-
ceptible to change from within — we can al-
so observe the other legacies, with regret —
violence, the loss of personal privacy, the
occasional demagogue, the vulcanization of
society. Where American visualize an

egalitarian society, they also discriminate by
sex, color, and religion, cultivate a "gen-
erational apartheid," and exacerbate clea-
vages. They visualize sex without secrecy
and guilt, and at the same time open the
privacy of the bedroom to research. Where
there is freedom to bear arms, there is also
the harvest of great, personal violence.

In his speech, as in all the programs, we
were constantly pressed to see the American
Dream not as a fraud, but as a particular,
partly-real fantasy, where the visions of the
good are always attended by the realities of
the bad. Perhaps Manchester was speaking
for all twenty of his colleagues when he
said, "If there has to be a Number One,
America is probably the best." The state-
ment meant more than met the ear. For in
the interrogative nature of DIRECTION,
we had, at the very least, met with a dia-
logue which would never allow us the com-
placency of dogmatism. And that may be the
better part of the New American Dream.

DIRECTION 75
Brian Zipp — Chairman
Alan Krinzman — Speakers
Lawrence Doyle — Vice-Chairman
Caro Uhlmann — Finance
Doug Hertz
Peggy Kaufman

Adee Heebe — Public Relations
Ernest Back

Phyllis Karsh — Secretary
Jennifer Lehmann — Treasurer
Annamerle Zwitman — Hospitality
Kenneth Katzoff — Administrative Aide
Katy Alley — Tickets
Carol Harkins

Frank McRoberts — Security
Lawrence Fleder — Special Projects
Jeff Turner
Neil Lichtman

Kathryn Kahler — Program Editor
Dr. Gerald Snare — Faculty Advisors
Dr. Stephen Zeff

109

110-

141

fHOMTHE IJ^i) SFSMSlflNE

',.x^,iMilL:^'-^'-'-'"

^^^^^'^C^

-^r^'-^^^

112.

113

MGWCOND POHGRY

Lamp base and lamp shade, with additional metalwork.

Pottery base with flower design outlined in black.

Decorator Esther Huger Elliott. 1901.

114'

Increasingly prized by museums, collectors and stu-
dent's of the field, Newcomb Pottery ceramics con-
sidered to be among the finest of the art pottery pro-
duced in this country during the span from 1896 to
1940. In the period when the Arts and Crafts move-
ment flourished in America, the Newcomb Pottery re-
ceived a host of awards at various national and inter-
national expositions. These awards include a bronze
medal from the 1900 International Exposition in Paris
and a gold medal award from the Panama Pacific
Centennial Exposition in San Francisco in 1915.

The Pottery was a semi-commercial adjunct to the
Newcomb Art Department. It was the only art pot-
tery of this era directly associated with a college.
When the Pottery was begun Newcomb College was a
scant decade old, and the Art School had been in
existence for only five years.

The idea of the Pottery was largely conceived by
Professor Ellsworth Woodward, then head of the Art
School. Woodward's ideas were rooted in those of the
late nineteenth-century Arts and Crafts movement in
England and America, ideas that focused on the beau-
ty of hand-crafted objects and the dignity of creative
work.

Throughout the entire period most of the designs
were based on the flora and fauna of southern Louisi-
ana. In some cases the representations were very
realistic; in others they were abstract and stylized.
Acacia, camphor berries, crayfish, freesia, jasmine,
laurel, rice, tobacco flower, willows and wisteria are
among the many natural forms used as a point of de-
parture for the designs. Though there was some varia-
tion in color, the two most favoured colours for the
body of the vases and pots were a soft green and a
muted blue. In almost all of the late work the bodies
of the vessels are glazed a rich, deep, matt blue.

The earliest designs were usually freely brushed on
in blue, green and yellow underglaze colours over the
natural cream colour of the clay. The whole was then
given a transparent glossy glaze.

By 1905 most of the designs had become more form-
al and abstracted, reflecting the taste for bold de-
signs characterized by the geometric phase of the
art nouveau. Outlines were defined by incised carved
lines which were filled with black underglaze.
Other underglaze colours were used on the deco-
rated area. The outside body was thus coloured
and the inside usually remained the colour of the
clay body. Again, a transparent gloss glaze covered
the whole.

In the period 1910-1920 low modeled relief de-
signs were introduced. These were often very
naturalistic. It was probably around this time that
Sadie Irvine introduced the evocative and much-
beloved "moon and moss" motif. It was around
1910, too, that matt glazes rather than the glossy
finishes were introduced. From this time on they
were used almost exclusively. The underglaze
colours were sponged on, often giving a soft stip-
pled effect.

Coffee pot with incised abstract tree or floral design,
matt grey-blue glaze. Decorator unknown, Joseph

Meyer potter. 1905-1915.

115

Vase, painted design of flowers,
jonquils, of colored glazes with
glossy overglaze. Decorator Amelie
Roman, potter Joseph Meyer.
1895-1905.

Plate, painted design of flowers,

probably violets. One of the earliest

pieces of the pottery collection.

Decorator Katherine Kopman. 1895.

116

By the mid-twenties, and into the nineleen-thir-
ties, some of the designs again were more abstract,
keeping step with the taste for the "moderne".
Some designs have the faceted and syncopated
feeling of Art Deco. In the late twenties and early
thirties some of the pieces continued to be modeled
in low relief, but these were left uncoloured.

Several of the people who had been responsible
for the direction of the Pottery had retired by 1940,
and few students trained in the Art Department
were joining the Pottery. New and different ideas
on the education of artists were being introduced,
and it was decided to close the Pottery.

For a time, the Newcomb Guild was set up to pro-
vide an outlet for both student and faculty work.
However, unlike Newcomb Pottery, the pieces of
Newcomb Guild pottery were each the work of a
single artist from beginning to end. Thus, the clos-
ing of the Pottery effectively marked the cessation
of production of the highly distinguished New-
comb ceramics.

(As a note of interest, the college's collection of
Newcomb pottery is currently on display in the Art
Building).

Jessie Poesch

'*^*»^-#'V,. ^ **.

Vase with abstract design in relief borrowed from
fireplace design in an "old Spanish mansion". Matt
blue glaze. Decorator Anna Francis Simpson, potter
Joseph Meyer. 1920. Small vase with abstract design,
blue matt glaze. Decorator Sadie Irvine. 1920.

Majestic Maya stucco head from Honduras.

118

MIDDLe /IMGRIC/iri RGSC/IRCK IhSTITUTG

Tulane's Middle American Research Institute cele-
brated its 50th anniversary this year. Founded in
1924 through a gift by the late Samuel Zemurray, a
member of the University's Board of Administrators
and President of the United Fruit Company, it is in-
ternationally known for its impressive record of re-
search and publications on the humanities and social
sciences of Mexico and Central America. It has sent
many major archaeological and ethnological expedi-
tions into the field and has sponsored field research
as well as archival and library studies in anthropol-
ogy, sociology, history, economics, political science,
geography, linguistics, art history, and language and
literature. Many Tulane students, along with students
from other universities, have taken part in these
expeditions.

The first expedition, under the direction of the late
Frans Blom, accompanied by Oliver LaFarge, later a
Pulitzer Prize novelist, covered 1200 miles of travel
by foot, horseback, and sloop from Vera Cruz to the
Tuxtla Mountains, to the later famous ancient site of
La Venta, then to ruins in Chiapas and across the
rainforests into Guatemala. The trip is described in
a Middle American Research Institute volume work.
Tribes and Temples. The second expedition, in 1928,
traversed nearly 1500 miles through highland and
jungle, following unmapped trails from southern
Mexico across tadorthern Guatemala and ending in
northern Yucatan. A Tulane student, Webster Mc-
Bryde, who later became a famous geographer, and to
whom Tulane in recent years awarded an honorary
degree, took part in this trek. This was long before
landing strips for aircraft or roads had been built in
the area; the expedition lived completely off the
land — hunting, fishing, and trading with the Indians
— and they had almost daily adventures.

In 1930, Mr. Blom took two Tulane students in
architecture with him on an expedition to Uxmal,
Yucatan, where they made drawings, photographs,
and stucco casts of an ancient building to be repro-
duced as a museum at the Century of Progress Expo-
sition in Chicago.

On my return from the armed forces, we began to
plan another expedition, and in 1947, accompanied
by Ray Marino, a Tulane undergraduate in geology,
carried on excavations at Zacualpa in the remote
highlands of Guatemala. Ray and I lived in a dirt-
floored, windowless Indian hut in a valley inhabit-
ed by about eleven Indian families — without run-
ning water, plumbing, or electricity — boiling our
water and for a long time cooking our own meals,
washing our clothes, and keeping house in addition
to our daily excavations from sunrise to late after-
noon. We dug in an ancient city that had been occu-
pied for 15 centuries — from about 500 B.C. to the
sixteenth century A.D. — and established the first
archaeological chronology for this area of the high-
lands. Later we moved to Utatlan, the ancient capital
of the prehistoric Quiche kingdom in Guatemala, and
excavated there to fill out the archaeological record
up to the time of Alvarado's Spanish conquest. Some
of our experiences are recorded in a book, They
Found the Buried Cities.

In the 1950's excavations were begun at the ruins
of Dzibilchaltun in northern Yucatan, under the di-
rection of the late Dr. E. Wyllys Andrews IV, who had
joined the staff of the Institute. The project was co-
sponsored by the National Geographic Society and
supported by generous grants from the National Sci-

ence Foundation and the American Philosophical
Society. Digging continued for 15 years and revealed
the largest and longest-inhabited city ever discovered
in this region — occupied from long before Christ up
to the Spanish conquest in the 16th century. They
included extensive scuba diving in a cenote, or nat-
ural well, 145 feet deep in the center of the site, and
excavation, repair, and restoration of the now-
famous Temple of the Seven Dolls.

In 1968 excavations were shifted to the rainforest of
Southern Campeche in order to link the Yucatan rec-
ord with that of the prehistoric Maya in Guatemala.
Many Tulane students in anthropology, together with
students from other universities around the country,
took part in the explorations and excavations. Among
the exciting discoveries in Yucatan was that of the
Cave of Balankanche, where in long-sealed caverns
deep underground the field staff recorded an archae-
ological shrine of almost a thousand years ago, and
watched a native Indian ceremony to placate the
Rain God to whom the shrine had been dedicated.

Last year and this year we have been excavating
in the semi-desert state of Jutiapa in Guatemala.
These investigations are still under way. This is hot,
dry, cactus, cowboy country, where everyone rides a
horse and carries a lasso; it has been, until now,
almost unexplored archaeologically.

M. A.R.I, has published or has in press 41 volumes
of research reports, plus the 16 volumes of the en-
cyclopedic Handbook of Middle American Indians,
which it assembled and edited for the University of
Texas Press.

Under Blom's directorship, and with the aid of a
grant from the Rockefeller Foundation, the Institute
assembled an excellent library of Middle American
books and documents. Since 1942, aided by additional
grants from the Carnegie Corporation and the Ford
Foundation, this library has now been expanded to
include all of Latin America in what is now part of the
Howard-Tilton Library at Tulane; it is one of the best
collections of its kind in the world.

The Institute also maintains a small museum gal-
lery on the fourth floor of Dinwiddle Hall, and study
collections of many thousands of native Indian
archaeological artifacts, modern Indian costumes,
and other specimens of arts and crafts from many
parts of the world. These are used constantly by Tu-
lane classes in archaeology, anthropology, and prim-
itive art. In spite of the fact that there is usually at
least one article about it in the Hullabaloo every year,
relatively few Tulane students even know of the mu-
seum gallery or the Institute's program. Seniors and
alumni who happen to wander in by accident are
constantly expressing amazement that in all their
years at Tulane they did not know of the Institute's
existence. I hope that this short message will help to
correct that situation, and I cordially invite all Tulane
students and their families and friends to visit our
museum gallery.

I retire at the end of this year. My successor, Dr.
E. Wyllys Andrews V of Northern Illinois University,
is a veteran of many years of archaeological field-
work in Yucatan, Guatemala, El Salvador, and vari-
ous parts of the United States. For three years he
was Director of our program of research in Yucatan
and Campeche, Mexico. I am sure that he will wel-
come student participation in future expeditions.

Robert Wauchope
Director

Plaster cast relief from site of Palenque, Mexico
— Maya culture.

Native Maya costume from Guatemala.

120

Ceramic urn from Oaxaca, Mexico — Zapotec culture.

Reconstruction of tomb at Comalcalco — Maya

culture.

121

ACAoencs

V T

122

f;^,k^^

T23

124

=5V_uiSj

;s:s:sss5ss^^5B8^nsf

1 -!«■. ■ I- I I I

Mir I I I M

■ it ' ■ .Mill

il(V , a''\ ( ! -[ ( n
, "! I I [ 12 I I ! n T ■

I I I '(■■■■■I

I I I mmarn .

I I I iirri I I i ;

-I I I I I M I I I :

I M M M M I i
I M M I I M I [«

I 1 I M M I f

HI
■I

'^■.^A^ IQ

'i©

"**«UU««u«iJ

125

'■BS&

126

•■- "I,

- ALL MUST WEAR |
NEWCOMB SWIM
SUITS, A CAP (J
THONG SftNDIlLS.

"street SHOES
PROHIBITED AROUND
PODL. IN SHOWER
AND DRESSING ROOM

BOBBY PINS &
BANDAIDS REMOVED
BEFORE SWIMMING.

SWIMMERS DRESS

IN POOL
DRESSING ROOM.

SHOWER BEFORE
„ SWIMMING. „^^

DO NOT GO IN TO
WATER BEFORE
INSTRUCTOR OR
GUARD IS PRESENT

SwL.

127

II^Hr.

129

Bactnda Haffman<

130

131

132

133

134

!^ Reverly Rriggs

135

lat^mOMBl^

ATHLETICS; GONE FOREVER?

By Nate Lee

Imagine you are an athlete. If you have gotten this
far, now imagine you are an athlete at Tulane Univer-
sity in Intercollegiate Athletics. There is a fond term-
inology for your kind. You are a jock. This rather
creative, metaphorical, nomenclature can have dif-
ferent connotations. The most common of which is
associated with Desenex. You are used by the school
or a certain body therein, under their own justifica-
tion, as a promotion for the school and a means of
keeping alumni close to their alma mater. You are
made to sleep, work and eat together with the other
jocks, and are blamed, just as a racial minority, or
any other group subject to prejudice, for the actions
of those associated with you as jocks. The mere as-
sociation is a loss of your own identity as a person,
student, or individual, but you are used to that, being
part of the team, the machine. You are sometimes
paid to attend school so you can entertain its students
with your weekend gladiatorial enterprises. If you
are lucky and perform well, you might get thumbs up
and you will be able to live . . . until next week.

Now imagine you are a student, not participating in
Intercollegiate Athletics. You might be wondering
how you ever got tickets for the BIG ONE with LSU.
You are probably disappointed that the same clique
of people up there that control athletics, moved your
football team downtown. And you wonder frequently
why the club sport which you like to participate in,
gets so little money compared to the sports which you

only watch.

The football team was something like Hurricane
Carmen. Its overwhelming power was talked about,
its furious arrival was anticipated anxiously, but all
that showed up around Tulane was a weak gust of
wind. A few freshman athletes at the beginning of the
year received some degree of publicity and a little
punishment as they took out their pre-game hyper-
tension a little too emotionally on some students in
Monroe Hall. This began discussion on abolishing the
athletic dormitory system and dispersing the athletes
around campus.

Instead of the previously held "first come, first
served" system for distributing tickets to the football
game with LSU, a new system of using a lottery was
established.

The move to the Superdome was an issue of contin-
uous controversy throughout the year. Most of the
students, did not, do not, and will not want to travel
down to Poydras Street to watch the Green Wave
splash around. The move even drew satirical com-
ment from President Ford.

Title IX was introduced to the campus. It merely
stated that Universities must also supply money for
women's Intercollegiate sports. However, decisions
weren't made, though as to whether this applied to
Newcomb and if so, where the money would come
from.

Intercollegiate athletics came under attack this
year for the amount spent on them as compared to the
amount spent on club sports. The 500 students in in-
tercollegiate athletics receive $2 million while only
$60,000 goes to the 4000 participants in the intramural
program. Club sports include canoeing, flying, la-
crosse, dancing, rugby, soccer, parachuting, and
sailing, along with various fraternity league sports.
In most of these club sports, it is not the victory,
money, or professional future that counts, it is the
superlative emotional qualities in separating from
ones' stomach in the flying club's airplanes, or sepa-
rating from everything in parachuting. The 'thrill' of
victory is had in the atmosphere of the spirited em-
biding of the Rugby club's postgame bashes.

Athletics is like a pair of sneakers. Though they
were the best you ever had, and made you feel good
while they lasted, they wore out too soon, and now
they'll have to go.

137

fOO\Mll
1974

138

139

140

141

1974 Record

(5-6)

Tulane

Mississippi

Tulane

S.W. Louisiana

Tulane

Army

Tulane

West Virginia

Tulane

Air Force

Tulane

Citadel

Tulane

Georgia Tech

Tulane

Kentucky

Tulane

Boston College

Tulane

Vanderbilt

Tulane

Louisiana State

142

£.^i^^«^v..'.'

143

Coming of a 9-2 season with 40 returning lettermen, the first
win over LSU in 25 years, and a schedule that looked like a laugh-
er on paper, 1974 was expected to be the year Tulane football
really made it big.

But something went wrong along the way. Like the 71 season
after the Liberty Bowl year, hopes and dreams were dashed by
reality.

The season opener against Ole Miss was postponed due to the
threat of Hurricane Carmen and was an omen of things to come.

The Green Wave then reeled up five straight victories over LSU,
Army, West Virginia, Air Force and the Citadel.

The Wave was not overpowering in any of these contests. And a
lack of offensive punch and a defense that was more porous than
it should have been, quickly appeared.

But the Greenies were still 5-0, and hope was still present.

But then on regional television the following week against rival
Georgia Tech, the loss of the game coupled with the loss of premier
quarterback Steve Foley started the Wave's slide downward.

The team went on to lose its remaining six games to Kentucky,
Boston College, Vanderbilt, LSU, and Old Miss to end Tulane's
final season in Tulane Stadium with a 5-6 record.

But there were some bright spots during the season:

Despite missing four games, Steve Foley ended his brilliant ca-
reer by becoming Tulane's All-time total offense leader.

Three Tulane players — Foley, defensive tackle Charlie Hall,
and defensive back John Washington were picked in the pro draft.
Rusty Chambers was later signed as a free agent with the Saints.

And the second half of the Tulane-LSU game was something for
all Tulane fans to be proud of. Down 21-0 at half, the Wave battled
back to lose a close 24-22 decision. And the Wave even had a touch-
down called back that could have made the difference.

So again, we look to next year. The Green Wave will have to rely
on youth, especially in the interior line, and someone to fill the
shoes of Steve Foley.

But with the Wave moving to the Superdome, with seven home
games in 1975, hope again rides high.

^f^^^!^^n

1974 Roster

Steve Foley

Artie Liuzza

Howard McNeill

Nick Anderson

Johnny Hubbard

Charles Cline

Dwight Chretien

Steve Treuting

Terry Looney

Bill Van Manen

Mike Loftin

Eddie Price

Martin Mitchell

John Washington

Arthur Green

Robert Brown

Jaime Garza

Tom Fortner

Kit Bonvillian

Charles Griffin

Buddy Gilbert

Wyatt Washington

Joe Jacobi

Bill Kramer

Mike Keeffe

Randy Cothran

Marc Robert

Brent Baber

David Falgoust

David Lee

Gary Rudick

Jim Andrews

David Bordes

Russell Huber

Mike Price

Kenny Quick

Jeff Smith

Miles Clements

Don Lemon

Rusty Chambers

144

Hank Tatje

George Bauer

Ed Mikkelsen

Jim Gueno

Mark Olivari

Paul Brock

Billy Nix

Cleveland Joseph

Brian Norwood

Jay McGrew

Jack GuUison

Charles Hall

Cameron Gaston

Mike Arthur

Chuck Lapeyre

Don Joyce

Nathan Bell

Zack Mitchell

Alan Baker

Dennis Delaney

Barry Morris

Mike Korf

Alan Zaunbrecher

Byron Keller

Brian Bourgeois

Rick Rutledge

Darwin Willie

JohnRonquillo

Harold Villere

Rene Faucheux

86 Bryan Alexander

87 Dick Pryor

88 Cliff Voltapetti

89 Blaine Woodf in

Bennie Eiiender, Head Coach
Don Jackson, Asst. Coach
Marvin Hagaman, Asst. Coach
Oscar Lofton, Frosh Coach
Joe Jones, Asst. Coach
Tony Misita, Asst. Coach
Billy Laird, Asst. Coach

D/1SKaD/1LL
1974-1975

1^^^ fl

^PJ^^^^v^Hh

^T^ ^^^^H

1 "i ■ J

'iff l^^^^^^l

146

147

1974-75 Record
(16-10)

Tulane 78 Birmingham Southern . . .63

Tulane 97 Southwestern Memphis . .59

Tulane 78 LSU 80

Tulane 94 Samford 67

Tulane 82 LSU 84

Tulane 73 Ole Miss 93

Tulane 88 Louisiana Tech 65

Tulane 73 Northeast Louisiana ... .95

Tulane 84 SMU 80

Tulane 78 Citadel 57

Tulane 71 Kansas State 57

Tulane 85 Southern Mississippi . . .70

Tulane 76 UNO 61

Tulane 81 Illinois 69

Tulane 74 Ball State 98

Tulane 100 Southern Mississippi . . .86

Tulane 96 Southern New Orleans . .69

Tulane 83 Xavier 63

Tulane 79 Richmond 80

Tulane 83 UNO 81

Tulane 94 Dillard 96

Tulane 77 Georgia State 68

Tulane 69 Georgia Tech 74

Tulane 79 Valparaiso 75

Tulane 74 Stetson 99

Tulane 65 Marquette 73

r ^ fi

. 'OM

148

149

Tulane basketball is on the move — upward.

1974-1975 was Tulane's first winning season in bas-
ketball since '66-'67, and its best record since the '56-
'57 campaign.

Led by Mr. Basketball at Tulane, Phil Hicks, coach
Charlie Moir's second season at Tulane was an excit-
ing as well as successful one.

After a slow 4-4 start, the team picked up steam and
won six straight games to stretch its record to 10-5.

The Wave cooled off a little and won 6 of their last
11 games to end the season with a 16-10 record.

Included in this eventful season were two wins
over crosstown rivals UNO who went on to the NCAA
college division finals.

Phil Hicks led the team in scoring with a 22.7 av-

erage, and in rebounding with a 12.4 per game ef-
fort. Hicks scored in double figures in every game of
the season.

Hicks ended the season with 1030 career points and
unless he goes pro, should easily break the all-time
Tulane record of 1501.

The future seems bright if Hicks returns. Tulane
started two freshmen, Pierre Gaudin and Tom Hicks,
for much of the season and their experience should
show next year.

The Wave will lose only one starting senior from
this year's club, and with returnees like Marty Pren-
dergast, John Bobzein, and talented junior college
transfers the Wave has signed, should insure a con-
tinued winning tradition.

150

1974-75 Roster

10 Tom Hicks

12 Pierre Gaudin

14 John Thompson

15 Marc Mirsky
20 Tony Beaulieu

22 Marty Prendergast

24 John Bobzien

25 Luther Strange
30 Paul Yungst

33 Phil Hicks

40 Steve Stanley

42 Richard Purtz

44 Greg Spannuth

50 Terry McLean

Coach Charles Moir
Assistant Coach Don Brown
Assistant Coach Johnny Altobello

151

MSGMLL
1975

-■iaB*is«sk— -,- — *-

.v^iojlKtewMiaxuE

152

ise^scus-^

1975 RESULTS

(24-11-1)

Opponent

OPP

Sprinj; Hill

Spring Hill

Western Illinois

Middle Tennessee State

Iowa

Texas A & M

Texas A &M

Texas A & M

New Haven

Centenary

Northwestern

Bradley

Wisconsin

Carroll College

South Alahama

Louisiana State

Southern Mississippi

New Orleans

Louisiana State

Miami

Louisiana College

New Orleans

Southern Mississippi

153

■^:->^'^

154

Led by ace pitcher Steve Mura, the 1975
Tulane Baseball team finished the season
with a stellar 24-11 record — the most wins
by any Tulane baseball team in its history.

The feat is more notable when you take in-
to account the fact the Tulane Baseball team
fielded its first team in 1911.

First year coach, Joe Brockhoff used the
right combination of experience and youth
in guiding the Wave in tnis milestone season.

Sophomore pitcher, Steve Mura, led the
way with an overall record of 10-3. This was
the most wins ever by a Tulane pitcher in
one season.

The Wave played probably its toughest
schedule ever this year. It included three
games against Southwest Conference cham-
pion Texas A & M, three games against
Miami, the number two team in the country
last year, two games against number 9 rank-
ed South Alabama, and a pair of games
against archrival LSU, who went on to win

the Southeastern Conference champion-
ship.

The Tulane record would have been even
better, but they lost a total of 6 one-run
games, LSU (2-1), South Alabama (6-5),
Texas A & M (10-9), and three unbelievable
one-run games to Miami (3-2, 9-8, 2-1).

On the positive side, the Green Wave
swept the two game series with cross-town
rival UNO.

The highlight of the season had to be the
14-1 shellacking of LSU. The Tigers went on
to win the SEC and advance to the NCAA
playoffs.

The Wave also got good performances out
of John Foto, Barry Butera, R. J. Barrios, John
Leblanc, Bryan Martiny, David Seay, and
others all season long.

This year coach Brockhoff lost some val-
uable players to graduation, but there
shoula be enough talented youth left over to
provide for another fine season.

■^

~ *siS. -A ^'^-^^m^'^-.-i»tf

1975 ROSTER
Jeffrey Alvis
Chris Barnet
R. }. Barrios
Tony Beaulieu
Barry Butera
Doug Caldarera
Neal Comarda
Ken Cronin
Vincent De Grouttola
John Foto
Jim Gaudet
Barry Hebert
John Kuhlman
John Leblanc
Joe Liberato
Mike Loftin
RonMarcomb
Bryan Martiny
Steve Mura
Ralph Prats
Steve Pumila
Mickey Retif
Marlin Rogers
Gary Roney
David Seay
Mark Spansel
Frank Steele
David Zeringue
Pierre Gaudin

Joe Brockhoff, Coach

155

SWIMMIMG

Brian Beach

Brian Burke

William Bower

James DeLuca

Benjamin Goslin

Scott Handler

John Herlihy

William Kuhn

Georges Leblanc

John C. McPherson

David O'Leary

Terrance Owens

Thomas Perkins

Michael Reynolds

Philip Stagg

James Staten

Madelyn Treating

Frederick Wagner

Constance Walker

Manager: Debbie Darnell
Coach: C. Richard Bower

156

1975 TENNIS RESULTS

Opponent

OPP.

City Park Tennis Club
Northwestern State

2
4

New Orleans Tennis Club
South Alabama

6
8

3
1

Western Illinois
Middle Tennessee
South Carolina

8
3
2

1
6

Clemson
Nichols State

4
6

5
3

Southeastern Louisiana
Southern University
McNeese State
Vanderbilt

Default

Mississippi State
Southern Mississippi
Northeastern Louisiana
Jacksonville

Rain
Rain

6
1

LSU

Final Record 13-5

TGhMIS

M'-MS^:"^;-:^

A^^ i

Duane Burley, Coach
Don Kerr, Coach
Jeff Smith
Rob Bunnen
Davis Henley
Bob Flippen
Charles Reed
Ed Gaskell
Randy Gregson
Mark Burnstein
Bruce Mertz
'. Steve Buerger
!m Clarence Rivers, Mgr.

157

GOLf

GOLF TEAM

Jim Hart, Head Coach

Alan Bartelstein

Mark Boyce

Gary Brewster

Ronald Bubes

Richard Gunst

James Joseph

Herbert List

Burke Madigan

Henry Mull

John Neblett

Barton Ramsey

Michael Rodrigue

- 0^SSa^,;8fc>?*y;'ii.^juV-'-i.*^5fi?-iiS?TS353S .

158

TRACK TEAM

John Oelkers, Head Coach

Keith Alexander
Nick Anderson
Jason Collins
Warren Chandler
Lenard Culicchia
David Delgado
Rohbin Duncan
Steve Foley
Phillip Gihbons
Jon Guben
Dennis Gordon
Don Joyce
Paul Kenul
MelvinParet
Quentin Phillips
Tom Pond
Jim Rickard
Mark Staid
Tom Stephenson
James Stoyanoff
Keith Wolfe

.^Ulu.v^.^.! V^M^

TR/^CK

159

SAILING CLUB

Jerry Jung

Chris Peragine

Bob Weber

Lee Shuman

Leonard Duncan

Toby Darden

Brian Zipp

Bob LaFrance

Kurt Weise

Robin Keefe

John Garth

Marion Hollings

Frank Collins

Augie Diaz

Doug Bull

S/^iLinc

160'

CKGGRLG/^DGRS

CHEERLEADERS

Joni Anderson
Adrianne Petit
Denise Butler
Christine Nielsen
Leslie Brupbacher
Toby Berry
Don Peterson
Charlie Calderwood

Lamar Warmack
Letch Kline
Gary Fitzjarrell
Bob Boese
Neil Barnes
Madeline Treating
Mary Tull
Sue Ragde
Denise Downing

161

MCROSSG

•nttt^tap^t-

^m^t0

LACROSSE CLUB

Rix Yard, Head Coach

David Matasar

Watts Wacker

Joe Dirty

Joe Lee, Co-capt.

Vic Barbieri

Jake Aldred

Phil Nidrie

Clark Haley

BobRaynold

Mike Mariorenzes

Paul Paganele

Andrew Holcombe

Mark Muller

Conrad T. Jones

John Macintosh, Co-capt.

Phil Rodgers

Clint Eastwood

Gary Pruto

Duncan Davis

Mark Weiderlight

Hank Spicer

Pat Chanell

Rand Ian

Denise & Cindy

162

.•T;T!.-"l''"g-'Baa iSS^I^i^!

We would like to extend our deepest appreciation to
Dr. Rix N. Yard for his efforts as Coach, friend and
confident to the Tulane Lacrosse Team. Rix Yard has
opened avenues of growth to all of us by his inspiring
example of devotion, hard work and fairness. We
have learned to be winners together, yet, with
dignity. We have learned to lose together, also. Most
of all, we have learned to compete with a spirit of
robust comaraderie which transcends winning and
losing.

Thank You Dr. Yard

The Departing Members

of the 75 Tulane Lacrosse Club

163

^v-..is^-^

.-ri... --^

SOCCGR

164

This year the Tulane Soccer Club fielded two
soccer teams due to the tremendous interest in soccer
during the last couple of years. Close to 80 players
registered with the club, but eventually we had a
working group of 40 players. The highlight of this
year's season was the Green Team's victory over
Georgia Tech in the finals of the SEC soccer classic
held in Atlanta.

Tulane held its first annual Spring Soccer Tourna-
ment this year. The University of Alabama at
Huntsville won handily but proved that soccer is a
great player and spectator sport in the South. The
Tulane Soccer Team wishes the best of luck to some
departing seniors: D. Diego, J. R. Davis, J. Mclnnis,
C. Leon, and J. Young.

SOCCER CLUB
J. Bolanos, Capt.
J. Mclnnes, Capt.
F. King, Advisor

Green Team
L. Pettigru
J. Bolanos
M. Gutierrez
M.Fell

C. Bowers
A. Parra
J. Walsch
S. Troxler
F. Woll

D. Diego

J. Beingolea

E. Young
C. Leon

R. Edwards

M. Mantese

J. J. deVidarrauzaga

J. R. Davis

BJue Team

E. Vamvas
D. Sommer
M. Nibbolink
J. de Pond

J. Young

C. Pinzon
J. Mclnnis
J. Ott

R. Knight

F. Stanley
L. Butler

D. Dearie
G. Long
T. Jobin
T. Ory

B. Boutte
R. Horseley
L. Linares

165

RUGBY CLUB

Tyrone Yokum, Capt.

Jerry Cave

Jack Adams

Laird Canby

Steve Bumbus

Ken Gutzeit

Bill Daniels

Andy Miles

Ron Quinton

Jim Richeson

Bob Preston

Bill Murphy

Lynn Parry

Doug Watkins

Chuck Collins

John Tabor

Vince Dobbs

John Walsh

Dave Taylor

Jim Summerour

Jim Beskin

Mike Smith

Doug Walton

Randy Wykoff

Hawkeye Deter

Bob Duff

Neal Dunaway

Ed Sheinis

Bill Schwartz

ChipWalshaw

Mitch Woods

Dan Anderson

Tad Daniels

Ray Hunting

Gary Hahn

Tom O'Neil

Mike Warner

Steve Carroway

Mark Rowe

.///

RUGDY

166

167

A NOTE
TO THE
SENIORS

By Scott Wagman

What would you like to be when you grow up? I can hardly fathom the many times through-
out my life that I have been confronted with this rather simplistic question. Indeed, the ques-
tion's ramifications have obscured its intent to the point where the question becomes one not
of what or when, but if.

The high school senior entering Tulane experiences the transition of going from top to twit,
with nary a hope of regaining the stature that immediate post-pubescence offered him. To the
freshman, Tulane is but a hermetically sealed jar of milk and honey, appearing just as college
should appear; the professors polished in their specific discipline, the textbooks thick with the
wisdom of the world, the dorms buzzing with tales of limitless excess and connubial conquest.
Even the buildings emanate a feeling of truth and knowledge almost challenging to the
aspiring scholar.

The sophomore year heralds the inception of a kind of facetious familiarity with one's
surroundings. The professors are now somewhat less than eloquent, the textbooks thick but
very expensive, the dorms consumed with more excess of beer, grass and aspirin than the
favors of a certain friend. The days between tests grow long as the many flights of stairs to
the fourth floor of Newcomb Hall increasingly grate on one's nerves.

Enter the junior year, and concomitantly, upperclass status. Status? No, status comes later.
Meanwhile, back with the pre-meds, pre-laws, pre-business, and pre-generalists, that ever
important commitment, the major, is becoming ever more tangential to what you used to think
was your goal in life. You've become quite adept at categorizing the gumbo of professors,
courses, bars, etc., and rating them on neat scales of one to ten. Of greater concern, you have
begun to categorize yourself, as the spectre of LSAT, MCAT and GRE tests loom ever larger
on the horizon.

The neophyte Tulane Senior senses that he is at the beginning of an end, hopefully an end
that will lead to new beginnings. The confusingly paradoxical professor, it has been dis-
covered, seems to feel much less vulnerable arguing over a beer than at the rostrum. Cracks
have developed in the once seemingly solid walls of the academic structure; priorities that
were taken for granted now appear misplaced. Ultimately, the naive awe in which the Tulane
Senior once held his school matures into a more realistic, critical appraisal of university and
academic life. In many aspects the Tulane Senior bites the loco parental hand that feeds him,
but it is in no way a malicious bite, just a curious nibble. That the Tulane Senior openly con-
fronts that which he perceives to be less than right demonstrates that Tulane has fulfilled its
primary purpose — to sensitize the person to his environment and at least begin to equip him
to deal with it.

Regardless of the way in which the Tulane Senior occupies his future, he should be able to
look back at Tulane and laugh at that which was outrageous, chuckle at that which was per-
plexing, and smile at all that was significant.

It can now be seen that the Tulane Senior will never grow up, only out.

169

Keith V. Abramson
Norwalk, Connecticut
Arts and Sciences

David V. Adler
New Orleans
Business

Michael F. Adoue
Shreveport, Louisiana
Arts and Sciences

Mary C. Akers
Charlotte, North Carolina
Newcomb

Jay Altmayer
Metairie, Louisiana
Law

Tom A. Anderson
Houston, Texas
Business

Lloyd J. Arbo, Jr.
Metairie, Louisiana
Engineering

Linda M. Argote
Metairie, Louisiana
Newcomb

Daniel S. Ashenberg
Congers, New York
Arts and Sciences

Elizabeth A. Asher
Pineville, Louisiana
Newcomb

Thomas P. Atkinson
Montgomery, Louisiana
Arts and Sciences

Rory B. Babbitt

South Fallsburgh, New York

Arts and Sciences

Neal K. Adler
Braintree, Mississippi
Arts and Sciences

Kate Allen
Evanston, Illinois
Newcomb

Ann G. Applegate
New Orleans
Newcomb

Mary B. Armstrong
New Orleans
Newcomb

Curklin P. Atkins
New Orleans
Arts and Sciences

Ernest M. Back
Scarsdale, New York
Arts and Sciences

f what a strange nature is knowiedge! /t clings to the mind, when it has once seized on it, like a lichen on the
rock. The accidents of life are not so changeable as the feelings of human nature. / had worked hard for nearly
four years for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and
health. / had desired it with an ardour that far exceeded moderation; but now that / had finished . . .

Keith V. Abramson
Arts and Sciences

170

Kim A. Barkan
Columbus, Ohio
Law

George J. Barlow
New Orleans
Law

Linda M. Barnes
New Orleans
Newcomb

William T. Barry
Westport, Connecticut
Arts and Sciences

Anthony J. Bartlett
New Orleans
Engineering

Ben Bashinski
Macon, Georgia
Arts and Sciences

Richard M.Battaile
Phoenix, Arizona
Arts and Sciences

Richard E. Baudouin
Harahan, Louisiana
Arts and Sciences

Tom E. Bax
New Orleans
Law

Dalan J.Bayham
Chalmette, Louisiana
Engineering

Mary L. Beck
Metairie, Louisiana
Newcomb

John S. Becker
Jefferson, Louisiana
Engineering

James A. Barnes
Milton, Florida
Arts and Sciences

Jeff Barter
New Orleans
Arts and Sciences

PaulM.Batiza
New Orleans
Law

George A. Bauer
Mount Prospect, Illinois
Physical Education

Clifford A. Beaulieu
New Orleans
Arts and Sciences

Mary H. Beecker
Dallas, Texas
Newcomb

s the body is composed of three billion ceJJs, the world is inhabited by so many billions of people, and as one
malignant cell can destroy three billion others, one madman can annihilate humanity.
Man is compelled to build. We must never permit him to destroy the world.

Ben Bashinski
Arts and Sciences

171

Mary Ann Bell
Clifton, New Jersey
Newcomb

Paul C. Benesh
Westport, Connecticut
Arts and Sciences

Steven G. Benzell
New Orleans
Arts and Sciences

Les M. Berenson
Metairie, Louisiana
Arts and Sciences

Pamela C. Berton
Omaha, Nebraska
Newcomb

Arthur A. Bianchi III
Crosby, Texas
Arts and Sciences

Debra A. Bislip
New Orleans
Newcomb

Thomas T. Bittenbender
Lake Forest, Illinois
Arts and Sciences

Jody L. Blake

Oak Ridge, Tennessee

Newcomb

Kitty V. Bliss
Metairie, Louisiana
Newcomb

Marc Blumenthal
Miami, Florida
Arts and Sciences

Elise Bodenheimer
Anniston, Alabama
Newcomb

George A. Benner
Miami, Florida
Arts and Sciences

Andrew S. Berg
Saint Louis, Missouri
Arts and Sciences

Robert F. Bigham

Rosslyn Farms, Pennsylvania

Arts and Sciences

Maud M. Bivona
New Orleans
Newcomb

George R. Blue, Jr.
Metairie, Louisiana
Law

Richard A. Bodziner
Savannah, Georgia
Arts and Sciences

o be concise: (1) The "rounded" education now has four corners (2) Student government is stili all show and
no go (3j if more educators stopped being researchers and returned to educating TuJane might be worth the
money (4) Despite its faults a strong fraternity system can only help Tulane (5) A man who does not know
a foreign language can never really know his own f6j The Dome is an egg-shaped shaft (7) Never let the
"right" woman get away, and (8) Tulane 14-LSLf zip sounds as sweet as ever.

Bob Boese
Law

172

Robert L. Boese
New Orleans
Law

Tad A. Bogdaa

Saint Petersburg, Florida

Arts and Sciences

Huston F. Boothe
Chalmette, Louisiana
Architecture

Michael E. Botnick
New Orleans
Law

John R. Braddock
Monroe, Louisiana
Arts and Sciences

Peter K. Bretting
Belen, New Mexico
Arts and Sciences

Beverly E. Briggs
Houston, Texas
Newcomb

Elizabeth L. Brigmas
New Orleans
Graduate

Charles Brown
Dallas, Texas
Arts and Sciences

David M. Brown
New Orleans
Engineering

Alan Buttekant
New Orleans
Engineering

Kenneth L. Burns
Glendale, Missouri
Architecture

ewspaper Item:

Girl, 12, Gets Face

IVo longer do you need to live

in a dim-lit, mirrorless world.

Plastic surgeons over the bandaged years

have managed to give you a face,

not beautiful, perhaps —

more concerned with a nose that works

than one aquiline or pug —

James F. Booth
Jackson, Mississippi
Arts and Sciences

Ellen Boyle
Menands, New York
Newcomb

Ellissa C. Brewster
Bay Shore, New York
Newcomb

Thomas K. Brocato
Alexandria, Louisiana
Arts and Sciences

Margaret F. Brown
Jeanerette, Louisiana
Newcomb

Betty Anne L. Bussoff

New Orleans

Law

a face with features all in place
for secret painting with blue eye

shadow
and loud lipsticks
as you prepare to ;oin
the faceless crowd.

— Grace Beacham Freeman
Michael Botnick
Law

173

Demise M. Butler
Kingston, Tennessee
Newcomb

Margaret S. Buzan
Rockville, Maryland
Social Work

Arthur C. Camp
Ocala, Florida
Arts and Sciences

Philip D. Campbell
Knoxville, Tennessee
Arts and Sciences

Kay E. Capella
New Orleans
Newcomb

Vincent Caracci
Jackson, Mississippi
Engineering

Thomas C. Carmody
Westfield, New Jersey
Arts and Sciences

Rivers K. Carpenter
New Orleans
Social Work

Clyde E. Carroll
New Orleans
Architecture

William F. Carroll
Crown Point, Indiana
Graduate

Philip D. Castille
New Orleans
Graduate

Jerry H. Cave
Bethesda, Maryland
Arts and Sciences

BAD

1. oboJitJon of the iang. req.

2. fillndermon's yearbook

3. Saints' gomes

Edward Calix
Decatur, Alabama
Arts and Sciences

Magdalena M. Canales
San Antonio, Texas
Newcomb

Anthony P. Carlevaro
Montvale, New Jersey
Arts and Sciences

Tom N. Carr
Pensacola, Florida
Engineering

Charles S. Carter
New Orleans
Law

Cindy A. Cerise
New Orleans
Newcomb

174

OOD

1. first year roommate

2. free-fJicl(s and film series

3. professors

4. Figaro and Courier

5. Mushroom in Zemurray

I have been able to do everything / have wanted to do in terms of school, hove had mony good times, and am in one
piece. My only sad thoughts are of leaving here for someplace else. New Orleans itself is such a monument to
stupidity* and waste*, and as such has provided me with endless hours of amazement and anger to tafce the
place of boredom, it will be exceedingly dull to go some place where things function normally,
•i.e. Super Dome, transit strike, Audubon Zoo, Army Corp. of Engineers

David Clapp
Arts and Sciences

Mike Chafetz
San Antonio, Texas
Arts and Sciences

Russell F. Chambers
Loranger, Louisiana
Physical Education

Clark R. Charbonnet
Ocean Springs, Mississippi
Engineering

Robert S. Chase
Chicago, Illinois
Arts and Sciences

Donald J. Clark
Coshocton, Ohio
Business

Janice R. Coffey

Fort Lauderdale, Florida

Newcomb

Yvonne E. Collier
New Orleans
Newcomb

Jason H. Collins
New Orleans
Arts and Sciences

Raul J. Cotilla

Staten Island, New York

Engineering

Ian M. Cotton
New Orleans
Arts and Sciences

John H. Cowan
Shawnee Mission, Kansas
Arts and Sciences

David Cox
Houston, Texas
Engineering

Henry G. Chandler
Stamford, Connecticut
Arts and Sciences

David F.Clapp
Homewood, Illinois
Arts and Sciences

Rina Cohan
Miami, Florida
Law

Maria Cosmas
New Orleans
Newcomb

Edwards T, Cousins
New Orleans
Engineering

Steven R. Crista
Waynesboro, Penn.
Engineering

TERCOR/COLOUS

How weil the flowers grow. How tall and fair!

How eagerly they strive to kiss the skies.'

And O how beautifuJ the buds they bear.'

But beneath those fibrous stems so verdant Jies

Everywhere the stench of practical sheep,

The fJowers sown by men who stand apart.

Though the flowers sweetly smell, the stench runs deep

In a land where science triumphs over Art.

Time, time, time; Time is all they care about.

And worthless figures dominate their minds.

They have the answers, these sheep who never doubt,

But the truth they find is one that only blinds.

How well the flowers grow.' How tall and fair.'

The stench is soon forgotten, but the stench is there.

F. Robert Duplantier
Arts and Sciences

175

Maureen A. Cronan
New Orleans
Newcomb

Emily C. Cronin
New Orleans
Newcomb

Richard C. Cummings
Wilmette, Illinois
Arts and Sciences

Janet L. Dannemann
Metairie, Louisiana
Newcomb

William H. Daume
Nashville, Tennessee
Law

Michael Davidson
Meridian, Mississippi
Arts and Sciences

Nancy K. Davies
Lynchburg, Virginia
Newcomb

Philip T. Deal

Lake Providence, Louisiana

Arts and Sciences

David V. Degruy, Jr.

Metairie

Arts and Sciences

Dennis P. Delaney
New Orleans
Arts and Sciences

Wendy Delery
New Orleans
Newcomb

Sandra N. Demby
Metairie, Louisiana
Newcomb

Deborah G. Cummings
East Hanover, New Jersey
Newcomb

Thomas F. Darden
Fort Worth, Texas
Arts and Sciences

Dorothy G. Davis
Toledo, Ohio
Newcomb

Jean A De Barbieris
New Orleans
Architecture

Kathleen A. Delery
New Orleans
Newcomb

Craig M. Deyerle
Hockessin, Delaware
Engineering

hat can we do as individuals? Plenty! Don't ;ust stand there and complain DO SOMETHING! "/t is better to light
one candle than to curse the dark!"

Bruce L. Feingerts

Law

176

' Richard A. Diamond
New Orleans
Arts and Sciences

Michael A. Dicarlo
Lake Charles, Louisiana
Arts and Sciences

Donna M. Dickson
New Orleans
Business

Lucas A. Dileo
New Orleans
Architecture

Frederick S. Dobard
New Orleans
University College

Richard K. Domas
Baton Rouge, Louisiana
Engineering

William Dorrance
Ann Arbor, Michigan
Engineering

August E. Doskey
Covington, Louisiana
Arts and Sciences

Jerome B. Doster
Rochelle, Georgia
Business

Lawrence M. Doyle
Greensboro, North Carolina
Arts and Sciences

Philip P. Drey
Mobile, Alabama
Architecture

Doile E. Duconge
New Orleans
Engineering

Perry Dickinson
New Orleans
Arts and Sciences

Howard L. Dimmig
Shalimar, Florida
Arts and Sciences

Lydia Dorosh
New Orleans
Newcomb

William D. Dossett
Beulah, Mississippi
Arts and Sciences

Spencer J. Dreischarf

New Orleans

Law

Lynne E. Duke
Gumming, Georgia
Newcomb

arrived in New Orleans and registered fuii-time at Tuiane University with stern disapprobation and now in
valediction to TuJone and the Crescent City 1 depart with austere disesteem.

George Joseph

Arts and Sciences

177

James F. Dunn
Trumbull, Connecticut
Arts and Sciences

Margaret Duplantier
New Orleans
Law

Arthur Eckerson
New Orleans
Business

Mark P. Edgar
Atlanta, Georgia
Engineering

James D. Ellington
Pekin, Illinois
Arts and Sciences

Robert E. Eversole
Oak Ridge, Tennessee
Engineering

Katherine A. Fauntleroy
Silver Spring, Missouri
Newcomb

Michael J. Feeney
Washington, DC
Arts and Sciences

Barry S. Feldman
Glencoe, Illinois
Arts and Sciences

Stanley Feldman
Charleston, South Carolina
Arts and Sciences

Robert N. Fielding
Poughkeepsie, New York
Arts and Sciences

Debra J. Fischman
New Orleans
Newcomb

came lo Tulane for the following reasons:

1. TuJane is one of the finest schools in the South

2. .Vew OrJeans, is a fine city, with lots of neat things to do,
friendiy people, and a great climate.

3. 1 heard the Newcomb girJs were out of sight.

4. The drinking oge in iVew Orleons was eighteen.
You know, one out of four isn't reaJly aiJ that bad.

Edmund G. Grant
Arts and Sciences

Karen E. Eberle
New Orleans
Newcomb

Bernard H. Eichold
Mobile, Alabama
Arts and Sciences

David M. Falgoust
St. James, Louisiana
Arts and Sciences

Bruce L. Feingerts
New Orleans
Law

James E. Ferrara
Trenton, New Jersey
Law

Nancy Fisher
Surfside, Florida
Newcomb

178

Valerie F. Fitzpatrick
Kenner, Louisiana
Law

Michael A. Fogarty
Duxbury, Mississippi
Arts and Sciences

Deborah J. Ford
San Antonio, Texas
Architecture

T. Fortner

New Braunfels, Texas

Arts and Sciences

Philip L Frankel
Rivervale, New Jersey
Arts and Sciences

Lynne R. Freeman
Houston, Texas
Newcomb

Patricia A. Fuller
Fort Worth, Texas
Newcomb

SeeneaM. Fulton
New Orleans
Newcomb

Gregory C. Gaar
Winnfield, Louisiana
Arts and Sciences

Clarice Gerstenbluth
New Orleans
Newcomb

Salvador J. Giardina, }r

New Orleans

Law

Peter R. Gillespie
Bronxville, New York
Arts and Sciences

Michael W. Fontenot
Ville Platte, Louisiana
Law

John B. Fox
New Orleans
Arts and Sciences

Barbara A. Friedman
Houston, Texas
Newcomb

William J. Furlong
New Orleans
Graduate

Charles M. Getchell.Jr.
Oxford, Mississippi
Arts and Sciences

Frank A. Glaviano
New Orleans
Engineering

pon embarking on the planks of the "cruel" world, we can all look back on 4 years of maturing, sharing and
learning —

Now more than ever we must realize not to shelter yourself in any course of action by the idea that it is "my"
affair. It is your affair, but it is also mine and the community's. Nor can we neglect the world beyond — we must
unite because fust like love all is a give and take proposition.

Give, give again and again, don't lose courage, keep it up and go on giving! Remember, no one has ever become
poor from giving. Happiness and joy, sunshine which I'll share forever —

Taicy Gerstenbluth
Newcomb

179

Stephen L. Golden
New Orleans
Arts and Sciences

Jesse E. Gonzales
San Antonio, Texas
Arts and Sciences

Jane M. Graffeo
Richardson, Texas
Newcomb

Harold E. Graham
Houston, Texas
Arts and Sciences

Patrick W. Gray
Morgan City, Louisiana
Arts and Sciences

Steven T. Greene
Houston, Texas
Arts and Sciences

Manuel Grullon
Jefferson, Louisiana
Arts and Sciences

Edwards J. Guise III
Metairie, Louisiana
Law

Cygne L. Hahn
Midland, Texas
Newcomb

Charles Hall

Lake Charles, Louisiana

Physical Education

Brian C. Haller

West Hartford, Connecticut

Arts and Sciences

John W. Hampton
Fort Myers, Florida
Business

Donna Goodwin
New Orleans
Newcomb

Clifford J. Gray
Plainview, New Jersey
Arts and Sciences

Jay Grossman
New Orleans
Arts and Sciences

Elizabeth D. Haelker
San Antonio, Texas
Newcomb

Daniel Hall
Dallas, Texas
Architecture

Mark Hanudel
New Orleans
Arts and Sciences

180

emories of four years spent ot Tulane University: nauseating on-campus food, the Jock of parking on campus,
the skyrocketing price of Twinkies, Tuiane 14 — LSU 0, an un-airconditioned PheJps House, mid-afternoon naps
to counter the late night hours, the inadequacy of the Jibrary, a Mickey Mouse health center, streaking, the
confusion of registration, the defunct on campus bowling aJJeys, a gos shortage, monsoon rain storms producing
floods everywhere, drinking beer in the depressing atmosphere of the Rat, lines of people everywhere f bursar,
registration, food service, LSU ticket, bookstore], Hap Glaudi, two Mardi Gras, escaping to Miami for two other
Mardi Gras, terrible housing services such as power failures, awful mattresses, the frequent absence of hot
water, and invisible janitorial service, the crowded tennis courts and field house.

Also: a great roommate ffor all four years — a Tulane record I believe), a select few people to whom IwilJ al-
ways feel close and a depleted bank account; its former contents consumed by Tulane University in exchange
for a worthless document and four years of incredible memories.

Clifford Gray
Arts and Sciences

George A. Hayne
Boise, Idaho
Law

Cynthia S. Heaberlin
Dallas, Texas
Newcomb

Joan A. Heausler
New Orleans
Newcomb

Cathy L. Hellman
Chattanooga, Tennessee
Newcomb

Jessica A. Henry
Medfoeld, Mississippi
Newcomb

Eve M. Hernquist
Nashville, Tennessee
Newcomb

Robert Hertzberg
Bayonne, New Jersey
Law

Tatham E. Hertsberg
New Orleans
Arts and Sciences

Richard Hindes
Roslyn, New York
Arts and Sciences

Susan E. Hobbs
Ashland, Kentucky
Business

Mara B. Hoffman
Brookville, New York
Newcomb

Liza D. Hohenschutz
New Orleans
Newcomb

Nan V. Heard
Lamesa, California
Newcomb

Richard G. Helman
Shawnee Mission, Kansas
Arts and Sciences

James A. Hernquist
Nashville, Tennessee
Business

Susan L. Highleyman
New Orleans
Newcomb

Thomas K. Hofer
New Orleans
University College

Andrew T. Holcombe
Naples, Florida
Arts and Sciences

everai thousand odd crash the quads, the haiis, the silence. Four long years, instantJy gone. Hurrying, ceaseless
motion. Classes, athletics, parties, holidays. Quiet moments together — alone, /oy, pain, memories. Minds con-
stantly shatter. Hunting, searching. For what? I wonder. More than term papers. More than chemical formulas
and graduate board scores. School. No Life's learning.

CharlesM. Getchell Jr.

Arts and Sciences

181

Mary E. Holley
Damascus, Maryland
Newcomb

Donald W.Hollings
New Orleans
Architecture

Mary A. Horn
Metairie, Louisiana
Newcomb

Macom N. Hornsby
New Orleans
Arts and Sciences

Lucinda Huffman
Tyler, Texas
Newcomb

David G. Hughes
Chalmette, Louisiana
Engineering

Michael T. Illinston
New Orleans
Arts and Sciences

Jayne C. Jacoby
Dallas, Texas
Newcomb

James W. Jeffcoat
New Orleans
Business

Kathryn E. Jennings
La Marque, Texas
Newcomb

Maria De L Jimenes Codina

New Orleans

Law

Ben Johnson
Birmingham, Alabama
Arts and Sciences

RexM. Holmlin
New Orleans
Business

John C. Hudnall
Fort Worth, Texas
Medicine

182

h Life.

How sweet.
Ah Camp Tulane.
So neat.

Lovely ladies

'n handsome men
Swing your partners

but don't give in!
Swing your partners

to and fro
Don't say goodbye

just say hello;

But if you don't Jaugh
and you won't sing

Shepton F. Hunter
Metairie, Louisiana
Arts and Sciences

Mansour H. Jaragh
New Orleans
Engineering

Daniel J. Jessee
Mountain Lakes,

New Jersey
Arts and Sciences

Charles Johnson
New Orleans
Public Health

then you've not done
any one damn thing.

La-de-da-da- wo-oh-oh

/ heard he sang a good song
/ heard he had a style
And so / came to see him
To listen for awhile

La-La-La-La-La-La-La

And I heard him sing

on his broken guitar

"Say Lu, where are you goin' to?'
"Ha, Ha," she smiles, "a dancin'.

Lucinda Huffman
Newcomb

Robert R. Johnson
New Orleans
Physical Education

Jon B. Jonas

Satellite Beach, Florida

Arts and Sciences

Jennifer E. Jones
Memphis, Tennessee
Newcomh

Thomas W. Jordan
New Orleans
Arts and Sciences

Ron H. Josephs
Dallas, Texas
Arts and Sciences

JerroldM. Jung
New Orleans
Arts and Sciences

Kathryn S. Kahler
Cameron, Texas
Newcomb

Karen L. Kahn
Pine Bluff, Arizona
Newcomb

Michael I. Kaplan
New Orleans
Arts and Sciences

Michael A. Katz
New Orleans
Arts and Sciences

Arthur E. Keiser
New Orleans
Arts and Sciences

William B. Keiser
Ridgely, Tennessee
Law

Jedda A. Jones
New Orleans
Newcomb

George C. Joseph
Miami, Florida
Arts and Sciences

Steven L. Kadden
New Orleans
Law

Marty S. Kane
Cranford, New Jersey
Arts and Sciences

Martin H. Kay
New Orleans
Graduate

Rock E.Kent

Long Beach, California

Arts and Sciences

hese three years at Tulane Law School, and in New Orleans, have really been rewarding forme. I've watched
myself grow both professionally and personally; and I've learned some important concepts, like perspective and
substantiality. I've had some great times, too; and 1 realize now that there's more to life than "go to heJI LSV",
but thot at the time feels just right. These days have been invaluable.

Steven Kadden

Law School

183

Philip Kessling
Chalmette, Louisiana
Arts and Sciences

Andrea W. Kislan
Hollywood, Florida
Newcomb

Peter S. Kohlmann
New York, New York
Arts and Sciences

Andrew L. Korontjis
Metairie, Louisiana
Arts and Sciences

Alan E. Krinzman
Elberon, New Jersey
Arts and Sciences

Frank M. Laboureur
Jefferson, Louisiana
Arts and Sciences

Jonathan M. Lake
New Orleans
Law

Mark L. Lamport
Denver Colorado
Arts and Sciences

Lee J. Landesberg
New Orleans
Law

Nancy A. Landman
Northbrook, 111.
Newcomb

Thomas J. Landry
Lake Charles, Louisiana
Architecture

Larry Landsman

South Orange, New Jersey

Arts and Sciences

Jeffrey K. Knauer
Miami Beach, Florida
Arts and Sciences

Frank F. Krider
Houston, Texas
Arts and Sciences

Williams R. Ladd
Prarie Village, Kansas
Arts and Sciences

Marion A. Lanasa
New Orleans
Arts and Sciences

Adrianne L Landry
New Iberia, Louisiana
Newcomb

Michael D. Langbart
Fort Lauderdale, Florida
Arts and Sciences

184

he terrible and beaudful sentence, the last, the final wisdom that the earth can give, is remembered at the end,
is spoken too late, wearily. It stands there, awful and untraduced, above the dusty racked of our lives. No for-
getting, no forgiving, no denying, no explaining, no hating. "

■O mortal and perishing love, born with the flesh and dying with this brain, your memory will haunt this earth
forever."

".And now the voyage out. Where?"

—Thomas Woolf

Look Homeward, Angel

Jennifer Lehmann

Newcomb

Michael F. Larkin
Metairie, Louisiana
Graduate Engineering

Hollis Lazar
Chicago, Illinois
Newcomb

Edward F. Lebreton
New Orleans
Law

Thomas L Lecher
Manhasset Hills, New York
Arts and Sciences

Edward Lee
New Orleans
Engineering

Lynne Lee
New Orleans
Newcomb

Robert A. Lesson, Jr.
New Orleans
Engineering

Steven L. Lefkovitz
Cookeville, Tennessee
Arts and Sciences

Cindy A. Leissinger
Metairie, Louisiana
Newcomb

Elizabeth Lennep
New Orleans
Newcomb

Mark W. Levin
Bath, Maine
Arts and Sciences

Arthur J. Levine
New Orleans
Law

John C. Lebas
Chalmette, Louisiana
Graduate Engineering

David H. Ledbetter

Jacksonville, Florida
Arts and Sciences

Patrick F. Lee
Metairie, Louisiana
Arts and Sciences

Jeanne E. Legault
Washington, DC
Graduate

Dana Leventhal
Falls Church, Virginia
Newcomb

Robert L. Levine
Chattanooga, Tennessee
Arts and Sciences

hile at Tulone / have had exposure to a great variety of courses in a great variety of fields. But there is one thing

that / have always kept in mind,

NEVER LET YOUR STUDIES

GET IN THEWAY OF YOUR EDUCATION!

Richard B. Jamison

Arts and Sciences

-185

Keith A. Levinsohn
Tenafly, New Jersey
Arts and Sciences

Donna S. Levy
Hollywood, Florida
Newcomb

Dennis S. Lewka
Iselin, New Jersey
Arts and Sciences

George M. Lightner
Metairie, Louisiana
Graduate Business

Rodrigo Lindo
New Orleans
Arts and Sciences

Ivan S. Livingston
Charleston, South Carolina
Arts and Sciences

Henry S. Long
Birmingham, Alabama
Architecture

Merrimon L. Long
Burlington, North Carolina
Newcomb

Robert S. Lopo
New Orleans
Arts and Sciences

Debra E. Lozier
New Orleans
Newcomb

Debbie Luskey
Fort Worth, Texas
Newcomb

Chris A. MacLeod
Haxrahan, Louisiana
Newcomb

oy es ei manana

Que nos preocupo oyer —
Y nos gradiiamos/

Rodrigo Lindo
Arts and Sciences

Cynthia J. Lewis
Dallas, Texas
Newcomb

Paul H. Lind
Metairie, Louisiana
Engineering

Joanna L. Lombard
Fort Lauderdale, Florida
Architecture

Douglas L Longman
Eunice, Louisiana
Arts and Sciences

David Lum
Memphis, Tennessee
Arts and Sciences

Anthony Malizia
Jonesboro, Georgia
Arts and Sciences

186

Ernest R. Malone Jr.
New Orleans
Law

Barlow T. Mann
Memphis, Tennessee
Arts and Sciences

William J. Marchese
New Orleans
Arts and Sciences

Claire H. Martin
New Orleans
University College

Elisa S. Martinez
New Orleans
Newcomb

David E. Massengill
Wheaton, Maryland
Arts and Sciences

Robert T. McAfee
New Orleans
Arts and Sciences

Lucinda A. McDade
Miami, Florida
Newcomb

Melissa A. McGinn
New Orleans
Newcomb

James S. McGrath
Overland Park, Kansas
Arts and Sciences

Stepbanie K. McPbail
New Orleans
Newcomb

John C. McPherson
New Orleans
Arts and Sciences

Bersquist R. Marcelo
New Orleans
Arts and Sciences

Lisa C. Martin
Houston, Texas
Newcomb

William A. May
Birmingham, Alabama
Arts and Sciences

Mary F. McEnery
New Orleans
Newcomb

William V. McLeese
New Orleans
Arts and Sciences

Frank McRoberts
New Orleans
Arts and Sciences

arewell to you and to the youth 1 have spent with you. It was but yesterday we met in a dream, 'iou hove sung to
me in my a/oneness, and J of your longings have built a lower in the sky. But now our sleep has fled and our
dream is over, and it is no longer dawn. The noontide is upon us and our half waking has turned to fuller day,
_..d we must part. If in the twilight of memory we should meet once more, we shall speak again together and you
shall sing to me a deeper song. And if our hands should meet in another dream, we shall build another lower in

the sky.

— Kahlil Gibran
Dana Baxter Leventhal
Newcomb

187

Colleen E. Megarity
Fort Worth, Texas
Newcomb

Monroe L. Mendelsohn
Scarsdale, NY
Arts and Sciences

Susan J. Mersman
St. Louis, Missouri
Newcomb

Bruce L. Mertz
Corsicana, Texas
Arts and Sciences

Stephen R. Meyer
New Orleans
Graduate

Mara R. Michle
New Orleans
Arts and Sciences

Fred S. Miller
Hamilton, Ohio
Arts and Sciences

Kathryn B. Miller
Austin, Texas
Newcomb

Nancy L. Miller
Hollywood, Florida
Newcomb

Marc S. Mirsky
Lincolnwood, Illinois
Arts and Sciences

Louis L. Mizell Jr.
San Antonio, Texas
Arts and Sciences

Meredith E. Monsky
Birmingham, Alabama
Newcomb

Noemie G. Merrick
New Roads, La.
Newcomb

Bernard W. Messer
Lewisburg, W.V.
Arts and Sciences

Carol L. Miller
Metairie, La.
Newcomb

Lee R. Miller
Brooklyn, NY
Arts and Sciences

Gerald E. Misel
Atlanta, Georgia
Arts and Sciences

Jill Monsour
Albany, NY
Physical Education

ulane is so much fun, 1 decided to lolte my lime.'
Mary Forest McEnery
Newcomb

188

Wayne C. Moore

Lut Off, La.

Arts and Sciences

Jane K. Moos
Highland Park, Illinois
Architecture

Wendy R. Morris
New Orleans
Newcomb

William H. Morris Jr.
New Orleans
Arts and Sciences

Peggy J. Moss
Sarasota, Florida
Newcomb

Clifford P. Murray
New Orleans
Arts and Sciences

Rafael A. Negron

Rio Piedras, Puerto Rico

Engineering

Robert Newman
Tampa, Florida
Arts and Sciences

William L. Nix
New Orleans
Arts and Sciences

Pierre Noyer
New Orleans
Graduate Law

Marianne O'Carroll
New Orleans
Newcomb

Wooserferd O'Leary

Houma, La.

Law

Michael J. Mora

Key Biscayne, Florida

Arts and Sciences

Robert B. Morrison
Tampa, Florida
Arts and Sciences

Anthony P. Napolitano
New Orleans
Engineering

Thomas E. Niesen
St. Louis, Missouri
Arts and Sciences

David M. Oberholtzer
Houston, Texas
Arts and Sciences

Robert Olivier
Thibodaux, La.
Architecture

aving spent considerable sums on a diploma which seems likely to render me overqualified and thus unemploy-
ab/e, I'm often tempted to rue the day J picJ<ed up my first registration packet. I now have to live with the fact
thot I'm too educated to be a regular Joe and not educated enough to be a true intellectual. .At least I'll ha\e
company in Limbo from all the other disillusioned B.A.'s of both sexes who will be pumping gas alongside me.

JVfy career with the Exxon Corporation won't be totally dismal, because my education has given me something
which defies price tags. The knowledge I've gained here will always be a passport to the endlessly fascinating
dimension of human thought and experience. Even while flushing radiators and greasing axles. I'll always be
supremely entertained by the tragic and funny, sublime and absurd drama which surrounds us ex ery waking
moment. College has introduced me to a world of ideas I might never have found on my own. and if it never
earns me a penny J won't regret the last dollar 1 spent on it.

Bill McLeese

Arts and Sciences

189

John C. Olmstead
New Orleans
Law

Richard S. Paddor
Lincolnwood, Illinois
Arts and Sciences

Pedro B. Padierna
New Orleans
Graduate Business

Martin Paley

West Newton, Mass.

Arts and Sciences

Melvin P. Paret
Lake Charles, La.
Arts and Sciences

Jeanene V. Parker
Arriba, Colorado
Newcomb

Sandra L. Pate
Atlanta, Georgia
Newcomb

Jeffrey A. Paulus
New Orleans
Graduate Business

Lynn A. Pearlman
Orlando, Florida
Newcomb

Deborah E. Pearson
New Orleans
Newcomb

Steve Peden
Dallas, Texas
Arts and Sciences

William R. Pedersen
New Orleans
Engineering

ife:

Participant or spectator.

/nvoJvement is the difference.

Serena Fitz Randolph

Architecture

Robert E. Paddor
Lincolnwood, Illinois
Arts and Sciences

Paul J. Palmeri
New Orleans
Engineering

Alberto Parra
New Orleans
Engineering

Paul B. Payne
Slaton, Texas
Arts and Sciences

John L. Pecarrere
New Orleans
Arts and Sciences

Priscilla J. Penn

Eureka Springs, Arkansas

Newcomb

190

Arthur H. Perry
Wheaton, Maryland
Arts and Sciences

Joanna E. Pessa
Alexandria, Virginia
Newcomb

Elise R. Piazza
Newhaven, Connecticut
Newcomb

Lee L. Pickett
New Orleans
Arts and Sciences

Judith Pinnolis
Winston Salem,

North Carolina
Newcomb

Carlos M. Pinzon
New Orleans
Engineering

George L. Plaeger III
New Orleans
Engineering

Jacob A. Plique
New Orleans
Engineering

Mary E. Podesta
San Antonio, Texas
Newcomb

Anatole Poborilenko
Philadelphia, Pa.
Graduate

Douglas Pooley
Denver, Colorado
Arts and Sciences

Oscar J. Porras
New Orleans
Engineering

Donald M. Peterson
Dallas, Texas
Architecture

Carla J. Pierce
New Orleans
Architecture

Linda T. Pixler
New Orleans
Newcomb

Thomas K.Ploch
Memphis, Tennessee
Arts and Sciences

Lislie M. Poison
Cottage Grove, Oregon
Newcomb

Daniel Pougeoise
New Orleans, La.
Graduate Law

t would be nice to consider leaving Tulane in the good company of President Longenecker, Dean Stibbs, and Col.
Scruton. But that would be untrue since I've just reenlisted.

To the future I pray that my Graduate diploma reads "Tulane University" and not "LSU-Uptown". To the past,
a toast — "Lately it occurs to me what a long, strange trip its been".

Bruce Rubin

Arts and Sciences

191

JohnM. Powell
Gretna, La.
Architecture

Nicholas K. Powell
Kansas City, Missouri
Arts and Sciences

Leigh Pratt
New Orleans
Newcomb

Lee L. Prina
Washington, D.C.
Newcomb

Dick Pryor
Jackson, Mississippi
Physical Education

Pam Pryor

West Memphis, Arkansas

Newcomb

Rikka L Pulliam

West Memphis, Arkansas

Newcomb

Eva A. Purnell
New Orleans
Newcomb

Michal D. Purswell
Conroe, Texas
Arts and Sciences

Robabeh B. Rafatjah
New Orleans
University College

William E. Rau
New Orleans
Engineering

James S. Rees III
New Orleans
Law

Scott M. Powers

Ft. Mitchell, Kentucky

Louis F. Prisco

Great Neck, New York

Arts and Sciences

Michael Pugh
New Orleans
Arts and Sciences

Ronald J. Pursell
New Orleans
Law

Steven R. Rampton
Jacksonville, Florida
Graduate Business

Rick S. Rees
New Orleans, La.
Graduate Business

192

feel (hat (he value of a university is the success with which it prepares one (o deal wi(h "(he world ou( (here .

And I've go( (o give credi( to TuJane ... it has managed to take an apathetic s(uden( wi(h her nose in (he ar(

building, and (each her (he most valuable lesson of all; The only way (o accomplish, (o learn, or (o really en;oy
any(hing is (o GET INVOLVED. , l ., •

Two words which, if vigorously employed, can mean my salvadon, that of the Student Body, that of the Univer-
sity — and (he world. , J

As an experimen( - really get involved in that research paper; really get into Mardi Gras fwowj; get involved
in fighting for (he students' welfare. The opportunities are endless.

So go to it!

Jeanene V. Parker
Newcomb

Elyse Reingold
Henrietta, Oklahoma
Newcomb

Jack A. Rhoades
Richmond, Virginia
University College

James Richard

Wilkes Barre, Pennsylvania

Arts and Sciences

James E. Richard Jr.
Thibodaux, Louisiana
Engineering

Michael S. Richie
New Orleans
Law

Briley Richmond
New Orleans
Law

Glenn M. Rick

San Diego, California

Arts and Sciences

Robert H. Rickey
New Orleans
Architecture

April Riskin
New Orleans
Newcomb

Robert E. Ritter
New Orleans
Arts and Sciences

Raymond A. Robinson
Houston, Texas
Engineering

Gregg J. Rock
Metairie, Louisiana
Architecture

David B. Ribinstein
Merrick, New York
Arts and Sciences

Dorothy C. Richardson
New Albany, Indiana
Newcomb

Nancy Richmond
New Orleans
Newcomb

Darryl A. Rickner
New Orleans
Engineering

Albert Robinson
New Orleans
Arts and Sciences

Jose A. Rodriguez
New Orleans, La.
Architecture

have never been so depressed, or so stimulated, in my short life. College seems to bring out glowering realities,
while at the same time instilling a sense of being (my own beingj.

David Shaw

Arts and Sciences

193

Sergio G. Rodriguez
Metairie, Louisiana
Arts and Sciences

Dave R. Rohbock
New Orleans
Arts and Sciences

Debbie A. Rosenblum
New Orleans
Newcomb

Alvin Rosenfarb
Miami Beach, Florida
Law

Joy Rubens
Glencoe, Illinois
Newcomb

Bruce Rubin
New Orleans
Arts and Sciences

Dennis K. Russell
Metairie, Louisiana
Law

WynnRusso
New Orleans
Arts and Sciences

Brian E. Salathe
New Orleans
Engineering

Robin M. Saliman
Denver, Colorado
Newcomb

Fred J. Sandefer
Homewood, Alabama
Arts and Sciences

Tbomas C. Santoro
Dix Hills, New York
Arts and Sciences

Thomas A. Rollow
LaFayette, Louisiana
Engineering

Mark P. Rowe
Alvin, Texas
Graduate Business

Schuyler T. Ruhlman
New Orleans
Newcomb

William R. Rutledge
Garland, Texas
Physical Education

Richard A. Salkin
Scarsdale, New York
Arts and Sciences

John M. Sartin
New Orleans
Law

hen things have gone well, when the plav, the actors, and the director have worked as an ensemble, and the
audience has likewise given of itself, then there occurs one of those rare moments when true theatre ''ves, and
oil is justified. The actor achieves a sense of fulfillment greater than that of any other artist, because he does

not experience it alone".

—Robert L. Benedelli
The Actor at Work
Clare Richardson
Newcomb

194

Jodie E. Sartor
Nashville, Tennessee
Newcomb

Julie Savoy
New Orleans
Social Work

Sammie Schenker
Metairie, Louisiana
Newcomb

Martin B. Schiel
Mobile, Alabama
Arts and Sciences

Ellen M. Schwartz
Chattanooga, Tennessee
Graduate Business

Linda R. Seale
Houston, Texas
Newcomb

Lesley B.'Shear
Reading, Pennsylvania
Newcomb

Michael J. Shimberg
New Rochelle, New York
Arts and Sciences

Robert Siegel
Pittsburgh, Pennsylvania
Arts and Sciences

Donna M. Simmons
Sarasota, Florida
Newcomb

Camille D. Simpson
Houston, Texas
Newcomb

Peter M. Simpson
New Orleans
Arts and Sciences

Morris R. Sazer
New Orleans
Engineering

Terry E. Schnuck
St. Louis, Missouri
Arts and Sciences

David C. Shaw
San Antonio, Texas
Arts and Sciences

Andrea Siben

Bay Shore, New York

Newcomb

George W. Simmons
Dry Prong, Louisiana
Arts and Sciences

David M. Sims
New Orleans
Graduate Business

hen I came to Tulane as a freshman in 1969. there were a lot of problems with the school. The .Administration did
not care about what the students thought, the athletic department Jost money, the medical school lost money,
professors were leaving at an alarming rate. Tuition was being increased annually, bookstore prices were in-
flated, etc. Now that I am ready to leave Tulane, I look around and see that the Administration does not core
about what students think, the Athletic Department is losing money, the medical school is losing money, pro-
fessors are leaving at an alarming rate, tuition is being raised, bookstore prices are inflated, etc. .At least the
football team will play in the Superdome this year. Maybe . . .

Philip Savoie

Law School

195

Irene D. Siragusa
Lake Forest, Illinois
Newcomb

Cynthia G. Sisson
Marion, Indiana
Newcomb

Thomas E. Slack
New Orleans
University College

Carol H. Sloss
Houston, Texas
Newcomb

Alan N. Smason
New Orleans
Arts and Sciences

Jeffrey L. Smith
Longmeadow, Maine
Arts and Sciences

Mark B. Sofer
New York, N.Y.
Arts and Sciences

Linda J. Spaeth
Demarest, N.J.
Newcomb

Robert F. Spindell
Tyngsboro, Maine
Arts and Sciences

Albert H. St. Raymond
New Orleans
Arts and Sciences

Steve Stanley
Middleton, Indiana
Physical Education

Jane A. Steinberg
New Orleans
Newcomb

here's no use in crying, it's all over.

But 1 know there'll always be another day

When my heart will rise up with the morning sun

And the hurt I feel will simpiy melt away . . .

. . . 'Cos my heort will rise up with the morning sun.

Roger Stix

Arts and Sciences

Donald R. Skotty
Littleton, Colorado
Arts and Sciences

Catherine Sloss
Deerfield, Illinois
Newcomb

Kevin L. Smith
Springfield, Ohio
Arts and Sciences

Charlotte A. Spencer
New Orleans
Architecture

John F. Stack
Waukesha, Wisconsin
Engineering

Ronald T. Stevens
New Orleans
Arts and Sciences

196

Roger B.Stix
Scarsdale, New York
Arts and Sciences

Brian J. Stockard
Jay, Florida
Arts and Sciences

Barbara E. Stott
New Orleans
Newcomb

Luther }. Strange
Atlanta, Georgia
Arts and Sciences

Robert J. Stumm
Aurora, Illinois
Architecture

Stephen L. Suplee
Clayton, New Jersey
Arts and Sciences

Michael D. Sussman
Lincolnwood, Illinois
Arts and Sciences

Charles A. Swanson
New Orleans
Arts and Sciences

William H.Syll, Jr.
Metairie, Louisiana
Law

Chuck J. Talbert
Bogalusa, Louisiana
Arts and Sciences

John Tavormina
Elizabeth, New Jersey
Arts and Sciences

Martha C. Taylor
Memphis, Tennessee
Newcomb

John B. Stockwell
New Orleans
Arts and Sciences

Daniel G. Stroud
New Orleans
Arts and Sciences

Scott M. Supman
Lancaster, Ohio
Arts and Sciences

Charles R. Swanson
Houston, Texas
Arts and Sciences

Howard A. Taub
Dallas, Texas
Arts and Sciences

Mark A. Thalheim
Gretna, Louisiana
Arts and Sciences

ime, lime, time . . . See what's become of me
As / loofc around at my possibilities .. ."

/ remember distinctly entering Newcomb in 1971 as an excited freshman and believing then that I Isnew it all.
Now I reluctantly admit, after these years of good friends, mediocre courses and rewarding experiences, how
little I really know. 1 gather that is what being a.graduate implies. Sometimes / feel / am not ready to face any-
thing by McAlister Drive. Oh well . . . LOOK OUT WORLD!! Here comes another BA from Newcomb College
hoping to find herself in your unfamiliar territory. She will need all the help she can get!

Robin Mara Saliman

Newcomb

197

Dwight D. Theall
Gretna, Louisiana
Architecture

Nancie R. Theissen
Mankato, Minnesota
Newcomb

Lex Thistlethwaite
Opelousas, Louisiana
Arts and Sciences

George A. Thompson
New Orleans
Graduate

Seth Tieger
Cincinnati, Ohio
Arts and Sciences

Peter S. Title
New Orleans
Law

Steven S. Tousey
Winter Park, Florida
Architecture

Joseph E. Tusa
New Orleans
Arts and Sciences

Chuck B. Tyler
Tampa, Florida
Engineering

Robert W. Uly
Westport, Connecticut
Arts and Sciences

John V. Valenza, Jr.
Slidell, Louisiana
Engineering

Carl J. Vandenberg
Tinley Park, Illinois
Arts and Sciences

Edward B. Thistlethwaite
Opelousas, Louisiana
Arts and Sciences

Reichel R. Thompson
Fort Smith, Arkansas
Engineering

Richard G. Tobey
North Plainfield, N.J.
Arts and Sciences

Linda Twist
Widener, Arkansas
Newcomb

Randy J. Ungar
New Orleans
Law

Jill W. Verlander
Metairie, Louisiana
Newcomb

ne simply goes on in circles, the change in reference points is the illusion of growth.
A resigned sigh escapes, it is lime to start the cycle again.

Jane Steinberg

Newcomb

198

Vladimir
New Orleans
Arts and Sciences

David C. Vogt
New Orleans
Engineering

Claire X. Waggenspack
Baton Rouge, Louisiana
Newcomb

Scott K. Wagman
Sarasota, Florida
Arts and Sciences

John W. Washington
Garland, Texas
Physical Education

David M. Watson
Ossining, New York
Arts and Sciences

Wynnette R. Webster
Houston, Texas
Newcomb

Cynthia S. Weeks
Monmouth, Illinois
Newcomb

Diane A. Weiss
New Orleans
Newcomb

Greg Weitz
New Orleans
Engineering

Cheryl A. White
New Orleans
Newcomb

Linda D. White
Austin, Texas
Engineering

Watts Wacker, Jr.
New Orleans
Arts and Sciences

Gordon S. Walmsley
New Orleans
Law

Evelyn A. Wattley
Scarsdale, New York
Newcomb

Samy E. Weinberger
Metairie, Louisiana
Arts and Sciences

Harold M. Wheelahan

New Orleans

Law

lone S. Whitlock
Fanwood, New Jersey
Newcomb

hrough uncertain life appears non-edible, where's the potato salad and pass the tabasco.

Michael D. Sussman
Arts and Sciences

199

Deborah A. Whitney
Little Rock, Arkansas
Newcomb

John F. Whitney
Green Bay, Wisconsin
Arts and Sciences

Donna G. Williams
Edgewater, Maryland
Newcomb

Erroll G. Williams
New Orleans
Graduate Business

Laura }. Willimon
Dallas, Texas
Newcomb

Greg Wilson
Lubbock, Texas
Arts and Sciences

Felipe B. Woll
New Orleans
Graduate Business

Janet S. Yadley
Tampa, Florida
Newcomb

Christopher J. Young
New Orleans
Architecture

David M. Zalkind
Miami Beach, Florida
Arts and Sciences

Peter E. Zseleczky
Chatham, New Jersey
Arts and Sciences

Robert A. Zuflacht

Old Westbury, New York

Law

Jeffrey T. Wilkie
Youngstown, Ohio
Arts and Sciences

John C.Williams
New Orleans
University College

William C. Wright
Mountain City, Tennessee
Architecture

Tyrone G. Yokum
New Orleans
Arts and Sciences

Dale A. Zimmer
Massillon, Ohio
Arts and Sciences

Annamerle Zwitman
Key West, Florida
Newcomb

f mediocrity is the rule at Tulone, then it's mode to be broken. Somebody's bound to exceed it eventuaJly. The
beauty of this place is wailing to see how it's done. / hope, somehow, 1 have helped.

James T. Wren

Arts and Sciences

200

/^RCHIieaURG SGMIORS

Charles H. Auerbach
Gene M. Bates
Kenneth L. Burns
Clyde E. Carroll
Carlos A. Cespedes
]ames C. Crawford
Joseph R. Davis
Jean Ann DeBarbieris
Charles K. Desler
Dennis F. Diego
Louis A. Dill
Philip P. Drey
David A. Ebert
Eugene B. Goldberg
Jeffrey H. Goldman
Daniel J. Hall

Susan H. Harnage
Gary D. Harrelson
Donald W.Hollings
Thomas W. Jenks
Joanna Lee Lombard
Henry S. Long
Michael Mason
Leroy Pierce McCarty
Charles F. McKirahan
Craig E. Moloney
Jane Moos
Hector K. Nadal
Robert C. Olivier
Laurie J. Petipas
Serena Fitz Randolph
Marc A. Reshefsky

Michael C. Richardson
John Gregg Rock
Francisco A. Rodriguez
Jose A. Rodriguez
William D. Rogan Jr.
Thomas D. Saunders
Peter G. Schmidt
Ann Schmuelling
Stephen Sobieralsky
Mark C. Spellman
Robert H. Stumm Jr.
Dwight D. Theall
Spiros C. Vamvas
William C. Wright II
Christopher J. Young

201

MCD SCHOOL SGMIORS

202

CMSS Of- 1975

1. E. Kofi Lartevi

2. Dennis Kasimian

3. Jerry Routh

4. Melinda Pouncey

5. Thomas Winston

6. Whitney Reader

7. Thomas Planchard

8. David Fajgenbaum

9. James Angel

10. Lelia Foster Angel

11. Ronald Harris

12. Leo Landry

13. Tony LaNasa

14. Steven Paul

15. James Diaz

16. Robert Grissom

17. John Baehr

18. Boh Allen

19. David Simkin

20. James Cox

21. Marty Claiborne

22. Robert Schwartz

23. Stuart Chudnofsky
NOT PICTURED ARE:
Mathew Abrams
Janic Armstrong

Bill Ball
Dave Berry
Greg Bertucci
Steven Bigler
Barbara Boiling
Barry Bordenave
Jay Brynelson
Dave Campell
Edward Carter
Gerald Ching

Jonathan Ching
Mike Clendenin
Crawford Cleveland
Leslie Coffman
Chuck Collin
John Conley
Randy Copeland
Bruce Craig
Bob Crawford
Rich Cunningham
Bill Daniel
Howard Davidson
Ronald Davis
Drake DeGrange
Hugh Dennis
Dave Dodd
Steve Donn
Al Dukes
Bob Easton
Bart Farris
James Fawcett
Ray Feierabend
James Fontenot
Louie Freeman
Johnny Gibson
Bill Graham
Kenneth Haik
Clarke Haley
Hal Hawkins
Ines Hertz
Baxter Holland
John Hower
John Hudnall
Joe Jackson
Stacey Johnson
Charles Joiner
Alan Karpman

PeteKastl
Jay Kayser
Scott Kirby
Stephen Kramer
Kevin Kuebler
Kurt Kunzel
Miriam Labbok
Jeff Lambdin
Mike Lancaster
Steve Lazarus
Leo Lewenstein
Ralph Linn
Martha LoCicero
Jim Lusk

Rainer MacGuire
Tom McAnally
Lou McCaskill
Mike McShane
Gib Meadows
Jim Meek
Jim Meyer
Dave Miles
Lee Morgan-Poth
Ed Moskowitz
Gary Murray
Jim Novick
Johnny Obi
Derek Pang
Pam Parra
Sam Parry
Art Paulina
Mike Pentecost
Priscilla Perry
Corky Phemister
Paul Pradel
Lehman Preis
Donald Prime

Mark Provda
Chris Putman
William Reid
Freddie Reynolds
Paul Robertson
William Robinson
Randolph Ross
Ray Roy
Bob Ruderman
Jeff Saal
Steve Sanders
John Saunders
Al Saxon
Mike Seitzinger
Harold Sherman
Bill Sherman
Frank Silverman
Garrett Snipes
Al Solomon
Eddie Stone
Rand Stoneburner
Bryan Stuart
Russell Swann
Lawrence Tom
Michael Trombello
Corbin Turpin
Ken Van Wieren
Peter \on Dippe
Wayne Watkins
William Weed
Robert Wessler
Ed White
Brett Woodard
Robert Young
Matthew Zettl

203

Memoirs of a Most
Noted ^^Butcher''

By
Dr. Edmond Souchon

(emeritus professor of Anatomy and Clinical Surgery
at the Tulane Medical School from 1872-1908 )

204

After the Federals took possession of New Orleans
in 1863, General Banks, who was then commandant of
the Union troops stationed in the city, put Dr. Andrew
Smyth in charge of the Charity Hospital. There he
remained for nearly thirteen years, a thorough auto-
crat of a rather despotic turn, backed by the federal
bayonets and the notorious carpetbag governors.

It was in 1864, when 31 years of age, that he per-
formed his famous operation — the first operation in
which a subclavian aneurism was successfully as-
perated and the patient did not die from hemorrhag-
ing. It was on a mulatto aged 34 years, for a right
aneurism of the third portion of the subclavian due to
efforts made by the patient in catching at an anchor
in trying to save himself from drowning in a collision
at sea.

Ligature of the vertabral was performed on May 15
and the aneurism closed. The patient left the hospital
apparently cured, but still presented a small pul-
sating tumour about the size of a pigeon's egg.

Ten years later he came back with the tumour as
large as ever. The sac, threatening to burst, was
opened with the hope of plugging the opening of the
aneurismal artery but in vain. The patient died of
hemorrhage within forty -eight hours.

A few hours after the celebrated patient had died,
the body was carefully embalmed and with great
solicitude injected with cocoa butter and carmine,
which gave a most penetrating injection. As soon as
ready, I started dissecting it with most intense and
anxious interest and with as much celerity as possible
because the friends of the dead man were chafing to
have the remains to bury them in a style befitting
such an illustrious personage. He had no family, but
belonged to a coloured association whose members
were very proud of the great celebrity the man had
acquired as they judged from the attention and
curiosity which followed him in all his movements.

They were pressing and impatient in their demands
for the body and Dr. Smyth and I were giving them all
kinds of excuses hoping to wear out their patience. I
for one was doggedly determined that they should not
have him without dividing with me, and I wanted the
lion's share.

One morning as I was getting through with the
dissection, I heard a great row in the waiting room
of the dead house. This was then situated on Gravier
Street, whereas the entrance to the hospital was in
front, of course, on Common Street, a distance of
about 300 feet.

I recognized the voice of Dr. Smyth clamoring over
the others trying to pacify them again. He had a great
deal of influence over them being himself a repub-

lican, but this time, I thought his prestige was fast
ebbing away and I decided upon a bold coup d'etat
to preserve the to be world-renowned specimen. So I
quickly separated the interesting parts from the
balance of the corpse, wrapped them up in an old
sack cloth that happened to be lying there and passed
the package out through a back window to an assistant
keeper of the dead house; telling him to carry it to my
coupe which was standing in front of the hospital. I
then leaped out through the same window and took
the garden walk opposite to the carrier, that he might
not be suspected. I reached the front door of my
carriage before him. Taking the much coveted
specimen from the carrier and placing it tenderly on
the seat next to me I drove off at once to the Tulane
Medical College, hugging closely my precious and
ghastly companion.

After resisting the dead man's friends as long as he
could. Dr. Smyth had to yield to them. But judge of
their shock and horror when they saw all that was
left of their saint, two legs with the viscera and a
left arm, without being able to find out where the
balance had gone and by what way. I do not think
they know it to this day. They had to be contented
with what they could get and they made as much of it
as if it had been the whole of their friend. Dr. Smyth
himself was much surprised and as much at a loss as
they but more happily so. He was very glad when he
learned where the specimen had gone. It was some
satisfaction, he said, to be able to prove that all the
arteries he said he had ligated had really been tied.

From the college I moved the specimen to an ad-
joining building for fear that the enraged friends
might institute a search for him. There he remained,
quietly unknown to all but myself in an old whiskey
barrel filled with water and alcohol. I could ill afford
then to keep him in a finer style, however deserving
of it he was. Besides, I did not care to exhibit him
much, any way.

After a year or so later Professor Tobias Richard-
son, director of the Medical School, asked me where
the famous dissection was. Having told him and what
a drain he was on my shallow treasury he asked me if
I would not consent to have it sent to the Army
Medical Museum in Washington, D.C., to which I
gladly consented at once. There I felt sure he would
be treated in a manner becoming such a unique relic.

Dr. Richardson and Dr. Groenvelt arranged to have
it sent to Washington, where it now rests in peace and
security in all its glory in a beautiful all-glass box with
a fine crystal lid, bathed over head in pure alcohol,
the admiration of all who love subclavian aneurisms
of the third portion.

205

206'

^07

■

209

TULANE STADIUM — AN EPITAPH

By Bennett H. Wall

Thirty-five thousand people attended the dedi-
cation of Tulane Stadium on October 23, 1926, and
they saw Auburn University football team defeat
Tulane by a score of 2-0. Within months of the first
Tulane contest, the fertile minds of New Orleans
Item publisher Col. James M. Thompson and his
sports editor, Fred Digby, formulated plans for a
New Year's football classic to be played in Tulane
Stadium. For some years they and others pressed
ahead until, in February 1934, the New Orleans Mid-
Winter Sports Association was organized to sponsor
a New Year's sports carnival featuring top college
teams. Logically, they adopted the name "Sugar
Bowl" for their event because the Tulane Stadium
had been erected on a portion of the plantation where
Etienne de Bore first successfully produced sugar
in Louisiana.

The original Tulane Stadium had been financed
largely through a public fund raising drive, and all
subsequent additions to it were paid for by the Mid-
Winter Sports Association. The last addition to the
stadium increased the seating capacity to 80,985.
However, as many as 88,000 spectators have wit-
nessed both Tulane and Sugar Bowl games.
For almost half a century the Tulane Sugar Bowl
Stadium served two purposes — the Green Wave
teams played home games there, and on New Year's
Day two of the Nation's best football teams played
for the Sugar Bowl trophy. The Willow Street stadium
held its own with the Nation's greatest and best:
floodlighted in 1957; first bowl game televised coast-
to-coast in color in 1960; press box voted among
Nation's best by sportswriters — the list could be
continued. With the construction of the Super Dome
underway, the Tulane Stadium no longer received the
attention it so much deserved.

The parade of legendary players and coaches who
played for or against Tulane, and those who played
in the Sugar Bowl is almost a complete roll call of the
Nation's finest. Who could ever forget little Davy
O'Brien leading Texas Christian to a victory over
Carnegie Tech in 1939; the seesaw Duke-Alabama
game in 1945 won by Duke 29-26; U.N.C.'s Charlie
Justice's war with Georgia's Charlie Trippi in 1947;
"Bear" Bryant with his Kentucky Wildcats upsetting
"Bud" Wilkinson's Oklahoma Sooners in 1951; or
L.S.U.'s great 13-10 victory over Syracuse in 1965.
Then there was to be the ever discussed game of 1973,
perhaps the greatest game ever played in any
stadium, Notre Dame 24 - Alabama 23, Bryant versus
Parseghian. Not even the Rose Bowl can claim greater
games or players.

For Tulanians, the massive stadium on Willow
Street holds many memories. Beginning with the
early lean years (1926-1928), Tulane went undefeated
in 1929 and in the next three years, led by the in-

comparable Don Zimmerman, lost only three games.
Many sports authorities consider Zimmerman the
greatest player ever to don the Green and Blue of
Tulane. The Tulane record in 1935 merited an invi-
tation to the first Sugar Bowl game. There, on January
1, Tulane defeated Temple by a 20-14 score. Tulane
back Claude (Little Monk) Simons ran for eighty-five
yards for the winning touchdown. Simons remained
in the Sugar Bowl picture until he died in 1975.

And if these two greats stood out, how could one
omit Harley McCollum, Bobby Kellogg, Eddie Price,
Richie Petitbon, Tommy Mason, David Abercrombie,
knighthood on Willow Street and went on to greater
fame in distant places. Father and son will ever argue
the respective merits of the great tackles Paul Lea and
Charlie Hall. The great Willow Street stadium will
not again hear the roar of eighty thousand fans cheer-
ing on their team.

There stands Tulane Stadium, with a solitary flag
waving and the litter blowing idly through the gates,
a grand structure of steel and concrete, reinforced
with the sweat of victor and vanquished alike. Here,
for forty-nine years, the decision had to be made,
and on one particular afternoon or evening. Records
meant little, hopes and dreams went glimmering
when a fumble changed a score or a block set a fast
back free. Gone forever are such mundane things as
concern over the weather. The Super Dome report-
edly has the answers. But for Tulanians there can
never be a comparable attachment for an alien
facility such as they felt for that battered stadium
right across from the dorms on Willow Street.

210

TULANE'S MOVE TO THE DOME

Tulane football is destined for the Superdome des-
pite student demands to continue playing at the
historic Tulane Stadium, home of the Sugar Bowl, on
Willow Street. University officials say they are
delaying their decision because of the uncertain
August 1 completion date. Yet, they insist if Tulane
Stadium is to be used, major repairs must be made —
immediately. "Simple patch-up" repairs alone will
cost a mere $100,000. In the fall of 1973, however, Dr.
Herbert Longenecker, president of the University,
estimated a minimum of $1,500,000 in repairs were
necessary for Tulane to play football in the Sugar
Bowl in 1975. As a result of the inconsistency of the
figures presented to the Tulane Board of Adminis-
trators by the Dome Commission, a controversy
raged. Student representatives on the Board argued
that the figures were deceptive, noting an increase
cost from $56,000 to $156,333. Board members reite-
rated that their only interest was economics, but other
factions within the university openly doubted the
sincerity of this pious statement especially in light of
the intermingling of Board members with New
Orleans' big business and strong financial holdings.
Cast in this light, Tulane football is doomed for the
Dome.

"The Tulane Hullabaloo" editoralized against the
Dome on October 5, 1973 calling it "that fiasco of
community boosterism." Said Larry Arcell, then
editor of the "Hullabaloo," "College athletics are a
part of life at a university and they should occur in a
place which is convenient to the people who are in-
volved in that university. Playing in the Dome is not
exactly like playing in Tulane Stadium .... Travelling
downtown for a football game is enough to make any-
one just stay on campus." This accurately reflects
Tulane sentiment both then and now. No one wants
to move to the Dome except a handful of admini-
strators and the Board.

In a referendum questioning whether Tulane
should play in the Dome, 80 percent of the students
and 88 percent of the faculty members voted no to
the Dome move. Additionally, 75 percent disapproved
of the method the Board was using in making their
decision on the Dome situation. Yet, despite this
overwhelming vote to keep football on Willow Street,
the Student Senate, overlooking the negative student
opinion, passed a resolution supporting the Board's
proposal for the Dome move. Senate president Jerry
Clark said the vote resulted from the Senate's close
analysis of the financial picture. However, Scott

By Kathryn Kahler

Wagman, who followed Clark as ASB president said
the financial aspect was not "all so overriding. All
this governmental expertise, as shown by past his-
tory, falls apart when you blow on it."

The "Hullabaloo" called the Senate's "Action, or
inaction, a complete travesty," noting the 4-1 marginl
by which the students voted against a Dome move.
Said one senator, "The Student Senate has just sold
its constituency down the river."

Admitting that political pressure was involved, the
Tulane Board of Administrators voted November 8,
1973 to move football to the Superdome. According to
Longenecker, "The Board's decision, based on ex-
tensive consideration of all the facts, was taken on
what it considered the best interest of the University
for the future. That's about all there is to say on the
matter." Clark said the Board's decision was "politi-
cally expedient," cancelling the concern over pos-
sible political reprisals.

According to Edmund Mcllhenny, Tulane has,
"under basic constitutional and statutory provisions,
exemptions from property taxes. But if those in power
in Baton Rouge and New Orleans want to make it hot
for Tulane, they have the power. Where we have the
power to reciprocate, it's in the best interest of the
University to do this." Rumors have also circulated
which reveal that the Dome move was based on fears
that the Medical School bonds for the new medical
complex would not receive a good rating. While this
cannot be substantiated it is not totally unbelievable.
This might be some of the "political pressure" the
Board was referring to.

Now that the Sugar Bowl is obsolete what will
happen to it? Some say nothing before 1979 or 1980.
Others are calling for a reduction in the seating capa-
city and use in other university functions. "It's just
going to sit there. We'll try to spend as little money as
possible on it," said Shelby Friedrichs, chairman of
the Board's Superdome committee.

"Just sitting there" will be the "world's largest steel
structure" which was once the site of the Old Etienne
de Bore plantation, one of the first places to granulate
sugar in this country. Whatever happens now, stu-
dents are not likely to forget that their sentiments
were forgotten for "economic benefits" and for the
materialistic comforts of the Dome: instant replay,
cushioned seats, and an environment free from
nature's elements. Said one Board member, "Tulane
must keep pace with the changing times." Perhaps so,
if you like the plastic society we live in now.

211

TULANE AND THE DOME

MUCH MORE THAN FOOTBALL

Tulane University and its football team
obviously have a fantastic future in the
Superdome. The recruiting attractiveness
of this spectacular building for top high
school prospects will be national, not merely
local or regional. Better recruiting means
much better teams, which in turn means
higher attendance, improved home sched-
ules, and healthier financing of Tulane ath-
letic programs.

Frankly, I will be very surprised if Tulane
does not rank among the nation's top half-
dozen college football teams for the ten-
year period 1976-1985. The recruiting appeal
of Tulane University, New Orleans, and
"our" Superdome will lead to a near domi-
nation of blood rival L.S.U. within the years
inmiediately ahead. Tulane is a school with
a fine "reputation"; New Orleans is unques-
tionably an attractive city to young people,
and the Superdome is in a class by itself as
a football facility. Blue chippers anywhere
will at least listen when a Tulane recruiter
comes their way.

However, I hope a healthy football future
is not the only thing this building will mean
to Tulane students and faculty. The Super-
dome, if used properly and to its full advan-
tage, will open a new era in mass entertain-
ment. This phenomena will be of immense
benefit financially, culturally, and socially
to New Orleans.

To understand such a statement one must
understand the Superdome. Many think of
it as a super-glamorous "STADIUM"; per-
haps a stadium to end all stadiums. In reality,
the Superdome is an "AUDITORIUM"; the
finest in the world to seat more than 22,000.
(Bear in mind that the Superdome's capacity
will be 76,000, not 23, 24, or 25 thousand.)

The dome is, of course, an auditorium
rather than a stadium because it is enclosed,
climate controlled, without outside light,
equipped with highly sophisticated sound
equipment, the very latest in theatrical light-
ing, theater-type upholstered seats, six giant
television projectors and screens, numerous

By Dave Dixon

interior meeting rooms, carpeted ramps and
corridors, ad infinitum. These things do not
currently exist in such combination in any
present auditorium. Moreover, it is virtually
impossible to modify any existing stadium
in this fashion.

In such a Superdome a new era of "mass
entertainment" awaits us. As an admitted
oversimplification; instead of 10,000 people
at $10 admission at a typical auditorium for
top flight entertainment, why not 70,000
people for $1.50. How many families of five,
for example, can afford $10 tickets for an
evening's entertainment? Very few, indeed
though almost all families can share in a
$1.50 per person experience.

These factors lead toward my central
point. Why not create a Cultural Department
of Tulane University to join other "Cultural
Departments" of other local colleges and
universities to promote big-time entertain-
ment events for the whole community, just
as an Athletic Department promotes big-
time football and basketball?

A cultural department of the university
with a Superdome at its disposal could aid
faculty salaries and award fully paid scho-
larships to deserving young men and women
with the profits it could recoup from its
promotional activities in the Dome. More-
over, the university's business and graduate
schools would have the most fabulous labo-
ratories in the world for accounting, adver-
tising, marketing and salesmanship courses.

The Superdome "can" be tremendously
helpful to Tulane students, "provided its
opportunity is fulJy understood and vigor-
ousiy exploited. "

The opportunity of the Superdome is sit-
ting there like a chicken, waiting to be
plucked!

Pluck it, Tulane!

Dave Dixon was the Executive Director
of the Louisiana Superdome, 1966-72.

212

213

TUMMC: SCOURCe Of TH€ CDD

JEWELL'S CKESCENT CITY ILLtrSTRATED.

I'Sai MECJHAffiCi'si iHSa'i'i''0'i'Sl,

Through the years Tulane University has
been given or has acquired over 50 buildings
in the Central Business District, and its
periphery. These considerable real estate
holdings were used to house the university
and to support it. Because the first plants of
both Tulane and Newcomb were in the
Central Business District, as was the real
estate to support the University, the Adminis-
trators of the Tulane Educational Fund are
responsible for much of the physical appear-
ance of the C.B.D. These men, however,
never saw themselves as curators or cus-
todians of a city or even of the physical plant
of the university, nor did they consider their
potential position of leadership in revitalizing
the spirit as well as the physical appearance
of the city. This lack of university spirit in
relationship to the community is not left to
the Administrators alone. For many years
Tulane was considered largely a city college,

By Roulhac Toledano

educating the business community and its
leaders for generations. Civic participation
and responsibility may not be suitable as a
101 course, but the message should have been
imparted for the good of Tulane and New
Orleans. There are indications that it was not.

Let's start with the old University of
Louisiana, the predessor of Tulane. The
three handsome classic style buildings
occupied the square bound by Canal,
Baronne, Common, and Dryades, from 1847.
The state of Louisiana turned the buildings
over to the Tulane Board of Administrators
in 1883 when the Tulane endowment fund
was set up. Just seven years later, they
decided the buildings were dilapidated and
the college must be moved. This was the
beginning of a number of unfortunate de-
cisions. No one could be found to pay even
$18,000 year rent for the entire property
measuring 209 Baronne, 208 on Dryades, 310
on Common, and 313 in rear. The entire
membership of the Boston Club was ap-
proached about renting it, and finally Thomas
Nicholson leased the property for $10,000 a
year for 99 years. This surely looks bad for
Tulane today, but don't blame the Board.
Papers in the archives say that the rent was
considered renumerative enough by several
capitalists.

Why in the world did they persist in getting
rid of it in a bad economic climate? In the
end, there was a scandal about it because
one of the sub lessees was the wife of board
member Charles E. Fenner. Among the
persons who finally got the property were
Walter Flower and Joseph W. Carroll. In
1920, half of the original university property
was valued at $750,000. Mrs. Carroll and
Mrs. Flower did the university a great favor
selling them one half of the university's
original property for just "a moderate cost,"
although they had reportedly been offered
$500,000 for it. Tulane collected $300,000 on
the property and then paid $150,000 of that
back to repurchase just one half. And no-

214

body cared. Maybe nobody much knew about
this ludicrous example of bad business. Now
the Roosevelt Hotel (Fairmont) and Shell
Oil building at 925 Common and University
Place occupy part of the historic site, and the
latter replaced the Tulane Crescent Theatres.
Mr. Nicholson put up a row of undistinguished
two story buildings on Baronne, and I can't
find out who gels the rents on these proper-
ties today, but it's not much, anyway. What
a botch.

Three other major buildings once assoc-
ated with Tulane University include the old
Mechanic's Institute, Turner's Hall and the
first Newcomb building at Lee Circle on the
square bound by St. Charles, Howard, Maga-
zine, and Calliope. The Mechanic's Institute,
which housed the law school, was described
in the Register, 1901-1902, as "an historic
edifice, having originally housed the Me-
chanics Institute and was occupied by the
academic departments of the university
until their removal to St. Charles Avenue in
1894. It is convenient to the law offices and
courts of the city and contains . . . one of the

largest public hall in the city." The Mechanics
Institute, joining the other University build-
ings at Canal and Barrone, was purchased
with funds donated by Paul Tulane, accord-
ing to the Bulletin of the Tulane University
of Louisiana, Session, 1884-85. This famous
building was first built in 1851 in the Gothic
style after design of R.P. Rice, Architect.
This building burned in 1854 but was rebuilt
by James Gallier, Jr. The university pur-
chased the Gallier building for $18,500 and
repaired it for $1800 in the 1880's. It had cost
$83,000 to build and had a hall to seat 1500.
The university abandoned this monumental
and historic edif ace, home of the first Law
department and business office of the uni-
versity.

Turner's Hall is the handsome building of
large proportions at 938 Lafayette, corner of
O'Keffe, buih in 1868 for the Turner's Society
for $39,758, William Thiel, architect. Origi-
nally described as an "aladdin's palace.

Turners' Hall at Baronne and Lafayette,
acquired by Tulane for a Manual Training School.

Abandoned and sold.

215

928 Canal, former property of the university

grand in character and design, and a worthy
monument to the genius and patient labor
of the population which called it into exist-
ence." One of the few remaining institu-
tional buildings built by New Orleans' many
charitable organizations, Turners' Hall was
elegantly outfitted with a library, meeting
hall and gymnasium. Tulane used it as a
manual training school before abandoning
it and selling it.

A survey of the Central Business District
at various periods indicates that many of
Tulane University properties, historic build-
ings which reflect the great character of the
university's founder and of the city itself,
became parking lots for long periods of time.
That was the best use the board of adminis-
trator found.

The university, without much thought
about it, has cheated the city which made it.

liilJUUUJlIv

&tAm§mc

914 Canal, once an attractive building that used to
belong to the university

218

Which is more upsetting, the lack of consid-
eration, the lack of overall planning or the
gaping holes left by their business ventures?

Another disaster is the lack of longevity of
some of the buildings put up with money
realized from Mr. Tulane's capital. The
Medical School left the University of Louisi-
ana buildings and moved into the Tobias
Gibson Richardson Memorial Center built
by the university at 1551 Canal in 1893 by
architects Sully and Toledano at a cost
$266,197.69. First the board renamed the
building after Josephine Hutchinson and then
abandoned it in 1931, the building being
demolished in 1934. Thirty three years!
Buildings at the Oxford, and even the Uni-
versity of North Carolina, to say nothing of
Yale and Harvard, are used century after
century. What is on that square now is a
disaster to look at, and on world famed
Canal St.!

And speaking of Canal Street, number 604
Canal Street was given by Paul Tulane. It
was the site of his retail store, old #79 Canal
St. in the 1860's; it was sold and now houses

213-17 N. Peter, sites of Paul Tulane's stores,
#20 & 26. Sold by the university.

Rapp luggage. Other important Canal St.
properties came to the university from other
sources, including one square of Claiborne
(Sheraton Delta), The Canal Jewelry build-
ing at 914 Canal, bought as an investment,
was one of a row of four built in 1850 to
replace the old State House, next to the Uni-
versity of Louisiana. Today only the cornice
line of Canal Jewelry gives a hint of the form-
er simplicity and sophistication of the row.
Once more ugliness prevails on properties
once belonging to the university. Zales'
Jewelry building at 928 Canal once belonged
to Tulane. It is one of the best remaining
examples in New Orleans of the polychrome
style of the turn of the century. It seems like
that location on Canal would have been a
good investment for the university to keep.
But it didn't work out. The university former-
ly owned 710 Canal, Porter's Stevens, but this
four story Italianate structure of the 1870's,
with cast iron decoration of the facade, was
eliminated from a fast fading roster. Gone,

219

220

too, are 213, 217, and 237 North Peters St.
The first two have great historical importance
as the first stores of Paul Tulane in the early
1830's.

Paul Tulane is probably turning over in his
grave at the thought of what has happened
to the real estate which he gave for the
establishment of Tulane University. Mr.
Tulane set great store in real estate (pun
intended). Why not? After all he made a
fortune in real estate and in the city of New
Orleans participating in its visual and eco-
nomic development along the way. Tulane,
in his original letter, dated 1882, to the future
board of administrators, said he was "sin-
cerely desirous of contributing to their
(Southerners and New Orleanians) moral and
intellectual welfare." Thus he donated "all
the real estate I own and I am possessed of
in New Orleans" for educational purposes.
This was over twenty five buildings in the
American sector, which is now the Central
Business District. The streets on which the
property is located are still important today
— Canal, Gravier, South Peters, Magazine,
and Tchoupitoulas (& others). Tulane ex-
pressed his faith in the continuing improve-
ment of the properties in his letter to the
future administrators.

"The character of the property donated is
to remain unchanged. It cannot be mortgaged
and it cannot be sold nor incumbered in any
way, except at the end of not less than 50
years.

Mortgaging it or selling it, and the invest-
ment of the proceeds in stocks, bonds or
other securities might, and probably would
lead to disaster, owing to the uncertain and
fluctuating nature of the value of securities
of every description. On the other hand, the
real estate, the title to which I intend to
donate to you is well located and cannot fail
to increase in value as the city shall become
more prosperous."

He was absolutely right. But let's see what
has become of the properties. Only one, just
one of these properties, still belongs to Tulane.
That is 614 Gravier Street, by chance the site
of one of Paul Tulane's clothing stores,
established at old #74 Gravier in 1861. It is
one of a row of three remaining granite and

brick commercial buildings behind the new
Chamber of Commerce, a typical commercial
building of the 1840's. Tulane gave another
of the row, #618, but the university sold it.
The Chamber of Commerce, around the
corner, is a new and indistinguished example
of modern architecture which replaced Paul
Tulane's own office building, then #49 Camp,
which he occupied from 1859.

What has become of Paul Tulane's living
quarters, and the physical remnant of the
commercial empire which he left for the
university? It appears that the Board of Ad-
ministrators started getting rid of the
properties as soon as the fifty years had
lapsed, showing a lack of respect for Paul
Tulane as well as a complete disregard for
Mr. Tulane's financial advice. It is thought
indeed that even before his death, Mr. Tulane
was in a state of frenzy about the misman-
agement of the real estate he had given. He
may have been so frustrated that he tore up a
will which was to leave vast sums to the new
university. Four years before his death, a
codicil had been prepared leaving his entire
estate to the university. But neither this, nor
a will was found, and the estate of over a
million dollars went to a nephew, Paul M.
Tulane, and other relatives. This was a
tragedy for the university, and why it hap-
pened not one person can explain, except
that in 1886, seven months before his death,
Tulane is known to have been "sick and
almost bitter on the subject of the extrava-
gance of the Board and the President of the
faculty."

Paul Tulane's buildings were well located,
and many were historically important, and
an aesthetic asset to the city. A few com-
prise some of the C.B.D.'s finest and most
important real estate. 808-06 Perdido Street
corner Carondelet is part of the Factors'
Row, designed in 1858 by Lewis Reynolds.
It was here in 1873 that Edgar Degas painted
the famous scene of a cotton office interior.
The university got rid of the major buildings
on one of the finest locations, and one of the
many intelligent and shrewd purchases of
Paul Tulane. You may say that Tulane Uni-
versity sold them before anybody cared
about buildings of national importance,

221

before anybody cared about history, or before
anybody thought the property might be
worth something greater in the long run.
Well, if a university can't think of aesthetics,
history and long-term economy, who can, and
who should?

And on and on, historic building after
historic building sold by Tulane. How all
that happened would be worth a thesis. In
fact, all of Paul Tulane's property, and its
administration by the university would have
been worth dozens of the theses. Where are
they? The properties have never even been
systematically inventoried, and the board
does not even know what they did wrong,
so that in the future, properties might be
better managed.

There's more to the making of a great
university than lamenting the lack of en-
dowment and jumping from one financial
crisis to another. The administrators know
this better than anyone ... In fact, one of the
university's broad guidelines as stated on
page 296 of Tulane's biography by John Dyer
states, "Tulane owes a special obligation to
the area in which it is located." Tulane is
dependent on the city and its citizens for
funding, yet the Board of Administrators
seem never to have considered the role of
the university as a potentially influential
one, a creative one or a helpful one to the
city. Nor has the school developed the sense
of history necessary for the establishment of
a great institution.

Think of the physical memorials to Paul
Tulane, to Mr. W. Irby, Hutchinson, and
Mrs. Newcomb over to properties of which
the school has left behind to decay or
become faceless parking lots.

History cannot be made when the makers
bypass all opportunity and responsibility. I
wish my university and that of my father and
grandfather would take advantage of its
opportunities and live up to its obligations.

Mrs. Toledano is co-authoress of the Friends of the
Cabildo's seven volume series on New Orleans

Architecture.

211-13 Camp St. Originally the site of Paul Tulane's
office. Later, the Tulane Administrator's
Building and then sold by the university.

222

It is not impossible for a right-minded
person to concede to Mrs. Toledano's argu-
ment; however, 20-20 hindsight in evaluating
real estate transactions is still Monday
morning quarterbacking.

No college or university (with the possible
exception of Columbia) can be said to be in
the real estate business. Indeed, real prop-
erty bequeathed to a university can prove to
be more a liability than an asset: the cost
of maintenance to meet strict city codes and
the general problems of keeping tenants,
may frequently cause an outflow of money
universities (notoriously un-liquid) can
ill-afford.

The university's problems of managing
bequeathed real estate are intensified when
the donor hovers over the administrator's
shoulders or attempts to dictate from the
grave by building severe restrictions into his
will. Although I hesitate in saying this, Paul
Tulane or any other donor of real estate
unwilling to relinquish utterly his control
of property, is better off selling to Latter &
Blum. Mrs. Toledano may not approve of the
administrators selling Tulane property, but
in part from the proceeds of those sales
Tulane has built among the best Medical and
Law Schools in the country and prestigious

By A. P. Antippas

Associate Professor

Department of English

undergraduate and graduate departments:
these things have immortalized Paul Tulane,
not the fact that he owned property in the
Central Business District.

Without evidence to the contrary, it must
be assumed Tulane's administrators' de-
cisions concerning the sale or retention of
property were devised to serve best Tulane's
educational and financial concerns.

It may well be this latter point which
comes closest to accounting for Mrs.
Toledano's irritation: Tulane has chosen to
sell rather than serve as a force for the
preservation of old buildings. But if Tulane
is not in the real estate business, it is
neither the appointed or self-ordained
custodian or curator of the city's architectural
heritage. Unhappily, the New Orleans'
community itself has only lately organized
its historical consciousness — and still the
Vieux Carre Commission permits the abomi-
nations on Burbon Street and cultivates a
jurisdictional blindness to the demolition
of row upon row of fine nineteenth century
business housed on the other side of Canal
Street. It is unfair to blame Tulane's adminis-
trators for lacking prescience absent every-
where else.

223

224

225

226

227

Emma's staff of harlots went for five dollars each.

Bartender-proprietor Kelly poured the Wurzburger.

228

Al Rose is the author of "Storyville, New Orleans"
(University of Alabama Press), and, with the late
Driedmond Souchan, "New Orleans Jazz — A Family
Album," winner of the 1967 Louisiana Book Award.
He is well-known to Tulane fraternity members as
the caricaturist whose work has adorned virtually
all of their walls since 1938.

GR/1MDMTHGR TOOK TKC TROLLGY

GRANDFATHER TOOK THE TROLLEY

Grandfather has been telling me that
you're corrupt and degenerate. He says that
when he was at Tulane, the fellows had
higher moral values, a better appreciation
of the finer things in life. You wouldn't have
been likely to see a young gentleman of the
class of 1912, wearing a Tulane T-shirt
(dirty), long hair and no shoes, passed out in
a Bourbon Street gutter clutching a bottle of
cheap wine. No, sir!

Oh, sure, he admits, his confreres were
high-spirited lads, given to occasional high
jinks. But his generation, he assures me,
knew the meaning and importance of mode-
ration in all things. Then, blotting the
moisture of a seventh sazerac from his
moustache with a linen napkin, he rises with
an exaggerated show of dignity and takes
his unsteady leave.

Well, let me tell you a thing or two about
Grandfather in 1912. It's true he never went
to Bourbon Street. That's not where the
action was in his day. Instead, he and a
coterie of his companions, probably fra-
ternity brothers, caught the St. Charles
trolley of a spring Saturday evening and
made the hour and a half journey to Canal
and Basin Streets, loudly singing fraternity
and school songs and perhaps a popular ditty
such as, "I Want a Girl Just Like the Girl That
Dad Had Last Night."

He and his friends had dressed with some
care. Starched collars, white shirts, pin-

striped suits, vests, polished, black, high
button shoes. Some had moustaches — the
ones that could muster enough hairs to hold
the wax. All had carefully pomaded hair,
many parted in the middle after the style
popularized by John L. Sullivan. Grand-
father himself wore a genuine pearl stickpin
and a solid gold watch chain from which
hung a gold gavel to identify him as presi-
dent of his fraternity.

In his pocket reposed three one dollar bills
and seventy five cents in silver, since he and
his comrades were of the more affluent set.
This permitted them to make more than one
jolly stop on their Storyville Odyssey.

It was about nine p.m. when they des-
cended on the terminal saloon. Bartender-
proprietor Kelly poured the Wurzburger.
Grandfather paid the whole tab, since it was
his turn. With a flourish he clacked his
fifty-cent piece on the counter and received
his two nickels in change, thereby settling
for all eight beers. While watching his
colleagues help themselves to the free lunch
table containing such delectables as ham,
roast beef, boiled shrimp and French bread,
he sustained himself with a bowl of turtle
soup.

The conference at the Oak Board took up
the question of the night's itinerary. Rela-
tively well-off as they were, they still
couldn't afford such posh bordellos as Lulu
White's "Mahogany Hall" or "The Arling-
ton" or Countess Willie V. Piazza's. In those

229

STORYVIILLG

places a bottle of champagne cost a dollar
and the girls were up to ten dollars.

Anyway, they'd stop first at Emma John-
son's "Studio" at 335 N. Basin Street where,
for fifty cents, they could observe the no-
torious "circus" — a forty minute perfor-
mance by a man, three girls, and a varying
assortment of animals engaging in whatever
sexual activities the creative brain of the
dissolute Emma might program. There,
they'd each have a shot of hard liquor, prob-
ably Raleigh Rye, a libation that would cost
each man a dime. Emma's staff of harlots
went for five dollars each, still too much for
Grandfather and his cohorts.

Now, with their biological urges presum-
ably stimulated, they made their way around
to Iberville Street where, between Marais
and Villere Streets — out of the high rent
district — they would find Ray Owens "Star
Mansion," with special rates for Tulane
students. In this ornate but shabby sex
emporium, the going rate was a dollar per
climax for the first two, five dollars each
thereafter, price determined by consider-
ations of time and labor.

The "Star" had lots of sentimental mem-
ories for Grandfather. Here, three years
earlier, he'd been initiated simultaneously
into manhood and his fraternity, in full view
of the entire membership. This was where
he went regularly during those years of his
courtship of Grandmother to ease the ten-
sion created by her coquetry. Grandfather
felt at home in the "Star."

So grandfather and the young toffs did
what men and boys do at brothels, did it
rather noisily and regrouped afterward on
the banquette, vaguely intoxicated, and at
relative peace with the world. Now the ritual
demanded a stop for a round of drinks at
Frank Early's "My Place" saloon on the
corner of Bienville and Franklin. Here,
they'd imbibe and tip the black piano player
to play their favorite tunes — holding out
just enough money for trolley fare and a
"Peacemaker" from John's Lunch House.

A "Peacemaker"? If you were a married
man spending an evening in the district,
before you went home you'd have John
Gorce make you one of his special oyster
loaves. You took this home to your wife.
Then, if anybody told her they'd seen you in
Storyville, you could say you just stopped
off at John's to bring her her favorite sand-

wich, "Peacemaker."

So Grandfather and his merry men, aglow
with wine, whiskey and beer, made for
Early's. There, until the small hours of
morning they'd drink themselves to near
stupor, one of two, in fact, crossing the line.
Then willy-nilly, some carrying, some
carried, they achieved Canal Street and the
trolley stop.

On the way back to campus, they'd be
more subdued than on the way downtown.
Someone might essay the chorus of a new
song hit such as Orleanian Nick Clesi's
"I'm Sorry I Made You Cry," but the rest
didn't seem to be able to muster up the force
to join in. And there was always, it seemed,
one of the company to vomit on the trolley
floor. If they were lucky, no "peeler"
(policemen) would be on the car to make
arrests on "D & D" charges (drunk and
disorderly).

Persons boarding the trolley would elevate
their noses and assure each other that judg-
ment day couldn't be too far off; that the
younger generation was immoral and cor-
rupt. And, oh yes, degenerate. Grandfather,
too.

At that, he and his friends hadn't found the
evening as eventful as some. None of the
number had, as frequently happened,
greeted the dawn from the drunk tank at
Parish Prison. No raging parent, this time,
had had to be awakened from his slumbers
to rush down in his Marmon with the bail.

In later years. Grandfather would ac-
knowledge with ill-concealed pride that
he'd sown a wild oat or two — but he never
failed to let you know that his was the last
generation to know "how to handle it." Now-
adays the young men didn't know "how to
handle it." Many were, for example, actually
sleeping with their girlfriends, even fiances,
would you believe (somehow he never man-
aged to seduce Grandmother into such an
arrangement until the knot was tied.)

Obviously, there's little hope for the
class of 1975, what with each generation be-
coming more immoral, corrupt, and degener-
ate than the last. Grandfather's crowd didn't
see very much wrong with how things were
going with the world. With all their faults
you could at least depend on them to help
keep up their high standards and defend
their lofty values. Not so today.

MISS RAY OWENS

"STAR MANSION"
1517 IbcrvUlc Street AAA Phone 1793

Uv ;.ii •.;■< V.,tiiiUi'ti c^i .villi iiii"*i moilfiii S|'iiii:m.; Htiu.-i- iti

»h»' » 'u'vffiil rif \ Tin' Tmlii'^li roniii in ihiMiiiiii-.iiiii is ihr IHm-^i

^gLiLllir •^iiiitli. all I lit* funiwlnii,:N aiitl iU'«'t'i'arl.nis liav ini; ln-rri iiii-

^^^^■•■.1 >• \ •• ' ■■ ..r Ni'tt ^ im'n i'>i.i'i'i.ilh f.ir Mi>s (iiiiMi'..

Star Mansion — with special rates for
Tulane students.

\l l< .1 ll^r ■■ ^ I \l< MANSION ■

I >'f \ li '- Sirri r

Ml K l.\i.ii- \i,! : .MILDKI'.l) A X I )!•; KS( >X

<.l-;<iKi;iK I IM.M|X(.> SADIK I.I 'sur !•; K
M AUKLlXi: S I i|.\IK i.l.AKIS \V A 1. 1, AT K
l'A.N.>"i' MmXIIvi ,-si:, l|,,M„.K,-,.|„-i

Frank Early's "My Place", home of the famous
"Peacemaker" sandwich.

Emma's Studio — For fifty cents, you could
observe the notorious "circus".

SECBET SESSION OP THE CITY COUNCIL.

The Ncceiixy V Afii.liier BHi RbiI Ko»J Ampl> D«inuo»li«Ud.

231

TH€
SIXTH

new

ORL€/iriS

J/1ZZ&

KCRMGG

f€STN/1L

232

-IT

fjl

• .'.. , ;• i.','"v

^ ■" : ■

-•'"*'' *''£d ' 'it * '".'i-*-''^ * ^^^1

^^P

■^

When you think of New Orleans jazz, your mind
brings forth images of dixieland, riverboats, and
black funerals. The pure New Orleans music the
brass bands typify as they cavort among the crowd, a
step ahead of the second liners, with their dented
trombones, tarnished trumpets and single bass drums.
That and people, plenty of people.

The sun beat down upon a happy crowd that kept
growing with each passing day. A few strands of
marijuhana smoke drifted through the heavy air and
the smell of beer was everywhere. Well-respected
members of the community let their hair down along-
side the majority who aren't so well-respected. And
the no-bra look was definitely in.

It was hot, and the humidity was close to one
hundred percent. It was a day for jazz and a perfect
one for a festival. A handful of gnats attacked your
sweat drenched body as you made your way to the
entrance gate and stayed with you the entire after-
noon. The Fair Grounds stand as an aristocratic
survivor of the Gatsby era, a fitting showcase for the
sixth annual New Orleans Jazz and Heritage Festival.

There were three concerts aboard the S.S. Admiral,
which left the wharf at the foot of Canal early in the
evening, besides the three days of insanity in the Fair
Grounds infield. With a budget of close to a quarter
of a million dollars, this year's festival drew about
ninety thousand people, making it the most successful
one yet.

The first evening concert combined the best "tra-
ditional" jazz musician the Quarter has to offer. Louis
Cottrell, Kid Thomas, and Danny Barker each brought
their well known bands, but the highlight of the
evening was a rare performance by Danny's wife
Blue Lu Barker. It was a great show, but like many
of you I chose to meet the President that evening on
campus; besides, he was six and a half dollars cheaper.
The following night it was rhythm and blues with the
heavyweights; B.B. King, Fats Domino, and Allen
Toussaint. Freddie Hubbard, McCoy Tyner and Earl
Turbinton headlined the final cruise with their con-
temporary jazz. All three nights were critically

acclaimed but I didn't find anyone who could afford
all three.

The daytime portion of the festival was called the
"Heritage Fair." Eight stages and the gospel tent
competed nonstop for your attention as you weaved
your way through the crowd. There were dozens of
booths trying to pawn off the handiwork they couldn't
get you to buy uptown, and the great soul cooks tem-
porarily moved into a nice neighborhood just to feed
the festival goers. It's just too bad that we all seemed
to get thirsty at the same time. It was too hot a day
to buy your drinks in advance, too hot a day to stand
in line, yet too hot a day to go without. I felt caught
in a vicious circle. The Jos. Schlitz Brewing Company
helped sponsor the festival and in return received
a monopoly on the beer sales. They proceeded to
charge three times the normal price, and still you had
to fight the crowd.

The festival has often been criticized for bringing
in a crowd drawing acts straying from the pure New
Orleans sound. This year everyone from Roosevelt
Sykes to the Olympia Brass Band had their share of
the limelight. But it was a heritage festival also.
That's why Allen Fontenot and his Country Cajuns,
standing tall in their cowboy boots, were performing
on your right as you walked toward the stage where
the Meters were to perform within the next hour.
If you read the program, you'd realize that there were
also Danish, British, and Brazilian bands playing
dixieland with hardly an accent.

As the day wore on and the sun beat down on the
uncovered crowd, tons of red beans, crawfish, and
jambalaya were washed down with the rivers of beer
and coca-cola, only to be followed by sno-balls,
spumoni ice cream, and big slices of watermelon.
The Roman Candy Man was parked there all day. A
sentimental treasure of uptown New Orleans, the
mule drawn carriage was selling out daily. Strangely
enough, this arch-enemy of loose fillings was the
same price it's always been. It had been a perfect
New Orleans day; as hot and earthy as New^ Orleans
jazz itself. The only thing missing was rain.

by Keith V. Abramson

234

»4%-i2:.

235

236

237

LNIMG OFF TH€ MMD

By Carolyn Kolb

The phrase "Living off the Land" has gotten some
bad connotations these days. Heahh food groupies,
macrobiotics, yin and yang, and the whole cuh of
"natural foods" which in its present ramifications is
about as mysterious and oriental as Redondo Beach,
California — this, to me, is missing the point.

If you really want to talk about "Living off the
Land" — and doing it very well — you need look no
further than New Orleans and Creole cooking.

Creole, in present day usage, means no more than
home grown. And, if you really think about it, the
very best of New Orleans' food is just that — home
grown.

Take seafood for instance: it really doesn't take
much ingenuity or effort to catch your own crabs.
Actually you could probably be successful with a
piece of string and some bacon for bait. Crabs are
salt water scavengers. You find them in Lake Pont-
chartrain or in salt bayous. Old fish, rancid meat,
anything apparently inedible is fine bait for crabs.

Ideally you should equip yourself with a supply of
bait (I favor aged chicken necks), a few crab nets,
plenty of cord to let the nets down with, any old crate
or hamper to hold your catch, and a damp burlap to
keep your catch comfortable and penned in. Then you
just drop your nets and wait for supper to arrive.

The procedure for crawfish is basically the same,
but you confine your search to fresh water. Drainage
ditcbes are a good idea. And, of course, you have to
use a crawfisb net, (crawfish nets are flat, crab nets
are basket shaped.)

You can even catch your own shrimp. The shrimp
net is cast out over the water, forming a circle. When
you pull in the line, the circle forms a bag enclosing,
presumably, a school of shrimp.

I have never been able to throw a shrimp net
successfully. The one time we tried we went out after
dark to the sea wall along Lake Pontchartrain. We
practiced throwing the net out on the grass, getting a
lot of criticism from folks who were sitting around
fishing. Finally a man in the crowd, obviously ap-
palled by our efforts, stepped up to show us "the way
ya gotta do this."

He spread the net out then gathered it up, holding
part in both hands and biting the other edge. He stood
on the sea wall and made a mighty cast. Unhappily
he was unable to retrieve his teeth, which he had lost
in the process.

Since, we have discovered that it is as much a plea-
sure to be able to buy your shrimp from the hold of a
shrimp boat docked, say, at Grande Isle. In with the
shrimp you find bits of seaweed, tiny fish, and baby
crabs. But cleaned and sorted then seasoned and
boiled they taste better than anything out of a can or a
frozen food bin.

You can fish almost anywhere in Louisiana, either
in a boat or on a bank. You can buy oysters by the sack
or open your own (or you can cheat and let them open
themselves on a barbeque grill.) Even for your
seasonings you need look no further than any Louisi-
ana woods. Those bay leaves that come in the red and

white boxes on the shelves of grocery stores actually
grow on trees around here, and you can pick your
own and dry them. If you want file for gumbo you can
pick, dry and powder sassafras leaves.

It takes only a little backyard space (or even a
flower pot or two) to grow your own green onions, and
parsley and tiny hot red peppers. The glorious Creole
tomato, of horny skin and sweet, pungent flesh,
grows much better outside your door than it ever
did in a plastic package at the A&P.

Energetic and informed salad lovers can find wild
dandelion greens, or poke salad, or even edible
mushrooms in Louisiana woods and parks.

Blackberries abound in early summer, their bram-
bles covering fences, cutover fields, even vacant city
lots. I gathered blackberries every summer when I
was a child, the most helpful hint I remember was to
wear an old pair of cotton gloves for protection from
thorns and insect bites.

The little yellow Japanese plums (or loquats) ap-
pear on trees all over New Orleans in the early
Spring. They make a lovely, tart jelly. Even the wild
cherry trees with their tiny stoney fruit can be used
for a bome-made liquor called Cherry Bounce.

The nicest thing of all about New Orleans food is
that it really is part of our heritage. The things we eat
in New Orleans today — jambalaya, gumbo, boiled
crabs and shrimp, stuffed peppers and eggplant, the
local dishes that you find in every restaurant from the
humble plate lunch cafe to the grandest establish-
ment — these are the things that people who live in
New Orleans have eaten practically since New
Orleans was founded.

Old fashioned cooking — what your ancestors were
eating — naturally had to be made of local ingred-
ients, things that were available nearby. In the days
without truck lines and air mail and quick freezing,
people ate what was on hand, and when it was readily
available they canned it, preserved it, smoked it or
salted it for supplies in the leaner months of the year.

After the Battle of New Orleans nobody marched
off to the nearest Interstate to eat "prole burgers."
They probably went home and had turtle soup, or
gumbo, or jambalaya.

Finally the food of New Orleans is getting official
recognition. There's a Food Festival in the Summer
and the Jazz and Heritage Fair in the Spring features
booths selling local delicacies.

This is as it should be. History can never be only
buildings and biographies. History, continuity, our
ties to the past — these depend first of all on human
beings, the ones who are and the ones who were.

In New Orleans all of us are blessed with the con-
tinuing tradition of "Living off the Land" in the best
sense, and a heritage of traditions — African, French,
Indian, Spanish, Italian — go into every mouthful
of Creole food.

Carolyn Kolb, Newcomb '63, is the author of New
Orleans: An invitation to Discover One of America's

Most Fascinating Cities

238

mv 'iz-f

239

IM/^RDI

MARDI GRAS MAMBO
by Alan Samson

They call it Carnival. "The Greatest Free Show on
Earth" — that is, if you can afford it. It is a period
of immense commercialization and, accordingly,
great hype. And it is a uniquely inexplicable time of
year; a time when blue bloods and blue collars
contend with each for a two-cent pair of plastic
Japanese beads.

But the spirit of Mardi Gras encompasses so much
more than that. It is to many an intermingling of past
and present conceptions — the union of the indigen-
ous and alien elements present in New Orleans. Each
Mardi Gras is somehow starkly different from its
immediate predecessor. It is as though the Carnival
is an entity unto itself; it needs no explanation other
than it exists.

Ask a hundred different people for their impres-
sions of Mardi Gras and you'll get a myriad of
variances on the subject. No one seems able to pin
down just what gives the Carnival its inner glow, its
magical quality. Indeed, the city is a -buzz at Carnival
time with children clamoring for trinkets while
their parents stand to their sides or bestride ladders
whose box seats afford handsome jails for their off-
spring. The parades are unveiled in full splendour —
each a veritable fairy tale for old and young alike.
And as the procession of dukes, captains, kings and
queens meanders down the streets of New Orleans,
the city's avenues become filled with magic.

The expression that New Orleans has a parade for
everything is unfortunately worn with time and abuse.
Yet there is no one parade given at any other time
of the year which can ever hope to parallel the
pageantry of the lowliest Carnival krewe's. The
tourists seem to sense this intuitively, which is per-
haps one of the reasons that the annual Sugar Bowl
parade is but a remembrance of things past.

For the million or so tourists who flock to the city
for the Fat Tuesday celebration, there are opulent
hotel suites ranging in price from seventy-five to one
hundred dollars a day — at a three-day minimum, of
course. And it is inside the protection of those walls
that they repose, imbibing liquor and gorging them-
selves on the city's special cuisine. When it comes
time to view a parade, these distinguished visitors
will hop into their respective cabs with a hidden
bottle, finding just the right place along Saint Charles
Avenue from which to view the spectacle. It is there
that they stand, drinking and carrying on, hardly
ever noticing the other tourists next to them who also
came down south for the celebration. These are the

tourists who can't quite afford to spend three to four
hundred dollars on hotel rooms. Finding shelter with
friends or, perhaps, more reasonable rooms, they
too repose inside the shelter of the four walls they
were fortunate enough to secure. Drinking fifths of
Boone's Farm Apple Wine and eating Lucky Dogs,
they manage to get to the parade route by other means
— either they walk or catch a bus or streetcar.

The two weeks of parades prior to Mardi Gras
Day seem to make the long-awaited holiday anti-
climactic; like something from Ovid's Metamorphosis,
the lesser gods fall to the wayside, making way for
the power, splendour, and regentry of Rex — "The
King of Carnival," as the Times-Picayune would have
us know by the immoderate emblazonment on their
front page.

Nevertheless the real pageantry goes on within the
confines of the Municipal Auditorium, where, since
the second week in January, the wondrous institu-
tions known as Carnival Balls have been going on
non-stop. With lush orchestral music supplied by
local musicians the krewe members take to the ball-
room floor, attired in the costumes they have donned
in accordance with this year's theme. Amidst the
innumerable callouts are the ladies in evening
dresses, hoping to look as chic and sophisticated as
their years will allow them, and the regal men in their
tails, hoping to prove themselves the equal of Jimmy
Fitzmorris. Yet it is not their night to shine, for the
Carnival Ball exists but for one person; he is the
captain of the respective krewe. This is his night and
he lets everyone in attendance know it.

Inside, the atmosphere of the ball suggests frivality
and gaiety, while the outside atmosphere of the
streets suggests an omnipresent jazz-rock fusion
epitomized best by the flambo carrier. Somewhere
between the funk of the dancing flambo carrier and
the regality of the krewe captain is the true spirit
of Mardi Gras.

But we shall never know this spirit — it is far too
elusive to be put into print. While we are searching
for the spirit of Fat Tuesday, it is slowly passing us
by as the serpentine route of the Carnival Parade
draws to its conclusion. The spirit passes us by as we
stoop to pick up a drunken friend on the streets of
the Vieux Carre. It passes us by as we police the
Tulahe campus to make sure that unwelcome visitors
maintain their distance from the University. It passes
us by as we work with the Mardi Gras Colition to
insure the safety and enjoyment of the Carnival
Season for all. And, sadly enough, it passes us by
even as we watch . . .

240

24A

242

243

244

245

RLE

^RiCADE

246

247

248

249

250

251

252

253

254.

255

256

Richard Paddor

Robert Paddor

AlanKrinzman

258

Ernie Back

^ ^<V ■' /».>.

Stacy Berger
Richard Paddor
Robert Paddor

Buddy Brimberg

259

®fe ^ulan^ W IBuIIabaloo

Richard Baudouin — Editor-in-Chief

Marion LaNasa — Managing Editor

Jim Abrams — Business Manager

Robin Buckner — News Editor

Dan Fishbein — Features Editor

Mike Johnston — Sports Editor

Rod Skotty — Assistant Sports Editor

Eric Jones — Cartoonist

Andy Boyd — Photography Editor

Larry Largent — Entertainment Editor

Nate Lee — Assistant News Editor

Greg Ptacek — Assistant News Editor

Jim Fazzino — Assistant Features Editor

Terry Breen — Contributing Editor
Kathryn Kahler — Contributing Editor

Dr. Andy Antippas — Faculty Advisor

Steve Alleman — Circulation Manager

Amy Connor — Illustrator

STAFF REPORTERS

Laura Edisen
Christopher Drew
Tom Kerins
Rory Babbit
Bill Kuhn
Tom Kerins

Keith Levine
Julie Tracey
Arnold Schoenberg
Tom Dolan
Jerry Cave

260

V KNOW u)H£R,e:H0U60T
HOUR STfiRT r.d.?

THf H\JU6kH COCKRCKH-'-

TUL>4NE
HULL>4B>4LOO

261

momM

262

WTUL STAFF

Bill Herklots — GENERAL MANAGER

Bryan Melan — PROGRAM DIRECTOR

Jon Barrllleaux — TECHNICAL DIRECTOR

Len Marino — PUBLIC RELATIONS DIRECTOR

Frank Adelman — PRODUCTION MANAGER

Marty Krongold — MUSIC DIRECTOR

Rick Winer — SPORTS DIRECTOR

Frank Adelman
Thomas Planchard
James Guilbreas
Paul Mignona
Ken Davis
Rick Shepard
Robert Dabney
Doug Mayberry
Al Breitstein
Bill Carroll
Keith Levinsohn
Matt Powell
Steve Rappaport
Michael Schwartz
Doug Smith
Joe Lassus
Charles Driebie
Walter Unglaub
Mike Farley

Robert Ross
Jory Katlin
Robert Osterland
Alan Smason
Donna Levy
Mick Chernekoff
Paul Mooney
Gregory Wilson
Robert Heidt
Shephard Samuels
Nancy Thomas
Lee Pickett
Julia Treacy
Talmadge Williams
Eric Grenne
Gary Goss
Gene Elliot
Cathy Fishman

263

CACTUS

264

% 9J^

CACTUS

Chairman — Peter Kohlman

Heidi Gross

Paul Medellin

Randy Segal

Mark Rapoport

Jean Veta

Nancy Bikson

Mike Ferrante

Vangie Greek

Dana Smith

Gideon Stanton

Richard Baudouin

Paulette Rittenberg

Alan Levin

Mike Zelina

Shaun Sheehy

Steve Pincus

Mark Gonzalez

Beth Houghton

Deirdre Boyd

Marilyn Rose

Mike Feeney

George Long

Jim Butner

Raul Rodriguez Alexander Laf argue |

Beth Frankel

Nadine Ramsey

Chuck Adams

Jody Blake

Raul Torres

Richard Ducote

Mike Schwartz

Jim Hood

Laurie Kiser

John Scotto

265

STUDENT POLITICOS

Tulane Student Government? . . . Typical, yet power-
ful. Power to revolt ... or revolting power? What is
power anyway? Please choose one:

a) Creating the Tulane Used Book Exchange
(TUBE) as an alternative to our own bookstore.

b) Allotting LSU tickets we were all entitled to in
the first place.

c) Demanding Gynecological service we had last
year.

d) Making a recommendation for the new univer-
sity president two weeks after he had already
been chosen.

e) Investigating our own affairs, like the ]am-
balaya or WTUL.

What is a student government? ... A full time secre-
tary with several hundred bosses? . . . Long meetings?

By Jeff Barter

. . . Officers who are "busy at their desks"? . . . Pub-
licity conscious senators that volunteer for every
committee? . . . University Senate meetings, where
often is heard a "discouraging word"? (Strangely
enough, always from a student member) . . . Hot-shot
bureaucrats, like myself? . . . The bearded wonder?
(an editorial reference to our president) ... Is student
government stagnant or "sleeping"? . . . No more so
than anything else at Tulane.

We keep pace with all that is around us. Are we better
off than those that came before us or than we were
as high school students? . . . Perhaps the questions
should be "are we in better hands with student
government than with the composite of state, local,
and federal governments?" . . . Reflection will make
the heart grow fonder!

266

Evie Ainsworth

Nancy Miller

Jeff Barter

Christy Montegut

Carole Bitman

Pauline Morgar

Merritt Blakeslee

Michael J. McManus

Timothy Bohan

John Nelson

Lance Borochoff

Cathy Newman

Jenny Brush

Terryl Anne Propper

Chet Chidester

E. R. Quatrevaux

Stanley Cohn

Candy Quinn

Scott Cristal

Linda Robertson

Rembert Donelson

Larry Romans

Bart Farris

Debbie Rosenblum

Rick Fernholz

Joseph Sanders

Susan Guarjno

JohnM. Sartin

George Ann Nayne

Dick Schuldt

Thomas Hofer

Larry Scloss

Susan Horowitz

Betty Shiell

Sam Householder

David Singer

Grady Hurley — President ASB Ricki Slacter |

Richard M. Ireland

Luther Strange

Doug Jacobs

John Tavormina

Steve Katz

Jean Veta — VPUA

Ken Krobert

James B. Walters

Miriam Labbok

Tom Webb

Alan B. Levin

Loyd Whitley

Tim Medcon — VPA

John Youngblood

Cynthia Miller

267

UC BOARD

Rex Homlin — President

Juan Fiol — Vice President

Wayne Moore — Vice President of Finance

Lisa Leech — Vice President of Public Relations

Ann Drummond — Secretary

Marc McConahy — Tech-Staff

Brian Stochard — Recreation Chairman

Ron Stevens — Spotlighters

Robert Ritter — Video

Ron Bailey — Lagniappes

Lou Lemert — Fine Arts

Gordon Sokoloff — Lyceum

Carol Harkins — Hospitality

Frank Miely — Cinema

Gary Leviton — Cosmopolitan

Bob Thomas — Regional Co-ordinator

268

PEP BAND

Joe Powe

George Thompson

Jim McGrath

Ron Aspaas

Bruce Holmes

David Krost

Harley Ginsberg

Billy Eliers

Sally Lam

Jobn Craft

Kevin Longenecker

Rick Jamison

Treva Milburn

Mike DiCarlo

Rickey Howe

David Chandler

David Key

Mike Remington

Nancy Craft

Marc Miller

Al Parker

Dave Bell

Bob Buesinger

Bruce Pollock — Advisor

Pete Wollenette

^69

,«^««<> ,

JUDO CLUB

Van Blasini

Lee Bronock

Jeffrey Davis

Patrick Dearie

James Douglass

Michael Gilder

Anderson Hague

Melville Harris

Harry Mendoza

Pedro Ramos

Nicholas Vaccaro

Carla Bloom

Mabry Cakie

Rita Jung

Teresa Moore

Linda Burke

Sissy Parhell

270

Henry Turner

President

Jay Hansche

Faculty Advisor

Robert Adatto

George Joseph

Dan Anderson

Karen Keil

Roger Bell

Ira Krottinger

David Beyer

Robert LeBreton

Tommy Bienvenu

Luis Linares

Karl Billins

Steve Mayer

Randi Borel

William McCarthy

William Carrdel

Jerry Melowe

Scott Clegg

Mark Mendall

Craig Cohen

C. Spencer Meredith

Kirk Dameron

Theresa Moore

Steven Dehmlow

Jack Moreland

Todd Echert

JohnMosko

Gene Elliott

Carry O'Conner

Wes Estabrook

Thomas O'Malley

Paul Ferchaud

Bob Pospick

Ike Fitz

Victor Ratner

Jay Flece

Tom Reinsch

Jim Fouts

Richard Roberts

Mitch Frumkin

Philip Rogers

Walter Gamard

WaynaRumley

Howard Gandler

Jim Sammartino

William Garland

Mark Schradner

Jerry Gatto

John Tappan

Mel Grewe

John Thistlethwaite

Kenneth Gutzeit

Lex Thistlethwaite

Harry Hammett

Nancy Thomas

Joshua Harris

Daniel Wappell

John Hickman

Cynthia Wayland

Prentice Hicks

Marcel Wisznia

PARACHUTE
CLUB

<gw--

iJI0f^

271

BARRACUDAS

Cindy Weeks — Pres.
Alicia Crew — Advisor
Mark Alexander
Andrea Bostian
Wendy Morris
Allison Raynor
Jan Strider
Pam Strider
Ann Welch
Leah Wilkinson
Janet Stoner

^-.A

e"*'

272 .

Wayna Rumley —

Feature Twirler

Cesar Jaime
Beryl Bachas
Wendy Cohn
Mary Lawless
Susan Moore
Lynn Schott

MAJORETTES

273

INTRAFRATERNITY COUNCIL

Officers for 1975

Joseph Bruno — Chairman

Michael StoUz — Secretary

Neil B. Glenn — Treasurer

Edward Baldwin — Athletic Chairman

John Boudreaux — Publicity Chairman

John O'Connor — Activities Chairman

Athletic Committee
James Beskin
John Farley
Paul Feinstein
Parker Heffron

Advisor To Fraternities
KarlemRiess

274

GSU

ATN

YU I

TWC
UOH
LMA

A EN
NNG
E E

275

AIR FORCE
ROTC

Craig M. Deyerle

Thomas W. Reinsch

Michael E. DriscoU

Lawrence M. Riddles

Gerald E. Misel, Jr.

Richard A. Sabalot

Charles C. Sparkman

Don A. Sibley

John F. Stack, Jr.

William B. Trusty

James T. Wren

Carlton F. Fufrechou

Robert F. Aaron, Jr.

Johnathan W. Ericson

Brian C. Allen

Thomas F. Harwell

David E.Baker

Raymond L. Horn

Raymond K. Hicks

Sean M.Kelly

John C. Hildehrand, Jr.

William D. Mason

Lynn J. Stone

Barbara B. Renfro

Lauriston S. Taylor

Rene Robert

Alvin N. Aramburo, Jr.

Clifford R. Scott

Kirk D. Dameron

Christopher E. Sibley

Mark E. Heinsohn

Robert A. Strini

276

277

NAVY
ROTC

Officers

Capt. Herman Abelein

Cdr. Robert Duff

Lcdr. Richard Eacott

Capt. Kenneth Moore

Lt. Gary Sullivan

Lt. Lawrence McBee

Lt. John Schuyler

Lt. Charles Havlik

Lt. Richard Cable

EnJisted

Omc. James Sneed

Ski. William Cassin

Ynl. Dennis Kelley

Ssgt. Raymond Edwards

Students
Eddie Anderson
Barry Ashe
Roger Atkins
Richard Bedford
John Blockowitch
Timothy Bloomfield
Mickey Brown
Mark Cavanaugh
William Chandler
Robert Dabney
John Donnes
Bruce Fedor
Lawrence Francioni
George Fullerlon
Albert Gidari
Byron Haydel
Roger Jones
David Keir
Georges LeBlanc
Neil McLean
Michael McBride
Howard Morris
Curtis Mosley
John O'Donnell
John Ott
John Racoosin

Luke Sanna

Alfred Saurage

Robert Senter

Rodney Skotty

William Smith

Nathan Snell

Donald Stafford

Chester Stetfelt

Michael Storm

Marcus Urioste

Larry Wink

John Zimmerman

Robert Zito

Steven Crane

Franklin Adelman

Bert Algood

Ernest Armond

Drew Bennett

Peter Brunstetter

Jack Capella

Lionel Cheri

Dirk Hebert

Albert Koscal

David Lewis

Alan Littlejohn

James McGowan

Michael Palatas

|n ill

^1^

William Quails
Charles Romans
Robert Ross
Edward Schmitt
Stephen Schweitzer
John Stelly
John Wayne
Keith Amacker
Kenneth Bates
Leonard Blasiol
Patrick Bloomfield
Robert Burkes
James Colton
Brian Delaney
Edwin Dennard
Bruce France
Don Hendrickson
Michael Huete
Robert Jeffries

Edward Stack

James Steverson

Randall Torres

Jonathan White

Thomas Atkinson

Vincent Caracci

Ian Cotton

David Cox

Thomas Dolan

William Dorrance

Michael Feeney

John Hill

William Howe

Jon Jonas

Rock Kent

Philip Kessling

Frank Laboureur

Robert Layton

David Oberholtzer

James Hunter

Oscar Porras

Kurt Kosack

Thomas Rollow

David Maier

Darryl Rickner

Charles McClain

George Simmons

Marc McConahy

Donald Skotty

Richard Norton

Will Temple

Emmett Schlumbrecht

John Warner

Paul Schneider

278

A.C.T.

Mary Alphonse

Kenneth Nash

Verel Washington

Curklin Atkins

Nadine Ramsey

Cheryl White

Lynn Bernal

Beverley Robinson

Mickey Brown

Eric Cager

Joseph Sanders

Robert Brown

Jean Charles

Terron Sims

Elery Jones

Gerard Coulon

Janice Ferry

Vivison Kerr

Kevin Cowens

Vernon Thomas

Frank Montague

Luke Delpit

Michael Thompson

Raul Rodriguez

Shelley DeMar

Van J. Thornton

Nina Thomas

Albert Dobbins

Wynette Webster

Joseph Swafford

Kordice Douglas

Virgil Wilkerson

Wyatt Washington

Seenea Fulton

Gerilyn Wilson

Earl Williams

Claude Gasper

Lorenzo York

Keith Wolfe

Gregory Harrison

Alvin Aramburo

Myrtis Wilson

Steve Hawkins

Nichael Cobb

Winnifred Wallace

Jeffrey Jackson

Horace Cornish

Gary Wiltz

Jedda Jones

Charles Hall

Connie Richardson

Steve Jones

Anne-Renee Hemingburg

Lynne Lee

George Long

Virginia House

John Dupre

Selarstene Magee

Kevin Johnson

Charlotte Bordenave

Ronald Malone

Venessa Jones

Karen Bell

Pat Marchand

Kim Peters

RosalondBell

Ronald McGowan

Glenda Singleton

Alvin Jones

Paul Mitchell

Ronald Stevens

Simone McGee

Barry Morris

John Washington

James Smith

279

FRATERNITIES

The fourteen fraternities at Tulane University represent a broad cross-section of students,
and, as of September, 1974, approximately 42% of the male undergraduate population was
affiliated with a fraternity.

Other than the acquisition of book knowledge, college provides the individual with time
for personal growth. Yet, it is within this microcosm of a university that the college student
must strive for maturity while constantly being presented with a melange of ideas and situa-
tions. Confronted with decisions on precedence and relevance, students get lost in the con-
fusion or caught up with indecision. Some students will choose to sit on life's sidelines and
watch the world pass by, while others won't even know what is happening. These people do
nothing, and contribute nothing.

Other students, while facing the delusions and pressures of college life, will seek an outlet
and a refuge; — the fraternity. This is not meant to infer that fraternities are escapist camps,
rather they provide an opportunity to develop one's character through social interaction.

The emphasis has shifted from the primary "social" organization to an ultimate objective,
designed to reach each member in ways which will support his personal growth, increase
his understanding of his impact on others, permit a greater awareness of who he is, and en-
courage the development and strengthening of his interpersonal leadership skills. This could
not be achieved by just any large, impersonal group of college students. The small size of the
fraternity in relation to the entire university population provides an opportunity for personal
relationships and the development of lasting friendships.

Tulane's interfraternity council unites Tulane's fraternities, all of them striving for common
goals and the promotion of good will. Together, they support university interests. Athletic
events between fraternities provides healthy competition and promotes good sportsmanship.
The fraternity is not just a place to eat, sleep, and get a beer, but rather an intimate encounter
with reality and adjustment.

"There's a law of life as strong as the law of gravity. If you want to live a happy, a successful,
and a fulfilled life, you've got to learn to love people and use things. Don't use people and
love things."

—Will Rogers, August, 1935

By Diane Hudock

281

Julie Adler
Ruth Adler
Sherri Alpert
Jaymi Bachman
Stephanie Band
Linda Beir
Holly Berkowitz
Betsy Bernard
Joanne Birnberg
Debbie Blindman
Susan Braverman
Kathy Chod
Bobbi Cohn
Debbie Crown
Jolie Eisenberg
Kathy Epstein
Jane Feingerts
Olga Feldman
Nancy Fisher
Lou Ann Flanz
Bonni Flesher
Sherri Garland
Marcee Glazer
Barbara Goldberg
Midge Goldsmith
Debbie Goldstein
Sherri Gordon
Margot Gruman
Sandra Hallet
Sherry Hecht
Debbie Jarrett
Sue Katten
Judy Kent
Jodi Kodish

Susan Lapidus

Judi Lapinsohn

Tracy Lees

Abbe Levin

Penny Lichtman

Debbie Luskey

Gloria May

Karen Meister

Margaret Meyer

Carolyn Mintz

Michele Molino

Julie Optican

Lisa Perlmutter

Leslie Pick

Cheryl PoUman

Diane Rapaport

JillReikes

MadelynRice

Ava Rosenberg

Celia Rosenson

Lisa Rosenstein

Karen Rosenthal

Suzi Sachter

Janet Schendle

Louise Schwartz

Cindy Shapiro

Susan Shainock

Mindy Sloan

Leslie Spanierman

Caro Uhlmann

Jean Veta

Amy Weil

Nancy Weifigrow

Bettsie Wershil

282

Libby Watson

Maureen Cronan

Scheyler Ruhlman

Louise Ferrand

Lynn Bina

Agnes Burhoe

Linda Eddins

Helena Naughton

Becky Olivera

Jan Trimble

Sherry Chapman

Patsy Cox

Paula Eyrich

Jill Frankel

283

Bruce Adams
Scott Boudreaux
Keith Bowman
Kevin Bowman
Frank Bruno
]oe Bruno
Brian Buendia
Charles Caldwell
Keith Cangelosi
Taylor Casey
Chet Chidester
Steven Crane
Luis del Valle
Mike Driscoll
Tobie Eason
Richard Ellis
Chris Ewin
John Finzer
Jeff Forbes
Constantine Georges
Anrew Hague
Scott Handler
Cecil Haskins

Bob Hughes

Keith Jacomine

Paul Jessen

Steve Jones

Thomas Kingsmill

Mark Lutenbacher

Burke Madigan

Thomas Manson

Rene Martinez

Marty Mayer

Pat McCullough

Richard Melton

Barry Meyer

Doug Miele

Harry Molaison

Thomas Nice

Bill Parsons

Paul Porter

Bill Starr

Carl Sturges

Robert Sutter

Bo Trumbo

Guy Cannata

284

■•^-JCTU^-^'S^

Herb Ashe
George Bryant
Tom Bucher
Clark Charbonnet
Kevin Coleman
Andy Chopivsky
Jay Culotta
Scott Dash
Carlos DeSalazar
Gene Elliot
Chris Greene
Parker Heffron
Sean Kelly
Beau Koch
Steve Little
Chris Maker
Alton Martin

Bill Molony

BillNolden

John Ott

Mark Patterson

Nick Powell

Rick Powfell

Donald Quinlan

Bob Ramirez

Bob Redman

BobReintjes

Terry Schnuck

Mike Schornslein

Bob Sellers

Jeff Stanton

George Sotiropolos

Larry Wald

285

Martha Adkins
Kim Austin
Diana Banks
Margaret Brown
Connie Carter
Virginia Carswell
Debbie Cates
Mimi Colledge
Nancy Collins
Vivian Deschapelles
Jennifer Dillaha
Renee Downing
Mary Doyle
Helen Dyer
Shauna Fitzjarrell
Nancy Foster
Sarah Fox
Paula Godsey
Carol Graham
Margaret Gregory
Sally Guider
Liz Haecker
Cygne Habn
Claire Hammett
Ellen Hauck
Nancy Hedemann
Dawn Harrington
Marie Higgins
Virginia Holbrook
Peggy Hopkins
Debbie Jessup
Gretchen Joachin
Julianne ]ones
Laure Kiser
Ann Law
Ginger Legeai

Lou Lembert
Kaka Mabry
Chris Macleod
MicheleMartz
Pam Martz
Vicki Matson
Kay McArdle
Melissa McGinn
Trish Meginniss
Peggy Meyer
Mary Gay Molony
Leslie Muller
Cathy Norman
Genny Nottingham
Sally Nungesser
Rosemary Ozanne
Gwen Palmer
Cindy Phillips
Linda Pixler
Terryl Propper
Jeanne Rader
Melissa Ruman
Donna Rushton
Donna Schwartz
Belle Stafford
Vickie Stephan
Gwen Sylvest
Martha Taylor
Cindy Teavis
Mary Tull
Cathy Watson
Emily White
Camille Wingo
Beth Winn
Anne Wynn

286

tf f i-r

Woody Banks
John Beatrous
Robert Bland
Ricky Blum
James Broadwell
Ronald Brumley
Ted Buchanan
Karl Clifford
George Durant
Bert Eichold
LeDoux Faust
Dickie Fox
Gary Fretz
Charles Garrison
Allen Jones
John Koch
Dave Koch
Dave L'Hoste
Beau Loker
Philip Loria
Barlow Mann
Peter McEnery

Frank McRoberts

Tommy Meric

Kevin O'Bryon

John O'Connor

Alston Palmer

Steve Parker

Hugh Penn

Chris Peragine

Steve Richardson

Randy Rogers

John St. Raymond

Blair Scanlon

Jay Schmitt

Dave Schemel

Mike Simpson

Drake Sloss

Benton Smallpage

Richard Smallpage

Vance Smith

Whit Smith

Ben Waring

287

^'■?-i*.'•=aS:sl4r,•~

r'^'iS^ii-isss:.^'

^■ii-

Torn Hopkins
Bill Thornton
Brian Boutte
Mark Rosenberg
Mark Simon
William Bell
Ric Cummings
Grady Hurley
Davis Nolan
Mark Thalheim
Dan Anderson
]im Beskin
Gene Gibson
Bob McClesky
Mike Smith
Ed Bush

Brian Fitzpatrick
Danny Joe Garraer

Ron Goodwin

Bob Horsley

William Howard

BobMcGill

Terry McLean

RobMcNeilley

Mike Rinella

Dana Wallach

Dicky Palfrey

Tad Daniels

Reid Senter

Buddy Whitty

Gary Hahn

Dave Taylor

Ferd Lorio

Ron Woodall

Gary Barrett

George Tate

288

Alma Alexander
Palmer Alexander
Beverly Baker
Cindy Cerise
Debbie Davies
Amy Dillon
Mary Dow
Anne Drummond
Nancy Eagen
Emily Ellis
Paula Gish
Suzie Haik
Joanie Heausler
Nancy Heausler
Alice Hinton
Diane Hudock
Maiwer Ingraham
Lyn Keller
Karen Kilgore
Dawn Klemow
Lorna McMullen
Kelly Merritt
Eileen Newiser
Ellen Prewitt
Jeannine Powell
Vicki Reggie
Lark Reny
]an Smith
Dodie Spencer
Leesa Suddath
Lisa Thomas
Claire Waggenspack

Cati Wilcox

DeedeeZink

Laurel Allen

Jane Auzine

Wanda Barrett

Terri Benson

Jeanne Bonner

Julie Brown

Molly Carl

Carol Clarke

Shawn Cook

Margaret David

Kathryn Dillon

Cathy Douglas

Marina Elliott

Marion Eyraud

Kate Herman

Vicky Jackson

Kathy Morris

Kim Morris

Susan Marr

Phyllis Nachman

Patti Nierman

Dody O'Connor

Anne Ponton

Debbie Server

Kim Shaw

Pat Van Baskirk

Diana Williams

Liz Williams

Kathy van Baskirk

Margaret laniss

289

Joann Aicklen
Joni Anderson
Diane Andrus
Lisa Austin
Celeste Bertucci
Sarah Blanchard
Carla Bloom
Lucie Bostick
Marti Breen
Debbie Broadwell
Louise Brown
Nenetta Carter
Elvige Cassard
Anne Churchill
Beth Cloninger
Michele Coiron
Ann Collins
Shari Cox
Anne Craighead
Stella Curtis
Janet Daly
Mary Davidson
Dottie Davis
Kathy Edwards
Janice Eittreim
Sally Elghammer
Betsy Freidt
Sallie Grier
Bunny Habliston
Lesa Hall
Holly Hawkins
Cynthia Heaberlin
Nan Heard
Shawn Holahan
Chris Hoerner
Mary Preston Horn
Katie Hovas
Ruth Howell

Debbie Jaffe

Jenny Jones

Karen Keil

Dee Dee Kenworthy

Liz Kilgore

Shirley Landen

Nancy Brown Lawler

Sue Lynch

MimiMalizia

Lisa Mason

DeDe McFayden

Sue Mersman

Cynthia Miller

Kathy Miller

Brenda Myers

Colle Ochsner

Missy Ochsner

Anne Oldfather

Jeanene Parker

Leigh Pratt

Para Pryor

Priscilla Pumphrey

Caroline Robertson

Alice Rush

Carol Sanders

Jean Scott

Ann Shashy

Katie Shirkey

Mecklin Stevens

Nanette Stevens

Rebel Story

Grace Tabb

Louise Texada

Madelaine Turegano

Gladys Van Horn

Clarissa Walker

Sally Warren

Leigh Zeigler

290

Grace Agresti
Stacy Alver
Bonnie Baine
Lisa Barkley
Dana Bennett
lulie Bethel!
Karen Bishoff
Claire Blaine
Bobbie Boyd
Lindsay Bricg
Becky Brock
Marcia Brown
Susie Brown
Catherine Chisolm
Joanie Cleary
Karen Cochran
Sa Coleman
Dru Crabtree
Liz Cranston
Libby Danielson
Debbie Darnell
Andrea Darks
Denise Downing
Mina Eagan
Monnie Eubanks
Mary Jane Fenner
Kaki Ferris
Betsy Field
Debbie Fredrick
Holly Graves
Lisa Hall

Susan Hemard

Kitty Hoselton

Catherine Howell

Lucinda Huffman

Cyndy Ittner

Madeline Johbson

Caroline Loker

Mary Anne Meadows

Laurie McRoberts

Colleen Miller

Kathryn Betts Miller

Kathryn Miller

Linda Perez

Zane Probasco

Louise Ragsdale

Vonee Roneau

Sue Richard

Jodie Sartor

Polly Sartor

Janise Schrader

Camille Simpson

Leigh Spearman

Bitsy Stewart

Jane Stockmeyer

Martha Talbot

Susan Tober

Charlotte Waguespack

Diane Williams

Frannie McCoy

Susie Crouera

Debbie Loziar

IJB<I>

291

Clyde Banner
Charle Barton
John Bilyi
John Boudreauz
Jim Braun
Tommy Brown
Bob Buesinger
Curt Cowan
Greg Gardiol
Mike Carbo
Dave Hartzell
Rusty Hurst
Jim Kinsey
Dave Lewis
Tom O'Neil
Doug Peart
Curt Radford
Rick Rees
Corey Scher
Al Schuhz
Rem Smith
Paul Vander Heyden
Greg Wyrick

Ronny Barrios

Dick Bedford

Andy Broaddus

Paul Bronstein

Rick Brown

Max Cannon

Pete Dalacos

Mike Gordon

Jon Guben

Mike Heine

Dave Indorf

Tim Lathe

Fred Nagel

Mark Oswald

John Peterson

Dan Rutherford

Mark Scharre

Martin Scheil

Skipper Scott

Tom Stallings

Rich Wilkinson

Bob Zito

292

Ann Troitino
Sara Sandrock
Lee-Lee Prina
Liz Lipscombe
Allison Huebner
Rosemary Dozier
Betsy Skinner
Janice Garfield
Annette Armstrong
Linda Barker
Pam Berton
Slyvia Burson
Sharon Conyer
Mary Anne Creekmore
Mimi Daniel
Cookie Delery
Liz Dietrich
Barb Easley
Meg Greene
Heather Guttenberg
Adee Heebe
Jill Ingram
Heidi Junius
Gerdie Kalnow
Karen Kruebbe
Debbie Martin
Page McLendon
Karen McLafferdy
Cara Miller
Nathalie Mongeau
Darlene Montjure
Susan Moore
Gail Morgan
Shelly Picard
Simone Pibie

Pam Poole

Dana Popovich

Rikka Pullium

Maureen Quinn

Allison Raynor

Miriam Richter

Kyle Rovira

Patty Scallet

Janice Simmons

Becky Six

Carol Sloss

Marcia Smith

Ginger Strade

Nancy Sullivan

Julie Stephens

Shirley Richardson

Marcia Teitgen

Margaret Wade

Winnie Watlzer

Dianne Ward

Cathy Wattley

Cindy Weeks

Ann Welch

lone Whitlock

Elizabeth Willis

Stella Wright

Laura Zink

Carolyn Rossi

Debiruth Stanford

Susan Savage

Dee Rourke

Leslie Andelman

Leslie Gaitens

Kyle Walker

293

Lee Alig
Joe Amberson
Dee Archer
Wilbur Baird
Mike Bertucci
Philip Bertucci
Mark Boyce
Edward Breland
Keith Budner
Steve Buerger
Rob Burns
Ricky Calhoun
John Chamberlain
Buergess Chambers
Charles Cox
Frank Davis
Dixon Dossett
Neil Dunaway
William Edwards
Joe Fitzgibbons
Buck Forcum
Jack Fortier
Cliff Hall
Paul Higbee
Dick Hoffman
Britt Howard
Steve Jacobs
Tom Jobin
Brian Kolowich
Chuck Lepeyre

Philip Lepeyre

Joe Liberato

Jim Lazar

Jay Manning

John McClung

Brad Moore

Mike O'Conner

Jay Pegues

Curtis Pellerin

John Pratt

Louis Provenza

Doug Schnitzer

Bill Shea

Jim Silverstein

Clint Smith

Edward Smith

Mike Stoltz

Jack Taylor

Cullen Thomas

Vick Thomas

Bill Walker

John Wallace

Doug Walton

Kevin Ward

Charles White

Storm Wilson

Tom Wyllie

Buck Wynne

Dave Young

John Zimmerman

294

Watts Wacker
George Lipscomb
Andy Holcombe
Mark Miehle
Less Condom
Howard Taubovitz
Melvin Paret
Fritz Gurtler
Ed Burr
Skippy Peglow
Ewell Gariepy
Chris Allen
Warren Chandler
Chip Travis
Paul Frederick
Pete Termine
Mark Schrader
Prep Glenn
Paul Brock
Frank Moon
Kimsey Davis
Oliver Delery
Rich Sobalot
Mark Shina
Stewart Given
Sam Gentles
Don Ho Cosby
Teek Kiernan
Buzzy Heasler

Tom Niesan

Jim Sammartino

Jeff Alvisowitz

Ken Gutzeit

Steve Menzies

Ira Krotchmeyer

Gregg Collins

Harry Gutf reund

Scott Johnston

Jerry Lineberger

Pat Toole

Mark Tipton

Rick Grevoiserat

Tony Gregorio

Steve Dehmlow

John Miner

Pete Alfaro

Todd Eckert

Wilmott Place

John Bovaird

Mark Harman

Michael Gurtler

Bob Posprick

John O'Donnel

Cholly Kurzweg

Kevin Longenecker

Robbie Hoy

Dave Knight

Peter Thomson

«' ...

295

Amy Adleslein
Sylvia Bauman
Marti Benjamin
Maryann Berman
Nancy Bikson
]ennette Brickman
Carol Carp
Karin Elkis
Susan Epstein
Gail Fenton
Debbie Fladen
Lynne Freeman
Betsy Freund
Linda Friedman
Cindy Galston
Taicy Gerstenbluth
Paige Gold
Bibbi Gollin
Ellen Greenberg
Carolyn Hirsch
Jamie Jacker
Barbara Krugman

Barb Linz

Nancy Meyers

Carol Miranda

Peggy Moss

Marilyn Nachman

Kathy Newman

Lisa Novick

Judy Packler

Ellen Patterson

Barbara Rachlin

Elyse Reingold

Debbie Rosenblum

Debbie Stein

Mary Touff

Susie Wedlan

Joni Weinstock

Judy Weiss

Maureen Wolf

Linda Yefsky

Nancy Young

Linda Zipperman

296

Steve Ableman
Ed Baldwin
Chris Barnet
Roger Bell
Mike Bennett
Bill Bohn
Charlie Brown
Kenny Brown
Tom Brown
Doug Bull

Charlie Calderwood
Dale Chambers
Roman Chojnacki
Larry Comiskey
Lawkeye Deter
Augie Diaz
Marshall Duane
George Durot
Gene Edwards
Skip Eynon
Fred Flandry
Dave Gange
Charlie Getchell
Nelson Gibson
Mark Hanudel
Ion Harbuck
Brian Hill
Cameron Hilton
Peter Holt
Scott Katzmann
Tom Kerins

Bob Ladd

Al Levin

Herb List

Mike Lopresto

Joe Maloney

Charlie McCain

Craig McGee

JimMcGowan

Tim Miotti

John Moser

Stan Mulvihill

Tom Ploch

Goode Price

Mike Pugh

John Raber

Steve Reiss

Brad Rowberry

Fred Sanderfer

Rocky Scanlon

Peter Scarpelli

Bill Scholz

Paul Sciortino

Bill Shell

John Turner

Glen Vereen

Lenny Verges

Bob Warren

Howard Waugh

Mark Weisburg

Rick Williams

John Youngblood

297

Robert Levine
Gerald Gussack
Michael Bullington
Howard Feldman
Michael Davidson
L. Robert Miller
Kenneth Schneider
Steven Lefkovitz
Steven Goldman
Alan Patterson
Martin Paley
Harold Graham
Ron Josephs
Jeffrey Knauer
Jack Eisenhammer
Robert Bernstein
Ben Bashinski
Eric Lane
Ronnie Friedman
Paul Rubin
John Gensburg
Robert A. Levine
Michael Habif
James Cohen
David Joachim
Gary Shamis
Lawrence Bassel
Daniel Hodin
Jack Itzkovitz
Arthur Fishman
Mark Hecht
Peter Levy
Frederic Fernhuiz
Robert Weber
Jerald Enslein
Lowell Davis
Lance Borochoff
Alan Gottlieb
Steven Katz
Edward Sheinis
David Marcus
Allan Kaiser

Todd Rosenthal

Robert Bunnen

Douglas Roth

Louis Gurwitch

Stanford Shoss

Marc Magids

Charles Cohen

Bruce Spizer

Jay Harberg

Brandon Leeds

Mark Josovitz

Richard Scharff

Alan Rubin

Peter Rubnitz

Martin Goldin

Steven Jacob

Neil Schact

Danny Danziger

James Cummings

Edmond Schapiro

Robert Leb

Sidney Karlin

Randy Treadaway

Neil Speer

Doug Jacobs

Mitchell Williams

Robert Green

Larry Rothenberg

Robert Orshan

Richard Senator

Charles Tills

Michael Saag

Doug Cohen

Gary Schwartz

Robert Goldstein

James Robinson

Lee Osiason

Harvey May

Marc Dorian

Neil Wasser

Bruce Rickoff

Clayton Epstein

Scott Cristal

Jeffrey Zoub

Jeffrey Trenton

Stanley Cohn

Robert Greenbaum

Jon Erblich

James Kutten

Aaron Draluck

Samuel Silverslein

Paul Orshan

Jon Miller

Ron Fox

Craig Hurwitz

John Naschek

William Barnard

Steven Brodie

Mark Epstein

Michael J. Siegel

Philip Parker

Jeffrey Lasky

Stephen Sharlach

R. Samuel Palmer

Stuart Feldman

Lawrence Brownridge

James Krall

Kenny Jaffe

Mark Prigoff

William Lester

Howard Lippton

Lawrence Bieler

Les Portnoy

Matthew Geller

Martin Kooperman

Marc Levy

Steve Mathes

Mark Kaplan

Eric Leibsohn

Jerry Gardner

Bernard Tannenbaum

Howard Gandler

Bennett Davis

298

299

300

301

302

303

TKG JUniOR CMSS

James W. Abrams

Xick J. Accardo

Lloyd Adams

Julie A. Adier

Mary Alphonse

Hank Anderson

Jon S. Anderson

Diane Andrus

Edie Ariail

Annette A. Armstrong

Laurie Atlas

Kimberly J. Austin

Joann P. Bacchus

Wilbur L. Baird

David E. Baker

Stefanie Band

Joseph L. Barnes

Robert F. Baron

Jaime J. Barraza

Raoul J. Barrios

Walter Battistella II

Brian C. Beach

Stephen C. Becker

waiiam H. Bell

Daina F. Bennett

Major Bennett

Stacey M. Berger

Toby J. Berry

Hannah M. Biber

Thomas J. Blenvenu

Leonard A. Blasiol

DavidA. Blau

Lucia F. Bloodgood

Patrick M. Bloomfield

Karen S. Blumenfeld

John E. Bobzien

Jorge A. Bolands
Kit Bonvillian
Lance M. Borochoff
Leonard L. Boyer
Pinet Braun
Beverley B. Brown

Janette S. Brown
Thomas C. Brutting
Gordon L. Bryan
Brian Burke
William J. Burke
Harold C. Burkert, Jr.

Todd D. Burley
David R. Byrd
Charlie A. Calderwood
Sharon F. Campbell
Wm. David Campbell
Wynn B. Garner

Carol A. Carp
Lon D. Cartwright
Taylor J. Casey
Robert P. Cassingham
Warren L. Chandler
Gilbert Chatagnier, III

Anne H. Clark
Priscilla Clive
Pamela S. Cloaninger
Andrew Cohan
James C. Cohen
Barbara L. Cohn

Ann H. Collins
Francis R. Collins
James W. Colton
Banana J. Connelly
Allen K. Cox
Drucilla N. Crabtree

Anthony G. Cravanas
Emily M. Crosby
Michael L. Curole
Clara C. Currie
Barry Cymerman
Etteen M. Daech

Pete S. Dalacos
Mary M. Daniel
Elizabeth Danielson
Frank Davis
Kent R. Davis
Linda L. Davis

Mark J. Davis
Richardo V. Debernardi
Gregory A. Decoursey
Brian F. Delaney
Celene C. Delgado
Joseph Delise

Lawrence J. Dell, Jr.
Luke F. Delpit
Shelley M. Demar
Edwin W. Dennard
William S. Denson
Vivian M. Deschapelles

Agustin G. Diaz

Eduardo R. Oiaz

Amy C.Dillon

Samuel L. Dixie

William D. Domico

Ronald Domin

Robert J. Donachie

Kordice M. Douglas

Renee S. Downing

Cynthia A. Drew

Ann C. Drummond

Ken Dryden

Tildon J. Dufrene, Jr.

Rodney M. Dugas

Larry E. Dumont

Julie A. Dunn

Jerald S. Enslein

Susan L. Epstein

Brian M. Ernstoff

Randolph J. Falk

Joseph E. Farley

Thomas L. Farney

Jane E. Feingerts

Jose M. Fernandez

Orlando Fernandez

Francis M. Ferrante

Steven A. Fink

Diane Finkelstein

Juan R. Fiol

David D. Fleming

Mark E. Flynn

Dave N. Ford

Bruce France

Debra A. Frederick

Robert G. Freeland

Sara E. Freund

Nell B. Frewin

David K. Fussell

Paul Gaiser

Janice D. Garfield

Laurie S. Garrett

Lewis Gartenberg

Patrice A. Gendel
John M. Gensburg
Stewart M. Given
Kyla Goff
Sandee M. Goldman
Ricardo Gonzalez

Steven M. Gorman

Gary J. Goss

Georgia O. Gotta

Kevin E. Grant

Julie T. Graybill

Graham Greene

Stef en J. Greenstein

David W. Grimaldi

Heidi J. Gross

Michael A. Hable

Suzanne A. Haik

Robert G. Hale

Scott G. Handler
Robert T. Harvey
Nancy L. Heausler
Robert W. Heidt
Michael D. Heine
Susan C. Hemard

Don C. Hendrickson
Kevin J. Henry
William P. Herklots
John Herlihy
Charles D. Hetlema
Daniel W. Heung

Deborah Heyman
Raymond K. Hicks
John C. Hildebrand
Peter B. Hogerton
Frederick H. Hohenschutz
Nancy Holbrook

Steve Horton
Penny F. Hoxter
Rodney L. Huddleston
Diane A. Hudock
Michael C. Huete
James Hunter

Paul L. Hurd
Grady S. Hurley
Cassandra L. Hyde
Nancy H. Imlay
R. Itzkowitz
Janet E. Ivey

Jeffery Jackson
Robert K. Jefferies
Gray W. Johnson
James M. Johnston
Jeffrey E. Jones
Maura S. Jones

Rita L. Jung
Jerome M. Kane
Phyllis Karsh
Melanie A. Kastner
Jory B. Katlin
Ellen D. Kenworthy

Karen M. Kilgore
Elizabeth M. Killgore
Virgil L. Kiser
Albert L. Kline
John L. Koch
Kurt O. Kosack

Gail L. Kringold
Frank Kronberg
Barbara S. Krugman
Lesley B. Kushner
Alexander Lafargue
Cecilia E. Lamadrid

Linda Land
Nancy Lawler
Lisa D. Leach
Thomas B. Leachman
Andre V. Leblanc
Frederick Lehman

my'Mliiiiil: ^^

Michael Leumas

Robert A. Levine

John L. Lippincott

Steven G. Little

James M. Lockwood

Caroline G. Loker

Armistice R. Lunchmeat

Matalee Lyle

Selarstean Magee

Lawrence A. Mann

San Mar

Debra A. Martin

Richard T. Martin

Lynn E, Mathes

Scott D. Mcaul

Kathleen A. McCarthy

MarcMcConahy

Charles A. McCraw

Simone D. McGee

Ronald V. McGowan

Samuel B. McGrew

Slylus S. Mclnch

Karen D. McLafferty

Bill McMullen

Richard D. McShan

Paul J. Medellin

Thomas S. Meric, Jr.

Tim S. Mescon

Jannette S. Mexic

Michael R. Miller

Patricia M. Miller

Paul C.Mitchell

Richard VV. Monat

Brad Moore

Gail P. Morgan

Shirley J. Morris

Janis L. Moyer

Maureen A. Murphy

Beverly .\. \achman

Kenneth D. Nash

Davis Nolan

Dlorm H. Norgis

Francine Oberferst

Markham D. Oswald

Marian A. Paganini

Gwen V. Palmer

Vicki E. Pannell

Paul C. Parker

Ellen S. Patterson

Mark P. Patterson

George R. Payne, Jr.

John K. Payne

Sally Peden

Christophr Peragine

Arthur \'. Perkins

Henrietta Perklnson

Gail \. Perry

Michael J. Petrakis

Michael J. Pettypool

Dennis J. Phayer

Patricia G.Poe
Cheryl E. Pollman
Lindsay A. Porter
Richardson K. Powell
Thomas G. Prosch
Mary L. Puissegur

Stephen M. Pumilia
Leroy P. Pygmy
Jeffrey Quinn
JuanR. Quintero
FarahmandRafatjah
Margaret L. Ragsdale

Diane C. Rapaport
Michael T. Ray
Vicki Reggie
Tom G.Reich
Sam S. Rembert
Luis E. Remus, III

Robert E. Rescoe
James G. Richeson
Miriam A. Richter
PaulT. Rieder
Sarah J. Roberts
Albert Rodriguez

Carl W. Rogers
Leslie A. Rogers
Richard J. Roselli
Harris R. Rosen
Ava S. Rosenberg
Caren Rosner

Carolyn E. Rossi
Jim G. Rudulph
Paul L. Rugin
Rebecca Russell
Richard F.Russell
Sara C. Sandrock

Wendy K. Sarafyan
Polly B. Sartor
Julie M. Saul
Peter J. Scarpelli
Randy M. Schaffer
JonV. Schellack

Corey L Scher
James A. Scheyer
Lawrence M. Schloss
Paul A. Schneider
David N. Schoenberger
Roger E. Schultz

Bill B. Schwartz
Stephen M. Schweitzer
Lindy C. Sciortino
Jean Scott
Skipper Scott
Robert T. Sellers

Ellen E. Shuman
Donaldson M. Simons
David W. Singer
Jeffery R. Smith
Catherine Spain
AlanM. Spiwak

CfAJ^^ ^^'aM

Michael K. Springmann

Philip W. Slagg

Thomas L. Stallings

Gordon Starling

Barbara I. Stavis

Frank Steele

Shelley A. Steele

Dehra S. Stein

Paul W. Stephenson

Feral I. Sterling

Robin H. Stern

Janet M. Strider

Ramona L. Suttkus

Joseph Swafford

Carolyn M. Swink

George F. Syll

Lauriston S. Taylor, III

John R. Thistlethwaite

Robert E. Thomas
Devin G. Thornburg
Tricia S. Tichenor
Cheryl J. Timmins
Joseph V. Trahan, III
Peter M. Trapolin

Nicholas J. Vaccaro

Evangelo C. Vamvas

Paul D. Vanderheyden

Joan Vassilakos

Glenn L. Vereen

Juan J. Vidaurrazaga, Jr.

Cathy Vines

Story Vogel

Carol S. Vonrosenberg

Robert X. Wagner

Ealine VValdron

Michael Walsh

James L. Warmack

Robert W arren

Douglas B. Walk ins

Tom L. Watson

Catherine C. Wattley

Linda S. Weber

Robert D. Weber

Robert M. Weber

Giovanna T. Wedel

Debbie G. Weiner

Carolyn F. Weintraub

Judy J. Weiss

Ann A. Welch

Carter W'ells

Jonathan C. W'hite

John L. Williams

Randolph P. Willis

Frank O. Wilson

Gregory S. W'ilson
Mitchell A. Wood
William M. Wood
Sheree G. Yablon
Lorenzo York
Paul Yungst

m -. i W i r m I * j£Ju-

TKG SOPKOMORG CMSS

Julie A. Abadie
Bill Abernathy
Franklin M. Adelman
Amy S. Adlestein
Debra Agamendon
Evelyn M. Ainsworth

Khan A. Akmal
Muhammad Akram
Carlos D. Alderson
Palmer Alexander
Trish Allen
Paul Andrade

Julian G. Angel
Alvin N. Aramburo
Cindy A. Arata
Heather Ashman
Neal H. Attermann
Jane Auzine

Charles M.Babb

Gregory B. Saber

John Bacchus

Jaymi J. Bachman

Beryl L. Bachus

Donald J. Bagert

Joseph E. Baggett

Bruce H. Baird

Beverly A. Baker

Clifton B.Baldwin

Floyd N. Baldwin

John C. Ballman

Wendy J. Baiter

Laura A. Barber

Ran O. Balson

Lauren A. Becker

Mark P. Beidel

Jaime F. Beingolea

Melissa L. Belcher

Melissa J. Bell

Terry A. Bell

Richard M. Benator

Holly A. Berkowitz

Celeste M. Bertucci

Mary E. Beuchert

Nancy R. Bikson

Jon L. Birge

Karen Bishoff

Claire D. Blaine

Ivan N. Blasini

William Bohn

Bruce P. Bordlee

Brian C. Boutte

David H. Bramson

Whitney X. Branglebush

Frank R. Brannon

Peter A. Breen

Allan B. Breitstein

Gerard D. Brocato

Frances R. Brock

Sandi C. Brosky

Christophr J. Brown

Ellen B.Brown

Kennell P. Brown

John D. Bruce

Peter S. Brunstetter

Leslie A. Brupbacher

Keith H. Budner

Steven R. Bumpus

Robert L. Bunnen

Denise Burka

Nicole E. Burke

Barry J. Burns

Jack M. Capella

Regan G. Carney

Michael A. Cenac

Kenneth K. Chadwick

Michael S. Chapman

John A. Chauvin

Nancy J. Chenette

Louis G. Clan
Glenn L. Clouse
Hector M. Colon
Alberto L. Cominos
Lauren D. Cooper
Ellen A. Corley

Don J. Cosby
Mary C. Cousins
Peter L. Couturie
Domenick Cover
Joseph E. Cpruin
James L. Craig, Jr.

William D. Crockett
Tom A. Dalia
Rocko Dalton
Kirk D. Dameron
Randy E. Davidson
Kimsey M. Davis

Robert E. Dawson
Olivers. Delery
Elaine A. Delrosso
Mary L. Denenea
Robert T. Denstedt
Carlos M. De Salazar

Eduardo Diaz
Timothy J. Douglas
Mary M. Dow
Eric A. Dubelier
Mina N. Eagan
Richard B. Eason

William H. Edwards, Jr.
George L. Ehringer
Linda C. Eichler
Jolie M. Eisenberg
Stephen Ellis
Clifford J. Enten

Clayton S. Epstein
James A. Erraon
Jeannine E. Falcon
Melinda F. Falgout
Philip A. Fant
Robert G. Fately

Paul L. Feinstein
Olga S. Feldman
Gail P. Fenton
Daniel L. Ferguson
Antonio F. Fernandez
Timothy J. Ferreri

Dixie L. Fields
John Firestone
Abigail F. Fisher
Gary B. Fitzjarrell
Joan Fitzpatrick
Lawrence E. Fleder

Jeff A. Forbis
Stephen L. Forrester
Rohert B. Fougner
Susan A. Fox
John F. Frederickson
Emil Friedlander

Ira H. Friedman
Linda S. Friedman
Mitchell H. Frumkin
Rebecca H. Furr
Marilynn Galler
David M. Gange

Armando A. Garcia

Paul E.Garland

Sherri P. Garland

Margaret E. Gasque

James J. Gaudet

Dan A. Gerson

Paula D. Godsey

Angel E. Goitia

Madeline P. Gold

Martin C.Goldin

Keiths. Goldstein

Mark G. Goldstein

Carlos M. Gonzalez

Michael P. Gordon

John E. Graves

Sallie E. Grier

Ronald J. Gumina

Kenneth L. Gutzeit

Stephen Halker

George B.Hall

Franklin J. Harberg

Phyllis D. Hecht

Parker D. Heffron

Lorin M. Henry

Naimatulla H. Hichki

Carolyn R. Hirsch

Robert J. Hofmann

Clifford B.Hogan

Shawn L. Holahan

David N. Hollings

Peter C. Horowitz

Douglas M. Jacobs

Miriam Joffe

Steven D. Jones

Jeffrey Jordan

Mark S. Josovitz

Heidi P. Junius

Marshall N. Kanner

Jack A. Kaplan

Bonnie Kassal

David R. Katner

Sue Katten

John B. Keenan

Karen A. Kell

Paul D. Kern

Vivisor H. Kerr

Gordon B. King

Laurel J. Klser

Laurie S. Klayman

Dawn L. Klemow

Fernin C. Koch

Judith A. Kron

George P. Lae, Jr.

Abner M. Landrv

Ann Law

Elizabeth F. Lawlor
David M. Leake
Brandon Y. Leeds
Lucy M. Leonowens
Anne M. Lespinasse

Keith A. Levine
Lee Levine
Debra E. Levinson
Alan J. Levith
Marc E. Levitt
Neil P. Lichtman

Earl T. Lindsay
Gerald L. Lineberger
Alan C. Littlejohn
Thomas R. Lombardo
John L. Long
Daniel J. Mackel, Jr.

Marc J. Magids
Kathleen M. Mahoney
Jeanne B. Mann
Howard Marks
Julie A. Martin
Harvey L. May

Douglas G. May berry
James L. McCulloch
Bryan P. Melan
Thomas J. Metzler
Roderick L. Meves
Matthew C. Micka

Jane Mickey
Jeff W.Miller
John P. Minihan
Carol J. Miranda
Simon Mireles, Jr.
Scott J. Moore

Terence S. Moore
Barry J. Morris
Joel C. Morris
Charles L. Mowry
Alison M. Mullaney
Stan T. Mulvihill

William G. Murphie
Mark A. Murphy
Brenda J. Myers
Edwin K. Nelson
Ford J. Nicholson
Karen M. Noer

Cornelia C. Norman
Constance L Norris
Diana L. Northington
Charles J. Nunez
Russell J. Nunez, Jr.
Feargus M. O'Connor, Jr

David J. O'Leary
Rebecca R. Olivera
Kim P. Orgeron
Victor E. Ovalle
John Page
Jonathan T. Paine

Michael 0. Palatas

Peter Parker

Philip P. Parker

Gregory S. Parry

Kathleen A. Paxton

Liz S, Perwin

Andy J. Peters, Jr.
Stephen P. Peterson
J. L. Petligrew
Steven M. Pincus
Nicholas ]. Polizzi
Dana E. Popovich

RossO. Pottschmidt

Scott C.Powell

Michael T. Power

Curtis D.Radford

Barton C. Ramsey

Nadine M. Ramsey

KeithP. Ranna

John D. Ranseen

Patricia A. Rathbrun

Thomas G. Reale

Ann M. Rebentisch

Michael P. Reillv

Thomas W. Reinsch

Steve J. Reiss

Shirley Richardson

Stephen D. Richardson

June H. Richdale

Bruce D. Rickoff

Paula N. Rinehart

Caroline B. Robertson

Timothy W. Rogan

Wendy R. Roskin

AlanM. Rubin

Peter B. Rubnitz

Susan G. Rudeen

Richard Sabalot

James R. Sackett

William F.Sadlier, III

Melford Q. Sagus

Adria H. Salow

Jamie L. Sampson

Rob Sapp

Shari Scharfer

Janet B. Schendle

Edward J. Schmitt

Steven M. Schwabish

Gary J. Schwartz

Paul Sciortino

Randy H. Segal

Jonatbon Shaffer

Cynthia L. Sharer

Edward M. Sheinis

Stanford M. Shoss

DoilA. Sibley

Janice A. Simmons

Carol E. Sisson

Dana C. Smith

Gary W. Smith

Mark ). Spansel
Michael R. Spencer
Bruce Spizer
Fanklin F. Starks
Victor H. Starz
Richard H. Steele

John W. Stelly
David E. Stevens
Virginia C. Strate
Linda L. Stump
Doreen M. Sullivan
Nancv C. Sullivan

Martha Talbot
Myron Tanenbaum
Hugh Taylor
Nancy P. Thomas
John E. Thompson
Van J. Thornton

Charles L. Tills
Edward M. Tirpack
Shelly A. Toranto
Julia Treacy
Karen Treating
Guadalupe R. Trevino

Steven M.Trubitt
Madelaine A. Turegano
Jeffrey J. Turner
Ray Tyree, Jr.
Frances R. Ulmer
Paul B. Van DerWal

Bill Van Manen
Bradley Vear
Kathy Verges
Leonard P. Verges
Charlotte A. Waguespack
Constance M. Walker

Bruce R. Wall
Joseph R.Walsh
Winifred C. Waltzer
Virginia Warren
Walter W.Watson
Owene P. Weber

Michael Weinberg
Nancy Weingrow
Laurie B. Weiss
Richard J. Weiss
Robert S. Wilbourn
Catherine Wilcox

Diane M. Williams
Oran A. Williams
Richard M. Williams
Gerry T. Wilson
Richard S. Winer
David Wise

Gary D. Wolf
Thomas L. Yearwood
Zeno Yeates
Edwin M. Young
Leigh P. Ziegler
William R. Zilliott

TKG PRGSHIYMM CMSS

Mark J. Abramson

Danna M. Acker

Janice Adier

Ruth A. Adler

Leonard H. Adoff

Joann K. Aicklen

Mark M. Alexander

Dale B.Allen

Laurel B. Allen

Amelia H. Amon

Eddie L. Anderson, Jr.

Ann M. Arnoult

Dana D. Austin

Elizabeth H.Austin

Stephen M. Backus

Drew Ballina

Patrice E. Barattini

Marc A. Barinbaum

James B. Barkate

Cornelius W. Barnes

Lora J. Barnes

Evelyn M. Barraza

NandaL. Barrett

Gene J. Basiliere

Carolyn K. Baudovin

Susan A. Baum

Sylvia A. Bauman

Herbert J. Baumann

Sara E. Beasley

Nancy J. Beck

Richard Bedford

Augustus M. Bennett

Annette M. Bergeron

Kenneth J. Berlanti

Fred V. Berley

Wendv L. Bermant

Betsy J. Bernard

Philip Bertucci

David A. Beyer

Chris Bick

Renia P. Biernacki

Laurie A. Bistrow

Solomon T. Blinks

Morris A. Bloom

Emily C. Blum

David E. Blunderman

Jeanne S. Bonner

Andrea E. Bostian

Kevin p. Bourgedis
John R. Bovaird
Frank M. Brady
Edward Breland
Lisa B. Bresenoff
Howard R. Bromley

Blair G. Brown
Marcia H. Brown
Robert A. Brown
Thomas M. Brown
James E. Bruckart
Thomas Bucker

Bruce A. Buckingham
Robert F. Buesinger
Jonathan Buka
Maureen M. Burke
Steven M. Burr
David R.Cahndler

Douglas P. Caldarera
Renette M. Cambre
Marc A. Cannon
Enrique D. Carballo
Michael D. Carbo
John B. Casseb

Mary R. Cassilly
Burgess B. Chambers
Sherry A. Chapman
Roman A. Chojwacki
Jimmy K. Chow
Anne Churchill

Philip C. Ciaccio
Sam B. Claytor
Beth Cloninger
Craig A. Cohen
Jonathan Cohn
Stanley J. Cohn

Wendy D. Cohn
Amy Conner
Sharon L. Conyer
Shawn D. Cook
Robert W. Cooper
Andrew Corwin

Rafael A. Couto
James K. Cox
Elizabeth N. Cranston
Aline F. Craven
David Cushman
William Daly

Joyce R. Day
Jennifer A. Dillaha
Kathryn A. Dillon
Thaderine C. Dolliole
Denise D. Downing
Christophr Drew

Charles J. Driebe, Jr.
Keith R. Dugas
Carol L. Duke
Fraser M. Duke
Joan K. Dunaway
Robbin A. Duncan

Steve W. Earle

Charles J. Edelberg

William D. Edwards

Gail A. Ehrlich

Karin E. Elkis

Liz A. EUaby

Gene B.Elliot

Marina B.Elliott

Gina A. Ello

Morgan G. Earnest

Tobin J, Eason

Jonathan R. Elyachar

Walter E. Entrekin

Mark D. Epstein

Barbara Ernst

Kay Erwin

Christophr S. Ewin

Michael C. Fajgenbaum

Michael J. Farley

Sandra H. Farrill

Jim Fazzino

Bruce M. Fedor

Mary Jane S. Fenner

Betsy Field

Paul T. Finger

Diana L. Fischman

Brian A. Fitzjarrell

Bonni L. Flesher

Tom Focht

John F. Fortier

Ron E. Fox

Larry E. Francioni

Gary L. Frazier

Gretchen E. Freeman

Terry A. Freiberg

Betsy T. Friedt

Leslie A. Gaitens

Jerry 1. Gardner

Lynn S. Garson

John G. Gast

Matthew Geller

Brian R. George

Bruce J. Giaimo

Richard A. Gibson

Michael D. Gilder

Cynthia L. Gili

Betsey G. Click

Robert S. Gold

Bobbi Gollin

Gay M. Gomex

Bruce R. Goodman

Sharon R. Goodspeed

Oianne B. Gorbach

Sberrie L. Gordon

Steven R. Gordon

Brad Goss

Thomas E. Grabam

Gerard Graulich

Allen H. Graves

Robert S. Greenbaum

Gene R. Griffith
Chuck K. Grigg
Debbie L. Grossman
Margot S. Gruman
Sally R.Guider
Andrew Hague

Janet E. Hall
Penny L. Halter
Lawrence C. Hamm
Claire J. Hararaett
Virginia E. Hammond
Greg Han

Clark T. Hancock
Jonathan S. Harbuck
Chip F. Harris
Joshua B. Harris
Robert Heaton
William A. Heausler

Fred E. Herman
Barry J. Hickman
Prentice N. Hicks
Brian A. Hill
Norman D. Hines
Madolyn A. Hingle

Virginia C. Holbrook
Marion Hoilings
Angela N. HoUoway
Michael L. Hoover
Susan A. Horowitz
Susan V. Horowitz

Virginia C. House
Janet L. Howard
Wynn E. Howard
James D. Hudson
Lise J. Illingworth
Marsha J. Ingram

Jules R. Ivester
Nancy W. Jewell
Quentin B. Johnson
Michael N. Jones
Jewel A. Jurovich
BettieKahn

Morris L. Kahn
Christy Kane
Mark A. Kaplan
Suzanne J. Karkus
Kevin J. Karl
Cort Katker

David S. Keim
David A. Keir
Mary Ann Kennedy
Patrick B. Kennedy
Paul R. Kenvi
Denny D. Kerr

Kenneth S. Ketzoff
Lucy B. King
John B. Kirk
Kale L. Kirven
David Knight
Carlos J. Knoepffler

Suzan Kobey

Albert W. Koch

George Koch

Blake S.Krass

Martin A. Krongold

William S. Kuhn

Wayne D. Kurzner

Rejbin K. Kurzweil

James A. Kutten

Shirley A. Landen

Richard D, Landers

Mark D. Landry

Charles M. Lane

]oan Lang

Timothy J. Lathe

Sheldon K. Latos

Margaret W. Leach

Georges E. Leblanc

Nate A. Lee

Bina Lefkovitz

Lawrence Lehman

Michael Lender

Louis J. Leo

Carlos A. Leon

William R. Lester

Robert D. Levenstein

Susan Levin

Marc H. Levy

John W. Lewis

Keith G. Liberman

Howard L. Lippton

Douglas S. Lipton

George Long

Carolyn J. Low

Debi X. Luis

Gregory E. Lyman

Ricardo J. MacPherson

William L. Maiman

Marie E. Malizia

Danny S. Mandel

Patricia F. Marchand

Joel D.Marcus

William D. Mason

Steve A. Massell

Gloria E. May

Jerry L. Mayo

Robert E. McGill

Rob E. McNeilly

Mary A. Meadows

Alvaro J. Medeiros

Gary M. Meeks

Karen S. Meister

LoriM. Melln

Mark Mendal

Jerry T. Mewcombe

Kathleen Miller

Wayne W. Minehart

Carolyn R. Mintz

Robert G. Mitchell

ScoH D. Mlain

Charles R. Moir, Jr.
Harry J. Molligan
Yvonne Monies
Susan L. Montgomery
Mary S. Moore
Theresa L. Moore

Steven Morris
Lizette Moschella
Andy J. Moscow
Dana L. Moses
John G. Mosko
Curtis C. Mosley

Kevin M. Murphy
Paul S. Musco
Phyllis E. Nachman
Lawrence Nadel
Clifton P. Nary
Sabina Negrea

Kenny I. Nelkin
James E. Nix
Scott Norton
Lisa S. Novick
Carey T. O'Connor
Dorothy A. O'Connor

Michael D. Oertling
Thomas A. O'Neil
Charles T. Orihel
John L. Ott
Laura R. Ouverson
Terrance M. Owens

Lynn A. Parry
Edward L. Patterson
James A. Paulson
John L. Payton
Tom I. Perkins
Rita A. Perry

Anthony B. Petereit
JohnR. Peterson
Quentin Phillips
Verre S. Picard
Leslie Pick
Simone Pilie

Charles P. Pizzo
Eugene F. Pollingue
Robert W. Pospick
Mark E. Powell
Mary Prados
Ben A. Prager

Jack E. Pratt
GregF. Ptacek
Michael S. Purdy
Oonal G. Quinlan
Maureen E. Quinn
Robert F. Quinn

Susan L. Ragde
Rafael A. Ramirez
Allison F. Raynor
Ray M. Reed
James V. Reuter
Julia A. Reynolds

-^,^v:^

Robert J. Rice

Richard A. Ripberger

David R.Riter

Rene J. Robert

Elizabeth R.Roberts

Mark Robinson

Peter B. Robinson

Raul P. Rodriguez

James R. Rosenberg

Lisa Rosenslein

Mel S.Rosenthal

David Rosner

Ronald J. Roth

Deirdre M. Rourke

Melissa K. Ruman

Alice J. Rush

Richard A. Rush

Robin A. Rushton

Daniel C.Rutherford

Missy B.Rutland

Robert N. Ryan

Muhamed Sacirbey

Luke J. Sanna

Pamela S. Scanlon

Gerard A. Scardino

Brad I. Schandler

John D. Schemel

Susan J. Schimmel

Walter J. Schneider

Arnold B. Schoenberg

AltonC. Schultz, III

Jeff Schuster

Donna A. Schwartz

Gary R. Schwartz

William A. Scott

Frank E. Seeling, III

Sheila L. Seig

Richard Sellers

Harold Sender

Reid Senter

Deborah L. Server

Cindy R. Shapiro

Kim D. Shaw-
Sara L. Shaw
William W. Shea
Daine L Shelton
Eric K. Shepard
Sonny Shields

Samuel L. Silverstein

Pieter A. Sloterdijk

Clinton L Smith

Marcia C. Smith

Rem Smith

Thomas P. Smith

Scott A. Snyder

Daniel W. Sommer

Donald J. Stafford

John B. Stanley

Arlene R. Stanton

]ames R. Staten

Craig Stephens
)an E. Stern
Michael A. Storm
Gerardo Suarez
R. Scott Sullivan
Cathy Supman

Marcia K. Teitgen
Janice M. Terry
Mary L- Texada
Mark VV. Tipton
Stuart Tobet
Kathy J. Townley

Gregory J. Trapp
Madeline Treating
John Turner
Yasmin Usmani
Walter L. Van Der Kar
Susan B. Van Hees

Jose Vegas

Christian J. Vernosky
Mary Beth Von Oehsen
Eugene D. Von Rosenberg
Daniel L. VVaddell
Margaret L. Wade

Fred J. Wagner
John C. Walker
Linda K.Walker
David L. Waller
Franklin W. Waller
Carolyn M. Wampold

Kevin K.Ward
Joseph E. Warren
Parker F. Waters
Mark L. Watson
Stewart L. Wechsler
Susie ]. Wedlan

Amy J. Weil
Bob M. Weingrad
Bettsie D. Wershil
Ann M. Wierman
Mike M. Wilkinson
Elizabeth H. Williams

Pat Williams
Robert A. Williams
Ray B.Willie
Elizabeth D.Willis
Jessalyn A. Wilscam
Warren G. Windsor

Larry D. Wink
James E. Wisner
Michael J. Wiss
Keith L. Wolfe
Richard C. Wong
KamB. Yap

Lawrence M. Yore
Philip A. Zellner
Deborah C. Ziegler
John P. Zimmerman
Robert J. Zito
Juan M. Zuniga, Jr.

327

JUniOR Ve/IR /1DRO/1D

The Junior Year Abroad (JYA) Program
offers to qualified third year students at
Tulane and Newcomb the opportunity to
live and study in a foreign country for one
year. The Program allows students to
broaden and enrich their education while
still pursuing their college career. Among
the many advantages that accompany a
change of scenery, living abroad adds a new
dimension to a student's outlook. Americans
abroad can gain new perspectives for self-
evaluation and the evaluation of American
culture.

The countries included in JYA are Great
Britain, France, Germany, and Italy.
Although candidates are selected on the
basis of fairly high academic standards
(a 3.3 average for England, Scotland, and
Wales, and a 3.0 average for the other
countries) it is something that is well worth

trying for. If anything else, JYA provides a
break in the monotony of spending four
years in one place. Also, one must not forget
the fringe benefits: skiing in the Alps at
Christmas; the availability of cheap trans-
portation, good food, and sophisticated
people throughout Europe; and the close
proximity of the greatest cities in the world,
London, Paris, and Rome.

The most challenging and entertaining
program Tulane University has to offer "are
the words of one JYA student." The cost of
the Program is equivalent to the Tulane
tuition, and the lower cost of living offsets
the expense of travel.

Next year's JYA students going to Great
Britain are crossing over on the Queen
Elizabeth II. It is hard to imagine a better
bargain, and it sure beats sitting on the steps
oftheU.C.

James R. Adams

Scotland

Marne Anderson

England

Mark Beuhler

England

Patricia Bowen

France

Sharon Buchalter

England

Emily Clark

England

Cindy Cloninger

England

Richard Cranford

France

Karen Curtin

England

Stuart Dean

Scotland

Gary Dent

England

Ivan Diaz

England

Mary Dierdorff

France

Andrew Ericson

England

Susan Folse

England

Timothy Geiszler
Arthur Gerber

Richard D. Goldblatt
Susan Gordon

Tommie Graham
Michael Guiliani

Thomas Haspel
Clare Hooper

Billy Huey
Regina Inniss

Wales
Scotland

Scotland
France

Wales
England

Wales
France

England
Germany

-»5' -C?^

Amy Kahn

England

< ■: 1

Sheree Kornman

France

Dennis Newman

England

Libby McLean

Spain

V /

Lorna McMullen

France

James Miller

England

Jane Pace

France

Jeffrey Pauldine

Spain

Patricia Prieto

Spain

Lamar Riley

England

Susan Ryder
Scott Salk

Susan Savage
J.S. Sheth

John Silak

Italy

England
France

D'Arcy Smylie Scotland

Summerlynne Solop England

Ann Stewart Germany

Anne-Marie Sweeney Wales

Kathleen Van Buskirk England

Guy Wall

England

Alina Washington

Spain

VIosteller M. Wheeler

France

Billie V. Willis

Spain

Billy H. Wilson

England

On The Boat

Andrew Bagon

England

Claudia Baumgarten

Germany

Guy Cannata

Wales

Elise Dunitz

England

Marilyn Gillespie

Spain

Margaret Innis

Spain

Robert Karp

England

Nancy Kistler

France

Edward Mogabgab

England

Richard Wiggers

England

329

MCD SCHOOL JUNIORS

330

CMSS OF 1976

1. Mark Berry

2. David Heberl

3. Robyn Tyler

4. Bruce Razza

5. Bill Bailey

6. Carolyn Mohr

7. James Cook

8. Will Simmons

9. BobMcLeroy

10. Anthony Bouligny

11. Skip Williams

12. Dick Herklots

13. Rick Harris

14. Leslie Hightower

15. Mike Neuland

16. JohnSlallworth

17. James Dodson

18. Carter Crouch

19. Andy Sumner

20. Phil Henderson

21. John Carter

22. Jim Bushart

23. Rich Sugar

24. Donald Schexnayder

25. Katherine McArthur

26. Dave Harris

27. Curtis Miles

28. David Ferriss

29. George Stewart

30. Ann Price

31. Dennis Shoff

32. Ron Tompkins

33. Bill Gottviiald

34. Pat Herrington

35. Paul Anderson

36. Jeff Kupperman

37. Rich Stewart

38. Dave Spencer

39. Brian Rydwin

40. Caroline MacLeod

41. Steve Cobb

42. Thom Franklin

43. George Rodgers

NOT PICTURED ARE:
Salpi Adrouny
John Agnone
William Anderson
Allen Ball
James Barron
Dave Bauman

David Bell
Rafael Blanco
Karl Blythe
Robert Bourgeois
Sheila Brown
Thomas Burguieres
Thrassos Calligas
Dan Caplan
TildenChilds
Bernard Cohen
Ken Counselman
Branch Craige
Charles Creasman
Anna Davis
Dan Davis
Elizabeth Deering
Diane Deveines
Wesley Dobrain
Bob Dorwart
Greg Dwyer
Neal Faux
Richard Finley
Mark Forman
HolleyGalland
Leonard Gately
Ted Gay
Lynn Going
Jim Gosey
Pam Groben
Rich Guess
Steve Harkness
Mike Harris
Roderick Harris
Glenn Hedgpeth
Mike Hewson
Mike Hickey
Minas Joannides
Jan Johnson
Marc Kahgan
Joe Kandiko
Roger Kelley
John Kelly
Bill Kepper
Bob Kitchen
Barry Leader
Jim Lemire
Lillian Lesser
Tom Levy
Robert L'Hoste
Stan Longenecker
Laurence Lotz

William Luer
Barbara Lukash
Hap Luscher
Rick Manganaro
Neil Manowitz
Mary Martin
KarlMetz
James McCrory
Robert Miles
Lee Moss
George Murphy
Mike Mycoskie
Kenneth Olander
Glenn Palmisano
Gerlie Papillion
John Pemberton
Uwe Pontius
Ron Quinton
HollisReed
Marleta Reynolds
Robert Rice
Steve Rice
Sam Robinson
Lee Rodgers
Katherine Rover
Ed Saer

Cynthia Sandlin
Rick Sands
James Scheu
Norman Scott
Cecile Sherrod
Flo Shoaf
Candy Smith
William Smith
Gary Snell
Jeanne Stangle
Charles Stedman
Lou Steplock
Phil Synar
Lauralee Thompson
Lewis Townsend
Robert Townsend
Eliane Uninsky
Gerald V'ocke
Rand V'oorhies
Michael Wall
Charles Watts
Robert Welch
Bruce Wheeler
William Yarbrough

331

MCD SCHOOL SOPHOMORGS

332

' Jh

CMSS OF 1977

1. Mike Pinnolis

2. Julianne Huber

3. John Meyers

4. Mike Moses

5. Chuck O'Brien

6. Gary Robertson

7. Larry Kaiser

8. Steve Cavalier

9. Annie Graham

10. John Reinsch

11. Glenn Morris

12. Roger Orth

13. Bozo Moses

14. Loyd Whitley

15. Dave Golden

16. Charles Pucevich

17. Douglas Johnson

18. Richard Richoux

NOT PICTURED ARE:
Jennifer Allen
Robert Allen
Robert Ammarell
Genaro Arriola
Charles Bahn
Susan Baker
Mike Barry
Al Behling
Andrew Benson
Bruce Berger
Larry Bonham
Steve Boudreaux
Mike Boulter
William Bradford
Benny Camel
Chris Campbell
Tom Campbell
Idah Cannon
Kimbroe Carter
Nona Chiampi
Tom Cornell
Pam Cummins
Evita Currie
Richard Davis
Adejunti Dawodu
John Day
Frank Dienst
John Dietrich
Tom Dlugos
Janice Donahue
Ted Eilenberg

George Ellis
George England
Steve Eskind
George Ettel
Blackwell Evans
Dick Feuille
Dennis Franklin
Marc Fritz
Christopher Gilbert
Marilyn Goepfert
Lloyd Gueringer
Manning Hanline
Charles Hatchette
Roger Hatchette
Frederick Hebeler
David Hicks
Steve Higbtower
Julian Hill
James Holmes
Richard Houk
John Hyslop
Ken Jones
Wayne Julian
George Kantor
Rich Kay
Kevin Krane
Michael Lam
John LaMartina
Sam Lassoff
Ken Lazarus
Marc Mailer
Joe Mason
Charles Mathews
Michael Mayer
Joseph Mayo
Carl McAllister
Al McDaniel
Mike McDermott
Christopher McDougal
Pam McLain
Karen Miller
Orderia Mitchell
Christy Montegut
Mike Morse
Alan Murphy
Melvin Murrill
Kenneth Nix
John Olivier
Pam O'Neal
Barbara Palmisano
Ed Parry

Peter Palriarca
Arnold Penix
James Perrien
Nicholas Picariello
Brent Prather
Gary Prechter
Ralph Prows
Susan Puis
Dallin Randolph
Marilyn Ray
Kathy Reardon
Larry Redden
William Reinbold
Woody Rice
James Robertson
Joseph Ronaghan
Michael Rooney
James Salisbury
John Sams
Mark Sanders
Celia Satterwhite
David Schenk
Judd Shafer
Don Sharp
George Sledge
Peter Sosnow
John Stephenson
Charles Stewart
Loretta Sullivan
Thomas Sultenfuss
John Sweeney
Lee Terrell
Sam Tilden
Roger Tsai
Maria Valiente
Woody Van Horn
Peter Van Trigt
Mike Wasserman
Betsy Watt
Rebecca Weber
Thomas Weed
William Wells
Charles Wilkins
Alan Woodward
John Wright
Dean Yamaguchi
Charles Zeanah
Anne Zimmerlng
Wayne Zwick

333

MCD SCKOOL f ReSKM/iri

334

CMSS Of- 1978

Ted Koerner

52.

James Donnell

103.

Rick Adrounv

Roger Bonomo

53.

Paul Goldfarb

104.

Bill Sear

Janet Strange

54.

Neil Robinson

105.

Wes King

Steve Horn

55.

GaryBoliek

106.

Karen Borman

Tom Goodwin

56.

Lucie King

107.

Martha Crenshaw

Ken Brooks

57.

Ken Melton

108.

James Bruce

Nathan Fischman

58.

James Butler

109.

John Robichaux

Rich Wallace

59.

Romel Wrenn

110.

Brett Mioton

William LaRosa

60.

Emmett Chapital

111.

John Flemming

10.

Boh Lesser

61.

Dave Aiken

112.

Jim Strickland

11.

Tom Kelly

62.

Jane Barnwell

113.

Randy Lillich

12.

Gary Gansar

63.

Geoffrey Daugherty

114.

James Daniel

13.

Jim Robbins

64.

Paul Mahlberg

115.

Jim Barhee

14.

Andre Lapeyre

65.

Kathy Posey

116.

Gerald Hickson

15.

Gary Nuschler

66.

Kent Hancock

117.

Paul Wotowic

16.

Ellen Buchbinder

67.

Greg Lux

118.

Dave Taylor

17.

Ron Fellman

68.

DaveTibbs

119.

Norman Freeman

18.

Gerry Broussard

69.

Lidonna Lancaster

120.

Betty Muller

19.

Art Hellman

70.

Clark Ward

121.

Mike Schur

20.

Tim Brewerton

71.

John Wheelock

122.

Mike Dunham

21.

Mike Ryan

72.

Dan Jens

123.

Bill Byrd

22.

John Curnes

73.

Clifford Burns

124.

Gordon Love

23.

Clifford Hornhack

74.

Kurt Jacobson

125.

Robert Soyers

24.

Shirley Scott

75.

Ed Waitt

126.

Don Cerise

25.

William Bordelon

76.

Donna Zivalich

127.

John Gavin

26.

Toraas Birriel

77.

Tom Buchanan

128.

Paul Benson

27.

Steve Helwick

78.

Richard Marshall

129.

John Vitter

28.

Linda Harris

79.

Janis Johnson

130.

Leigh Ende

29.

Jacqueline Slaughter

80.

Ron Victor

131.

Al Hieshima

30.

IkeFitz

81.

Jon Mason

132.

Susan May

31.

Rusty Pierce

82.

Lolia Gonzales

133.

Mike Malonev

32.

Tom Garland

83.

Steve Bishop

140.

Bill Hilbert

33.

Lisa Brothers

84.

Larry Wooden

34.

Dennis Gruwell

85.

Tom Fenzl

NOT PICTURED ARE

35.

Clayton Griffin

86.

Dave Simmons

Larry .Amacker

36.

William Weiss

87.

Vince Burke

Doug .Anderson

37.

Hud Allender

88.

Gary Jones

Sieve Baker

38.

Debba Shackleton

89.

Tom McCall

John Brandon

39.

Jay Lupin

90.

Lawrence Christy

Pat Connell

40.

Ron Kerr

91.

Earl Washington

liam Craig

41.

Dana DeWitt

92.

Warren Trask

Aubrey Galloway

42.

Thad Barringer

93.

Scott Smith

Daniel Halpren

43.

Kenneth St. Andre

94.

Joe Ferguson

Gary Hirsch

44.

Keith Bradley

95.

Mike Cohen

Ham Kelly

45.

Ned Hallowell

96.

Tom Burke

Doris LeBlanc

46.

Ken Engelhart

97.

Bill Beacham

David McNeeley

47.

James Bennett

98.

Vickie Hebert

Michael Ruthrauff

48.

Valerie Purvin

99.

Steve Venturatos

Henry Savery

49.

Pete Czuleger

100.

Mike Artman

Rufus Thomas

50.

Gary Ripple

101.

Bob Brock

Gordon Walker

51.

Mark Johnson

102.

Roy Lambert

335

GkADDAie SCHOOL

336

Neil A. Armstrong
Daniel Avanessian
Ralph P. Bernard
Daniel R. Blickman
Timothy Bohan

Frederic Bonnenf ant
Michael E. Britt
Kathleen E. Carlin
William A. Carpenter
John M. Cheramie

Janine A. Collins
Joe T. Cooper
Rose D. Drill
Wes E. Driskill
Bruce H. Fink

Thomas J. Harrison
Gerald E. Herrmann
Jan P. Juraonville
Paul G. Lacroix, III
Stephen W. Lam

James B. Lane
Dre Legen
Jim M. Leming
Neil P. Levith
Robert Lippman

Helen V. Loker

Graciela L. Lopez

Kenneth C. Lowstretter

Edward D. Markle

Carlos Martinez

Bryan T. McEnany

John P. McGlynn

James P. Merrell

James W. Pellerin

Paula A. Perrone

Serena F. Randolph
James N. Reynolds

Thomas J. Rochefort

Larry Romans

Richard G. Schuldt

William A. Settoon

Terron D. Sims

Reginald H. Smith, Jr.

Raphael Spindola

Robert W. Swasey

WaiM. Tong

John B. Vance

Rousseau Vanvoorhies 337

Carlos V. Vargas

Elizabeth N. Watson

lAVJ SCKOOL 2riD WCAk

Michael R. Allweiss
Bill Boyar

Andrew L. Breffeilh
Donald R. Burkhaller
Charles J. Caine
David]. Cardon

Michael Cavagrotti
jean Charles
Stephen K. Conroy
Charles T. Curtis
Glenn P. Dismukes
William J. Dutel

Benjamin S. Eichholz
Louise A. Ferrand
Ford T. Hardy
Anne B. Higgins
EricR. Jones
Timothy A. Jones

Jay H. Kern
Efrera R. Krisher
Kenneth B. Korbert
Rose M. Lebreton
Walter J. Leger
Richard H. Levenstein

Carlos Martinez
Michael J. McNulty
Rudick J. Murphy, II
Douglas L. Nicholson
Alan L. Offner
Connie Porter

Evelyn F. Pugh
John M. Robin
Leon Sanders, III
Mark R. Schlomer
Scott Slonim
Barry E. Somerstein

Mark A. Sucher
Ruth J. Thomas
Carey R. Varnado
Michael Weinstock
William A. Wherwood
Cheryl E. Wingo

Tnepe^ rTot miicb nnoujM^ekfl ir? j?oon^

y[4k?^UP h€ft4s-g>^M?'iYQti ^^1% P^'^iwtel 1901 Illustration

MW SCHOOL 1ST YG/^R

Jeffrey T. Agular

William Bailey

Franklin D. Beahm

Van R. Boyette

Linda A. Burke

Cynthia L. Eckert

Gary N. Gerson

MarkR. Giesser

Joseph C. Giglio, Jr.

Campbell VV. Hudson

Morris H. Hyman

Carmine A. lannaccone

Lawrence M. Lehmann

MUesMark

Carol D. Payne

Claude F. Reynaud

Gregory C. Thomas

Burnice G. Weeks

ALPHA OMEGA HONOR SOCIETY

SENIORS

James Raymond Angel

Lelia F. Angel Richard Darrell Cunningham

Louie Donell Freeman Robert Thomas Grissom

Dennis Kasimian Stephen Alan Kramer

Kurt Hoyt Kunzel Leopold DeBlanc Landry, Jr.

Stephen Mark Lazarus James Michael Meek

Samuel Walton Parry Priscilla Ethel Perry

Lehman Kullman Preis, Jr. Freddie Reynolds

Jerry Dennis Routh Wayne Lowry Watkins

Brett Houghton Woodard

JUNIORS

Charles Markham Berry III

Branch Craige III
Jacquelyn Almeda Going
Philip Harold Henderson
William Dayton Smith, Jr.
Rand Marcel Voorhies
Jonathon Yen Chan Ching
Stacey March Johnson

Gregory Allen Dwyer
Friedrichs Henry Harris, Jr.
Samuel Pettigrew Robinson
James Andrew Sumner
John Jacob Baehr III
Elliott Clarke Haley, Jr.
Alvin Roy Solomon, Jr.

^'^^

340

OMICRON DELTA KAPPA

Bruce Allen
Deirdre Demetria Boyd
Paula Abington Burgess
Warren Lee Chandler
Charles Leon Hall
Richard Burnett Jamison
Jennifer Ann Lehmann
Melissa Ann McGinn
Roger Edward Schultz
John Frederick Stack, Jr.
John William Youngblood
Col. William J. Berridge

John P. McDowell

Bolyard

Beverly Eileen Briggs
Roger Allen Burke, Jr.
Frederic Allan Fernholz
Grady Schell Hurley
Douglas Alan Joseph

Donna Sue Levy
Serena Fitz Randolph
Gary Steven Shamis
David Charles Vogt
Mrs. Florence Andre
Prof. Henry L. Mason
(Assoc. Dean)

341

SOCIETY OF THE SIGMA XI

FULL MEMBERS

J. Thomas Beale
Maurice J. Dupre
Mary Trotter Green
Peter B. Kastl
Fred LaMartin
Chesley S. Lancaster

Frederick Y. Lee
Randall E. Marcus
Joachim D. Meyer
Stephen O. Nelson
Steven Marc Paul
David W. Wieting

ASSOCIATE MEMBERS

Kerry Bloom
James C. Cooke
Michael T. Dunn
Richard Hindes

Cindy Anne Leissinger
Kenneth O. McElrath
Nick M. Moustoukas
David D. Reimers

342

KAPPA DELTA PHI

Jeff Barter
Warren Chandler
Bert Eichold
Frederick Fernholz
Grady Hurley
Mark Lampert
Herbert E. Longenecker
Tim Mescon
Charles O'Brien
John Tavormina

343

PHI ETA SIGMA

Steven R. Cohen
Michael Cypers
Steven Feigley
Neil Feingold
Craig Hurwitz
Quentin Phillips
Gary Plotke
Steven Robbins
Peter Sloterdijk
William F. Smith
Bernard Tanenbaum III
Steven Vasalech
Eric Vinokur
Barry W. Ashe
Scott A. Norton
Paul R.Allen

Louis Glade
William E. Boesch
Dewey D. Archer, Jr.
Marc Barinbaum
Howard R. Bromley
Edward J. Callan
Keith Cangelosi
William Edwards
Neil Faggen
Russell Fiorella
Lawrence Gilman
Robert S. Gold
Bruce Goodman
Thomas Graham
Mark Harman
James Hibbitts

Michael E. Bennett
Andrew A. Berman
Michael Fajgenbaum
Michael Farley
John P. Farnen
Paul A. Ferrara
John F. Fortier, Jr.
Larry Gandle
Luis Guerra
Harold Henderson
Michael Hoover
Jason Jacoby
Jeffrey A. Matson
Mark S. Reynolds
David N. Schell
William W. Shea
Randy B. Silverstein
Richard F. Lombardo
Robert T. Rider

Julius Ivester
Arthur Johnson
Laurence Kandel
Richard Knight
Carlos Lavernia
Harold Levkowitz
Marc Levy
Daniel Mandel
Calvin Mar
David McLain
Paul Musco
Randolph Peck
Robert Redman
Michael Remington
David Rosner
David Sausser
Arnold Schoenberg
James Slobard
Stuart Tobet

344

Franklin Waller
Kurt Wiese
Richard Wolkin
Stanford Zent
Michael Schmidt
Bruce Buckingham
Tim Culvahouse
Gary Fitzjarrell
Gary Frazier
Susan Wedlan
Jonathon Barrilleaux
Kevin Murphy
Brian Bartholomew
Robert Burch, Jr.
Keith Degas
Thomas Henry
Patricia Maneille

Larry Kiser
Gay Gomez
Roberta Hawk
Julia Reynolds
Dale Allen
Susan Horowitz
Verra Picard
Sylvia Burson
Deirdre Rourke
Sarah Coleman
Lisa Rohrer
Roxolana Jarema
Lisa Sable
Bonnie Baine
Sherry Hansl

Mark Mantese
James V. Reuter III
Richard Ripberger
David Cibula
Linda Barker
JohnMoser
Robert Gilmore
Lizetter Moschella
John Payton
Robert Pospick
Robert Dvorak
Annette Bergeron
Warren Bourgeois III
James Fouts
Kan Yap
Linda White
Judy Kron
John Kirk

Jessalyn Wilscam
Linda Ewing
Sharon Greenburg
Pamela Mearns
Deborah Rogoff
Julie Stephens
Olga Merediz
Candy Matheny
Linda Beir
Susan Foster
Madolyn Hingle
Verel Washington
Mary Meadows
Amy Jo Weil
Patricia Nierman
Marsha Ingram
Jennifer Wright
Terry Lees
Annette Lawrence

345

"THE ORDER OF COIF — 1975

Phyllis Potterf ield Baily
Barnett Joel Brimberg
Cecil Charles Broome
Jill Enid Golden
Anton George Hajjar
Corinne Morrison Hopkins
Frederick Thaddeus Kolb
Edward Francis LeBreton III
Stephen David Lobrano
Daryl Patrick McDonald
David Milford Naseman
Richard William Simmons
Mark S. Stein
Peter Stephen Title
Thomas Robert Trotter
Harvey Deloss Wagar III
Kenneth Andrew Weiss
Margaret Emily Woodward

346

TAU SIGMA DELTA

School of Architecture
Kathleen J. Amrock
Gregory A. DeCoursey
S. Rembert Donelson
Ivan Diaz

Jonathon W. Ericson
Brian E. Faucheux
Jose Fernandez
Patrick A. Flory
William E. Herron
Robert A. Ivy, Jr.
David M. Leake
Richard W. Monet
Steven R. Quarls
Clemens B. Schaub
Paul R. Svk^artz
Dorothy A, Wright

347

PHI BETA KAPPA

Stephen Patrick Alleman
Linda Marie Argote
Richard Even Baudouin, Jr.
Richard David Bellah
Maud Bivona
Jody Lee Blake
Deborah Marie Blattstein
Kerry Stephen Bloom
Richard Allan Bodziner
John Richard Braddock
Peter Konrad Bretting
James Bruce Bumgarner
Paula Abington Burgess
Drusilla Lorene Burns
Kevin Joseph Byrne
Maria Magdalena Canales
John Harold Cowan
Cindy Lea Crawley
Arta Kathryne Creamer
Steven Murry Drucker
Robert M. Duchen
Thomas F. Duchen
Charles Frederick Eick
David Roy Eisen
Joan Frey Paris
Katherine Anne Fauntleroy
Charles Monroe Getchell
Jane Marie Graffe
Marie Elena Gutierrez
Catherine Lee Hellmann
Colleen Elizabeth Henling
Richard David Hindes
Mara Beth Hoffman
Sara Peak (Mrs.) Janvier
Vicki Brown (Mrs.) Johnston
Jerrold Mark Jung
Michael Edmond Katz

Janet Robin Kay

Rock Edward Kent

Victoria Lynne Knight

Linda Land

David Hamilton Ledbetter

Cindy Anne Leissinger

Peter Deal Little

Yvette Ganucheau (Mrs.) Magee

Lester Alan Marks

David Earl Massengill

Lucinda Ann McDade

James Stuart McGrath

Barbara Hamer (Mrs.) Menendez

Vivienne Manachino

Elizabeth Renee Monrose

Herbert Hoffman Nelson III

Thomas Edwin Niesen

Marianne O'Carroll

Alan Bruce Peterson

Jon Robert Phillips

Michal Dennis Purswell

Isabel Waters (Mrs.) Sanders

Thomas Charles Santoro, Jr.

Edward Zachary Shaf er

Steven Elliott Sheffner

Laurence Mark Steinberg

Daniel Garber Stroud

Joseph Eugene Tusa

Claire Helene Waggenspack

William Otis Walker, Jr.

Paula Jo Washington

Janice Evonne West

John Franklin Whitney

Stephen Albert Williams

Kimie Jean Wilmot

Alan Neal Zvibleman

Annamerle Zwitman

348

WHO'S WHO IN AMERICAN COLLEGES

Ernest Back
Jeffrey Barter
Richard Baudouin
Lance Borochoff
Kathleen Carlin
Bernard Eichold
Rick Fernholz
James Ferrara
Arthur Fishman
John Hildebrand
Douglas Joseph
Paul Medellin
John Nelson
Richard Paddor
Martin Paley
Genero Perez
Donald Peterson
Michael Purswell
John Sartin
Richard Schuldt
Gary Shamis
Alan Smason
Luther Strange
Joseph Tusa
Scott Wagman
John Youngblood
David Zalkind
Edward Quatrevaux
Raul Cotilla
Craig Bachner
John Tavormina
Robert Aaron
Bruce Feingerts
George Ann Hayne
Betty Shiell

349

PHOTOGR/1PKY CRGDITS

Mark Sindler — 66; 67a,c,d; 68a,b,c,d; 71; 75a, b; 76c;
77a; 81; 82; 83c; 84; 86b; 94; 96; 105; 110a; lllb;118-
121; 122c,e; 123a,c; 125a,c,d,e; 126; 127b,e; 142e
156b; 157; 206a; 207a,c; 226; 227a,c; 232b: 233-234
235a.c; 236-237; 239; 242a; 243b,c; 245a,c; 246b,c
249b; 250-253; 254a,c; 255b,c,d; 256a; 260; 262; 263b
264-268;279;299; 303b.

Robert Paddor — 69a; 74; 83a,b; 90; 97a,c,d; 122b;
127a,d; 145a,b; 146c; 149a; 162; 164-165; 258-259;
263a; 269b; 273; 274; 275b; 252.

Richard Paddor — 138c; 139d; 140a,c,f: 141b; 144b,d;
145c; 241a,c,d,e; 244a, c; 248,c,d; 256b.

Stacey Berger — 44; 45; 67b; 75c; 76a; 80a; 112b; 114-
117; 124b; 125f; 138a; 139a,b; 140b,e; 141a,c,d; 142a,
b; 143c; 146a,b; 147a; 148b; 149b; 150; 151a,b; 163;
166-167; 241b; 243a; 244b; 245b; 248b; 249a,c,d,e;
303a.

Buddy Brimberg — 2; 10; 20; 21; 22; 33; 63; 113; 129-135.

Andy Boyd — 69b; 72; 78; 80b; 87a; 95; 112a; 122a;
123d,e; 124e; 125b; 127c; 147c; 148b; 151c; 152-155;
156a; 207b; 232a; 235b; 242b.

Wade Hanks/Avery Crounse — 213; 216-217; 220; 224.

Matt Anderson — 79; 92; 97b; 98-109; 142c,d; 143a,b;
144a,c; 161; 206b.

Mike Smith — 64; 202-203; 215; 218-219; 222-223; 330-
335.

Francisco Alecha — 86a; 91; 93; 112c; 122d; 201; 246a;
247b,c.

Robert Sharpstein — 69c; 76b; Ilia; 124d; 270.

Richard Monat — 137; 227b; 254b; 255a; 282-298.

Dudley Sharp — 69b; 206a; 242c; 269a; 272; 275a; 276-
277; 300; 302a.

Toby Darden — 77b,c; 246d; 301; 302b.

John Kelly Charhon — 73; 124a, c.

David Levy — 247a.

Grant Bagan — 85; 138b; 139c,e; 140d.

Billy Daly — 169.

Lee Schuman — 160.

SPeCIRC/^TIOMS

The 1975 Jambalaya was prepared by the students
of Tulane University and printed by offset litho-
graphy by Delmar Printing Company, Charlotte,
North Carolina.

The cover material is a special order Dark Maroon
#78208 (Windsor Red), on 160 point board embossed
with two hand-tooled dyes, and top-stamped in gold
mylar foil.

Binding is smyth sewn, rounded and backed with
head and foot bands.

Endsheets are Simpson Lee Teton, 65 pound cover
bases, pale ivory.

The paper stock is 80-pound Westvaco Coronation
dull offset enamel.

Display headlines are Busorama Bold in sizes vary-
ing from 24 to 84 point. Headlines are Melior, 24 and
36 point. Body copy is Melior and Melior Bold, sizes
10 and 12 point.

Duotones are with Pantone (PMS) 403 plus black.

Pressrun was 2300 copies.

350

/^CKhOWLeDGGMGMTS

This year's Prologue was originally printed in the
1914 Jambalaya.

Portions of the History section were taken from the
1934 Jambalaya.

Special thanks to Pat Trivigno, of the Newcomb Art
Department, for his pencil portraits of the retiring
Administrators.

The building photographs which appear on pages
12, 14, 16, and 18 are courtesy of the Howard Tilton
Memorial Library's Rare Book Room.

The Theatre rendering on pages 88 and 89 was
graciously submitted by G. Carr Garnett.

Jon Hutchinson designed the Direction Logo.

The artwork on page 204 was first printed in the
1900 Jambalaya. The Medical School article was re-
printed from the March, 1921 "New Orleans Medical
and Surgical Journal". This piece was originally en-
titled "Reminiscences of Dr. Andrew W. Smyth of
Subclavian Aneurism Fame."

The photograph of Tulane Stadium on page 209 is
courtesy Mid-Winter Sports Association.

Mechanic's Institute photograph on page 214 is
courtesy of the Rare Books Room of the Howard Til-
ton Memorial Library.

Storyville photographs which appear on pages
228-231 are courtesy of Al Rose.

The Jambalaya logo illustrated on page 258 was
first printed in the 1899 Jambalaya.

Student portrait photography was furnished by
Rappaport Studios, New York, New York.

Some display type faces were excerpts from Art
Nouveau & Early Art Deco Type fr Design, edited by
Theodore Menten, Dover Publications, Inc., New
York.

Borders and design faces from Graphic Products
Corporation, Rolling Meadows, Illinois;

Special thanks to Armand Burton, University Re-
lation's photographer, for photographic works sub-
mitted.

A hearty thank you to Patty Hymson for her pen and
ink drawings which magnificently adorn pages 87,
225, 239, 251, 252, 253, and 327.

And special thank you's to the other members of the
staff whose time and patience made this year's
annual possible. These people include Sydney Whit-
aker, Linda Lee Stump, Craig Cohen, Paige Golde,
Diane Hudock, Rick Monat, Doug Vincent, and Lee
Schuman.

Best of luck to next year's Jambalaya editor, Gordon
Sokoloff.

And to the people who made the 1975 Jambalaya
possible, many thanks to the Delmar Printing Com-
pany, Charlotte; in particular Larry Marshall, Bob
Anderson, Ralph van Dyke, and Gary McCullough.

351

From The Editor:

The Jambalaya staff takes great pride in
the production of this years' annual. Al-
though in many cases changes had to be
made due to financial restrictions, we have
done our hest to remain faithful to the words
stated in our Prologue. I hope you find the
book a Jambalaya of Jambalayas.

Oh yes, should you develop a craving for
Jambalaya after looking at the photograph
of its ingredients on page two, just look be-
low. Enjoy.

Richard Paddor

2 onions, chopped

4 tablespoons butter

2 fresh tomatoes

V2 can of tomato paste

4 cloves garlic, chopped

2 pieces of celery, chopped

1 bell pepper, chopped

1 teaspoon of chopped parsley

dash of Mcllhenny's tabasco

JAMBALAYA

V2 teaspoon thyme
3 cloves, chopped

1 pound boiled ham, diced

2 pounds shrimp, peeled and boiled

3 cups cooked rice
Salt and pepper

V2 teaspoon cayenne
plenty of hot french bread

Saute onions in butter 5 minutes. Add tomatoes and tomato paste and cook 5 minutes,
stirring constantly. Add garlic, celery, bell pepper, parsley, thyme, and cloves. Cook 30
minutes, stirring frequently. Stir in ham and cook 5 minutes. Stir in shrimp and cook 5 min-
utes. Stir in rice, season to taste, and simmer 30 minutes, stirring often. Serves 8.

352